Best 36 of Tim Hecker quotes - MyQuotes

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Tim Hecker
By Anonym 13 Sep

Tim Hecker

I definitely enjoy liturgical work and choral work from the 15th century and 16th century, but I play in churches with a bit of trepidation, and it's not something I enjoy because there are all these problems. It's an implication that you're part of the theological apparatus, like for atheists or something, and I don't like that. I like playing with the form, inhabiting the tropes of religious music without that promise of angels at the end. It can be awkward, you know?

By Anonym 15 Sep

Tim Hecker

You can't be sure there's not a God, so why live your life in hatred or the denial of that. It's better to be open to the possibility of it. Just because the whole conceit of scientism... is that our world is explained by two atoms smashing, right? Our green planet came out of that. But I just don't buy where the original line comes back to, those two atoms. The explanations aren't fully in yet.

By Anonym 13 Sep

Tim Hecker

I download music just like anybody else, but it's a weird relationship when you're a musician.

By Anonym 14 Sep

Tim Hecker

Offness yields a hypnotic effect. The brain can see simplistic patterns that lock and it's boring after a while. I don't cater to that.

By Anonym 13 Sep

Tim Hecker

I definitely road test music. I'll drive in the car and look up at the sky and that often makes it more clear, like what's good and what's not. Driving in darkness is amazing, because you really feel the energy and what has presence, spirit to it, and what doesn't.

By Anonym 15 Sep

Tim Hecker

You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.

By Anonym 15 Sep

Tim Hecker

Working with devices and guitar pedals and mixers and synthesizers is what I do, and I prefer people not focus on that because it's kind of distracting from what the point should be. At least for me, it's to have the primacy of aurality in the experience of that evening.

By Anonym 13 Sep

Tim Hecker

I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.

By Anonym 15 Sep

Tim Hecker

There's a limit of any form of representation; it's the same about writing about visual art. I still think it's useful for people to think through things in a deeper way, and use adjectives even if they're not sufficient, you know? I always find it interesting what terms they use to refer to the work. It's always different, and that's kind of intriguing. Sometimes it's clichés, but often it's really creative ways of paraphrasing or reformatting what to mean seems something else. I like that, personally.

By Anonym 13 Sep

Tim Hecker

I'm not an anti-online person. I get what the modern world's about and I understand that that's the nature of music dissemination.

By Anonym 13 Sep

Tim Hecker

It depends on what kind of minimalism you're talking about, of course. I love both those artists - Brian Eno and William Basinski. I would say my minimalism references are early American minimalists from the 70s.

By Anonym 15 Sep

Tim Hecker

We should do an Adorno reading on Skrillex and vodka sales in Vegas. It's definitely interesting. What's interesting in that music for me is the harmonic density in some crazy melodic line that sounds like some Michael Bay film eating itself. Which I enjoy in the same way I'll watch a cracked up Hollywood movie. Yet rhythmically, I guess that music just funnels more into predictable cash outcomes.

By Anonym 14 Sep

Tim Hecker

I wouldn't say that I'm a consummate live artist. Album work is kind of just like quilt weaving or something. But live music is just like a method of emptying out the mind through volume. Volume as a form that allows you to do different things. And that doesn't really translate to recorded music, like how do you listen to that, on Spotify or in your car? It's not the same kind of effect. I would say that the loudness is a huge part of what I do live.

By Anonym 14 Sep

Tim Hecker

I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.

By Anonym 13 Sep

Tim Hecker

For me it's the hypnotic simplistic reduction of hooks into some form of prayer wheel or something. I really appreciate people who can work in those quiet environments making really precious latticework like lace in a weaving but, for me, I like it a bit more hairy and like psychedelic Peruvian knits or something! You know what I mean? I go into fabric analogies, you know.

By Anonym 15 Sep

Tim Hecker

You start to think, when you're finishing a record, in twelve- to fourteen-minute chunks. At a certain point, you do write to the format. It's not a coincidence that most albums are between thirty-five and fifty minutes. It's kind of like the 98-minute film. It becomes some paradigm for human attention in the media.

By Anonym 14 Sep

Tim Hecker

I've always said my records are these failures of not getting where I want them to go, they end up detouring somewhere else, so on one level it's partly a disappointment, and on another level it's being comfortable with surrendering to that kind of state of becoming or whatever.

By Anonym 14 Sep

Tim Hecker

I wouldn't say I'm ego-less, but I'd say there's something uncomfortable about the presentation of one's self in the media. Any image sent out is permanently in the spin cycle. And there's a paralysis of that, the way your image is presented. I've always been hesitant, but I'm definitely not shy or anything.

By Anonym 14 Sep

Tim Hecker

My peer network is international. It's people all over the place who I know, and respect their work. It's not really delineated by traditional nationalist ideas.

By Anonym 13 Sep

Tim Hecker

I found all my reading and writing informed my music in subtle ways. Ravedeath came out of studying the pipe organ, going to New Jersey - the world's loudest and biggest pipe organ.

By Anonym 13 Sep

Tim Hecker

I'm really sensitive to the beginning of a motif or a phrase or something that's kind of the backbone or becomes kind of the spine that you grow muscle tissue onto. You know from that, if you have that good beginning, it's like everything that grows off it often has potential. Maybe I'm good at that early bit of recognition of pieces of potential. I'm not sure.

By Anonym 14 Sep

Tim Hecker

I've got Ph.D. just because I enjoyed reading and writing and didn't know what else to do. It was something fun to do. Like it seems self-evident that I'm a musician now, but it's a really hard path. It's almost impossible.

By Anonym 13 Sep

Tim Hecker

I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on.

By Anonym 14 Sep

Tim Hecker

I've been playing music all my life. I wasn't really fostered in a musical family, it was something I did despite the kind of limitations put on me. It was a series of misshapes and failures and things that didn't work out and other opportunities that kind of presented themselves. I just followed a journey.

By Anonym 13 Sep

Tim Hecker

I don't feel like music is getting more intense; I think generally the channel for deeper harmonic saturation is not just a sine wave - but a really crunched sine wave. The trend in music is towards a harmonic saturation. I wouldn't say I'm reacting against that. It's just a personal choice to move into some weird space. This also allows me breathing room in the future. It just felt like the right thing to step back on.

By Anonym 14 Sep

Tim Hecker

Once you have MIDI information - I mean, it's a bit technical - that's your paint. You can slow down, pitch up, change notes within a different key. That's the foundation in which you can write things.

By Anonym 14 Sep

Tim Hecker

People still talk about sampling as this new, progressive problem in music. There are technologies now where you can glean the polyphonic information out of a sample and then put that back in and then score it for five instruments. You don't need digital audio to sample; you can rewrite things.

By Anonym 15 Sep

Tim Hecker

Vinyl's just a fun endgame step. I work with analogue signal chains too, but the mp3 is the way I listen to music.

By Anonym 14 Sep

Tim Hecker

I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something.

By Anonym 13 Sep

Tim Hecker

I really support criticism as a craft and as a vocation. People who devote as much time to thinking about sound through writing as I do practicing and forming it, the whole system of journalism seems to not yield rewards sustainable as a craft. So few can spend enough time to be serious about it and approach it with confidence and a kind of depth. And that's good on one level, because you have some leveling, that's kind of maybe leveled the petty fiefdoms of undeserving people but it's also made it hard to make a living as a writer.

By Anonym 14 Sep

Tim Hecker

Sometimes it's a fraught, kind of laden world of performance that I think can be really dubious, but it's also super fun to almost desecrate an instrument that for 500 years has been associated with God.

By Anonym 13 Sep

Tim Hecker

I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.

By Anonym 13 Sep

Tim Hecker

Because I refuse to perform my music in a traditional sense of instrumentation, I don't have an amazing live stage spectacle to provide, and I don't want to go there. I don't see how the music would stay true to the spirit of the work.

By Anonym 15 Sep

Tim Hecker

There have always been people making music. On their porches, playing folk songs. Playing piano in quiet salons. You don't have to listen to every MySpace page, so what's the difference? It's just noise that you filter out.

By Anonym 13 Sep

Tim Hecker

I'm not a peak oil person. I'm not a biohazard apocalyptic kind of freak. I don't have a supply of weapons or gold bars under my house.

By Anonym 13 Sep

Tim Hecker

I love vinyl, but I'm not a 'vinyl person'. I still collect, but most of my stuff is digital.