Best 136 of Japanese quotes - MyQuotes
A feeling of liberation should contain a bracing feeling of negation, in which liberation itself is not negated. In the moment a captive lion steps out of his cage, he possesses a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds to him; the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage. Etsuko however, had in her heart not the slightest interest in these matters. Her soul knew nothing but affirmation.
I was surprised to find authors like Kaizan Nakazato and Sanjugo Naoki in a corner of the bookcase where I've never noticed them before. I dip into a book, and if it's dull I go straight onto the next. I never used to do that--even if I was bored I'd plod on to the end. But, look, if I'm to die at any moment, there's no sense being in the middle of a boring book, is there?
Studying overseas as an international student in a foreign country is a very challenging undertaking. How Japanese students adapt to a new country plays an important role in their study and their ultimate success.
It just takes time, it just takes patience, he says, just like it does with people. Don't give up until you have done everything to change yourself. Then, he says as he sits on the doorstep, only then you can start blaming others.
Allowing ourselves to become pure point of view, we hang in midair over the city. What we see now is a gigantic metropolis waking up. Commuter trains of many colors move in all directions, transporting people from place to place. Each of those under transport is a human being with a different face and mind, and at the same time each is a nameless part of the collective identity. Each is simultaneously a self-contained whole and a mere part. Handling this dualism of theirs skillfully and advantageously, they perform their morning rituals with deftness and precision: brushing teeth, shaving, tying neckties, applying lipstick. They check the morning news on TV, exchange words with their families, eat, defecate.
To study the self is to forget the self. Maybe if you sat enough zazen, your sense of being a solid, singular self would dissolve and you could forget about it. What a relief. You could just hang out happily as part of an open-ended quantum array.
You know, when people familiar with the mountains enter the wilds, they often look for a branch that stands out, break it to mark their tracks. It’s useful on the way back. It’s called a shiori, a folded branch, just like the word for bookmark. It is written differently but is pronounced the same.
Gaman is a documentary that revealed the four year study experience of a Japanese student who left Japan to study in Australia and then returned home with a foreign qualification
Lupasit tulla luokseni viime yönä. Se yö on mennyt. En luota sinuun enää. Rakastan sinua aina.
Weißt Du, daß es außer den über dreißig Farben in einem Farbtub-Kasten noch eine weitere, für Menschenaugen sehr wohl sichtbare Farbe gibt — die der Traurigkeit?
Be as vigilantly on guard against translating such a sentence into the passive voice as you would against committing murder.
You will tell me that there always exists a chasm between the world depicted in novels and films and the world that people actually live in. It is the chasm between the world mediated by art and the world unmediated by art, formless and drab. You are absolutely right. The gap that my mother felt was not necessarily any deeper than the gap felt by a European girl who loved books and films. Yet there is one critical difference. For in my mother's case, the chasm between the world of art and real life also symbolized something more: the asymmetrical relationship I mentioned earlier—the asymmetrical relationship between those who live only in a universal temporality and those who live in both a universal and a particular one. To make this discussion a little more concrete, let me introduce a character named Francoise. Francoise is a young Parisienne living before World War II. Like my mother, she loves reading books and watching films. Also like my mother, she lives in a small apartment with her mother, who is old, shabby looking, and illiterate. One day Francoise, full of artistic aspirations, writes an autobiographical novel. It is the tale of her life torn between the world of art and the world of reality. (Not an original tale, I must say.) The novel is well received in France. Several hundred Japanese living in Japan read this novel in French, and one of them decides to translate it into Japanese. My mother reads the novel. She identifies with the heroine and says to herself, "This girl is just like me!" Moved, my mother, also full of artistic aspirations, writes her own autobiography. That novel is well received in Japan but is not translated into French—or any other European language, for that matter. The number of Europeans who read Japanese is just too small. Therefore, only Japanese readers can share the plight of my mother's life. For other readers in the world, it's as if her novel never existed. It's as if she herself never existed. Even if my mother had written her novel first, Francoise would never have read it and been moved by it.
Dad says there are more than three thousand letters in the Japanese alphabet, which could pose a problem. There are only twenty-six letters in the English alphabet, and I get into enough trouble with them as it is.
Ruth was a novelist, and novelists, Oliver asserted, should have cats and books.
Oi elämäni, toivoton sammumaton. Miten kadehdin tuulen tuivertamia soihtuja yössä.
tamarind seedling on a cowdung cake - green phoenix
Seek to become conscious of being filled with ki, the power of the universe, and to use that power well. To be at one with this great power is aikido, the way of the spirit. (Page 17).
You know Americans...Self-improvement. No matter who or what we are, we're always working on ways to become somebody else.
By means of microscopic observation and astronomical projection the lotus flower can become the foundation for an entire theory of the universe and an agent whereby we may perceive the Truth. And first we must know that each of the petals has eighty-four thousand veins and that each vein gives eighty-four thousand lights.
These days, even plain tea has become a treat, hasn't it?
We face the enemy and contend with him—if he turns away we let him go. (Page 13).
Victoria Abbott Riccardi
A small frosted glass of umeshu (plum wine) sat on a white paper coaster toward the top. The syrupy wine, actually made from small Japanese apricots, had a honeyed smoothness and a fruity finish that left behind a streak of warmth.
Alexei Maxim Russell
Whereas an Otaku is a true connoisseur of the culture, showing the same reverence and respectful distance which any true expert shows to their chosen field of expertise, the Weeaboo is like a socially awkward adolescent, ineptly trying to gain the social acceptance of Japanese people — because their unfortunate mental disorder has caused them to believe they are, in fact, Japanese.
To be pleasant, gentle, calm and self-possessed: this is the basis of good taste and charm in a woman. No matter how amorous or passionate you may be, as long as you are straightforward and refrain from causing others embarrassment, no one will mind. But women who are too vain and act pretentiously, to the extent that they make others feel uncomfortable, will themselves become the object of attention; and once that happens, people will find fault with whatever they say or do; whether it be how they enter a room, how they sit down, how they stand up or how they take their leave. Those who end up contradicting themselves and those who disparage their companions are also carefully watched and listened to all the more. As long as you are free from such faults, people will surely refrain from listening to tittle-tattle and will want to show you sympathy, if only for the sake of politeness. I am of the opinion that when you intentionally cause hurt to another, or indeed if you do ill through mere thoughtless behavior, you fully deserve to be censured in public. Some people are so good-natured that they can still care for those who despise them, but I myself find it very difficult. Did the Buddha himself in all his compassion ever preach that one should simply ignore those who slander the Three Treasures? How in this sullied world of ours can those who are hard done by be expected to reciprocate in kind?
As there is no official textbook or guide for the JLPT N3 level this study guide has been created to help fill an information gap
Here's my impression of you when we met the other day: you HAVE changed completely--but I wish you hadn't. I think I understand why you're on your best behavior at school, and I suppose I ought to praise you for showing such an improvement, but please don't force yourself to change too much. Please, at least when you're with me, be the same bright Naomi who chats about everything under the sun. You and I have grown up in different environments, we have different lives, and we also think differently--yet in spite of all these differences I'm sure we can be the best of friends. One day we may come to share the same ideas, but I'd like to believe that it's a natural growing together.
Although there is no precise word for it in Japanese, a sort of "vicarious seppuku" was practiced during the Sengoku Jidai (The Era of Warfare) with the aim of saving the lives of many by the sacrifice of one life, often that of the most responsible person. For example, when Hideyoshi was warring with Mori Motonari, he decided to try to effect a reconciliation with the latter. At that time, Hideyoshi had under siege one of Mori's castles, which was commanded by Shimizu Muneharu. Hideyoshi offered to spare the rest of the garrison if Lord Mori would have Shimizu commit seppuku, to which Mori agreed. Connected to this episode is a moving example of junshi: On the eve of Shimizu's seppuku, his favorite vassal Shirai sent a request that Shimizu visit his room. When Shimizu arrived, Shirai apologized for having his master visit his humble quarters and explained that he had wanted to reassure his master that seppuku was not difficult and that he, Shimizu, should not be concerned about what he would have to do on the morrow. So saying, Shirai bared his abdomen to show that he himself had completed the act of seppuku only a moment before Shimizu's arrival. Shimizu gave Shirai his deepest thanks for his loyal devotion and assisted him in kaishaku, i.e., he beheaded him with his sword.
The life cord became thin filament, and the heaven cord a rope, by the times the camps were liberated. But I don't think many focused on heaven; too much of hell had been lived to allow for God's grace and heaven.
Not that we were incompatible: we just had nothing to talk about.
The better you were able to imagine what you wanted to imagine, the farther you could flee from reality.
The generational change that is now occurring now in Japan will transform the employment market, education requirements, job skills and lifestyles of the next generation
However keen you may be to begin your study, before you venture on to the mat and attempt any of the basic techniques it is necessary to know something of the principles that govern aikido, for unless you do understand a little about posture, movement, balance, gentleness and courtesy, you will not be a satisfactory pupil. (Page 18).
Education marketers have to begin to communicate with many new cultures and to quickly understand what they like, dislike and how to entice them to enrol and study with their institution, against a backdrop of formidable new competition
The bond between husband and wife is a strong one. Suppose the man had hunted her out and brought her back. The memory of her acts would still be there, and inevitably, sooner or later, it would be cause for rancor. When there are crises, incidents, a woman should try to overlook them, for better or for worse, and make the bond into something durable. The wounds will remain, with the woman and with the man, when there are crises such as I have described. It is very foolish for a woman to let a little dalliance upset her so much that she shows her resentment openly. He has his adventures--but if he has fond memories of their early days together, his and hers, she may be sure that she matters. A commotion means the end of everything. She should be quiet and generous, and when something comes up that quite properly arouses her resentment she should make it known by delicate hints. The man will feel guilty and with tactful guidance he will mend his ways. Too much lenience can make a woman seem charmingly docile and trusting, but it can also make her seem somewhat wanting in substance. We have had instances enough of boats abandoned to the winds and waves. It may be difficult when someone you are especially fond of, someone beautiful and charming, has been guilty of an indiscretion, but magnanimity produces wonders. They may not always work, but generosity and reasonableness and patience do on the whole seem best.
many took the leap with the frog, only to become Basho's ignoring the frog and the pond
To gain mastery you must unite the qualities of spirit, strength, technique and the ability to take the initiative. (Page 31).
Baby Boomers represent the largest and wealthiest market consumer segment in the Japanese economy
A faint tear wet Meiko's eye, so slight a bit of moisture that it passed unseen by Yasuko. Yet all the anguish of which she never spoke was compressed into that single drop
White bread in Japan is a steroidal megaloaf called shokupan. Brioche-like and great for toasting, shokupan is sold in bags of four, six, or eight perfectly square slices, without heels. Where do the heels go? Out back with the imperfect vegetables? I bought shokupan several times before figuring out why the four-, six, and eight-slice sacks all sold for the same price. It's the same loaf, cut into thicker or thinner slices. Eight-slice shokupan is similar in thickness to Wonder bread. Six-slice shokupan is like what we buy in Seattle as Texas Toast (the fresh kind, not the frozen garlic bread). A piece of four-slice shokupan is like a Stephen King paperback. It would make a slot toaster cry out in pain. Iris and I liked the six-slice bread best and usually ate it toasted with melted butter and a sprinkle of sea salt.
Too lazy to be ambitious, I let the world take care of itself. Ten days' worth of rice in my bag; a bundle of twigs by the fireplace. Why chatter about delusion and enlightenment? Listening to the night rain on my roof, I sit comfortably, with both legs stretched out.
The official JLPT guide states that JLPT N3 level is roughly equivalent to Japanese Grades 1 through 4 in terms of kanji and vocabulary content with approximately 650 Kanji made up of Grade 1 (80), Grade 2 (160) Grade 3 (200) and Grade 4 (200) and 3750 vocabulary
Victoria Abbott Riccardi
Eating a meal in Japan is said to be a communion with nature. This particularly holds true for both tea and restaurant kaiseki, where foods at their peak of freshness reflect the seasonal spirit of that month. The seasonal spirit for November, for example, is "Beginning Anew," because according to the old Japanese lunar calendar, November marks the start of the new tea year. The spring tea leaves that had been placed in sealed jars to mature are ready to grind into tea. The foods used for a tea kaiseki should carry out this seasonal theme and be available locally, not flown in from some exotic locale. For December, the spirit is "Freshness and Cold." Thus, the colors of the guests' kimonos should be dark and subdued for winter, while the incense that permeates the tearoom after the meal should be rich and spicy. The scroll David chose to hang in the alcove during the tea kaiseki no doubt depicted winter, through either words or an ink drawing. As for the flowers that would replace the scroll for the tea ceremony, David likely would incorporate a branch of pine to create a subtle link with the pine needle-shaped piece of yuzu zest we had placed in the climactic dish. Both hinted at the winter season and coming of New Year's, one of David's underlying themes for the tea kaiseki. Some of the guests might never make the pine needle connection, but it was there to delight those who did.
in this world there probably isn't anyone whom you can dislike from the heart!
The various units of Philippine guerrillas, their tactics, military resources, and vigor to survive and end the Japanese maltreatment of the Philippine people paint the Pacific Theater from 1941-1945 as desperate, dark, and bloody for Asian communities throughout East and Southeast Asia
Nationality isn’t much more than a lease to an apartment, ” I said. “If you don’t like the apartment anymore, you break the lease and get out.
At this place in time, neither of them were foreign to each other. They were just two humans alone in the middle of the sky. The differences between them now were immaterial, like the faint whisper of traffic far below.
When the Germans surrendered with their arms raised high, holding a white flag, they weren't at all how i imagined them: hard, cruel, tall and monstrous with cigars chomped between their lips talking about how they wanted to shoot babies and old people. Instead they were boys like us, teenagers, tired, scared, dirty, and looking almost relieved that their was over, for now, that they can rest their bone-tired bodies in the POW camps.
Alexei Maxim Russell
Yes," I continued, "I discovered this model recently and her style never fails to be mathematically perfect. She seems to come by it naturally. As if she were born resonant. I notice Japanese models tend to do this. Like I said, they seem to have resonance somewhere deep in their culture. But Yuri Nakagawa, she's the best I've ever seen. The best model, with the most powerful resonance. I need her to probe deeper into this profound mathematical instinct, which I call resonance.
Als ich sehe, wie Harus Haar verspielt im Wind tanzt und völlig zerzaust wird, und das, obwohl das Grau da draußen doch bleischwer in der Luft lastet, erkenne ich auf einmal, wie weit, weit weg die Vergangenheit ist. Weiter als der Tod, ja weiter sogar als die unüberbrückbare Distanz, die zwischen zwei Menschen besteht.
5.6.2. Egocentricity "The linguistic phenomenon of evidentiality reflects a strong awareness of the self in Japanese language usage, however primordial and simplistic such a notion may be. In order to use the language appropriately, the speaker needs to be aware of the distinction between self and all others. This fact runs counter to many researchers in anthropology, linguistics, and sociology who contend that the Japanese people lack the concept of the individualistic self akin to the Western notion of self. Some even insist that Japan is a "selfless" society. Actual observation of Japanese society clearly demonstrates these notions to be myths. Quite the contrary, Japanese is a highly egocentric language, in which the presence of "I" as the speaker is so obvious as to not have to be expressed overtly.