Best 128 of Interview quotes - MyQuotes
I was born very far from where I'm supposed to be, and so I'm on my way home.
HB: So why does a person get involved with someone who’s entirely wrong for him? NG: I think the answer, quite simply, is that you don’t always get to decide to whom you give your heart.
I also often ask my guests about what they consider to be their invisible weaknesses and shortcomings. I do this because these are the characteristics that define us no less than our strengths. What we feel sets us apart from other people is often the thing that shapes us as individuals. This may be especially true of writers and actors, many of whom first started to develop their observational skills as a result of being sidelined from typical childhood or adolescent activities because of an infirmity or a feeling of not fitting in. Or so I’ve come to believe from talking to so many writers and actors over the years.
If someone out of work knows only three words about their impending job-hunt, I’m willing to bet those three words will be: resumes/CV, interviews, and networking.
Today, it's possible to read both erotica and books written for children without fear of social castigation.
A job interview is a competition won by those who are qualified the most, and, those who are willing to be payed the least.
I believe the visionaries and true reflections of society will be rewarded after their lives. Those being rewarded now are giving the public what it needs now, usually applauding its current state and clearing consciences.
Madonna has no equal at getting attention. She often seems to behave like someone who has been under severe restraint and can now say and do whatever she likes without fear of reprisal. She delights in being challenged, in telling more than she planned, in going further than she had intended. She will answer any question because she is genuinely interested in her own reply. A conversation or an interview then can become an opportunity for self-discovery, or just discovery. It's a hearty mix of self-consciousness and self-confidence. It's a type of courage, this free fall into the perplexing public now.
Producing a great interview requires you to acknowledge the fact that, or to pretend as if, the person you are interviewing is more knowledgeable or interesting than you.
Career isn't about making money as everyone makes something. Rather it's a way of living that would create memorable memories to look back and smile
I take the view with all job interviews that I am practicing for my future successful job interview.
His office was a spider’s lair of silver thread and tempting promises, a page out of Power Architecture Magazine. The dean copied the design from President Lyndon Johnson’s old senate office. The room narrowed toward his desk, an architectural device that channeled all eyes toward the dean, and his chair was slightly elevated, forcing visitors to look up. The two visitors’ chairs were both lowered and oversized, making each guest feel like a child, swimming in too much chair. His architect had assured him it was a subliminal masterpiece.
An intensely gripping narrative...expertly crafted and totally addictive...a must read!
In Uganda, I wrote a questionaire that I had my research assistants give; on it, I asked about the embalasassa, a speckled lizard said to be poisonous and to have been sent by Prime minsister Milton Obote to kill Baganda in the late 1960s. It is not poisonous and was no more common in the 1960s than it had been in previous decades, as Makerere University science professors announced on the radio and stated in print… I wrote the question, What is the difference between basimamoto and embalasassa? Anyone who knows anything about the Bantu language—myself included—would know the answer was contained in the question: humans and reptiles are different living things and belong to different noun classes… A few of my informants corrected my ignorance… but many, many more ignored the translation in my question and moved beyond it to address the history of the constructs of firemen and poisonous lizards without the slightest hesitation. They disregarded language to engage in a discussion of events… My point is not about the truth of the embalasassa story… but rather that the labeling of one thing as ‘true’ and the other as ‘fictive’ or ‘metaphorical’—all the usual polite academic terms for false—may eclipse all the intricate ways in which people use social truths to talk about the past. Moreover, chronological contradictions may foreground the fuzziness of certain ideas and policies, and that fuzziness may be more accurate than any exact historical reconstruction… Whether the story of the poisionous embalasassa was real was hardly the issue; there was a real, harmless lizard and there was a real time when people in and around Kampala feared the embalasassa. They feared it in part because of beliefs about lizards, but mainly what frightened people was their fear of their government and the lengths to which it would go to harm them. The confusions and the misunderstandings show what is important; knowledge about the actual lizard would not.
Victoria Lane: What hints or tips would you give for other artists who are starting a negotiation with an institution for their archive? Barbara Stevini: I would tell them they need to work out what would they like their archive to do and for whom. It's actually the same questions I would ask when going into any institution or doing a placement - what is the context? What is the motivation I have for a placement there? What is the motivation of that hosting organisation to receive it? Is there any fusion of appropriately motivated endeavor from which something can happen from the placement of an archive here, for both parties concerned? I think those questions to be asked about doing anything at all, otherwise you're contaminating the planet aren't you?
I hate the concept of likeability—it gave us two terms of George Bush, whom a plurality of voters wanted to have a beer with, and Facebook. You’d unfriend a lot of people if you knew them as intimately and unsparingly as a good novel would. But not the ones you actually love.
Books from Foundation Series was written by Isaac Asimov was turning point of my life, career, writing and think different ways in the literature belt.
this is what its saying: any criticism of someone who happens to be Jewish... for almost any reason, is anti-semitic
[On identifying talented programmers] It’s just enthusiasm. You ask them what’s the most interesting program they worked on. And then you get them to describe it and its algorithms and what’s going on. If they can’t withstand my questioning on their program, then they’re not good. I’m asking them to describe something they’ve done that they’ve spent blood on. I’ve never met anybody who really did spend blood on something who wasn’t eager to describe what they’ve done and how they did it and why. I let them pick the subject. I don’t pick the subject, so I’m the amateur and they’re the professional in this subject. If they can’t stand an amateur asking them questions about their profession, then they don’t belong. - Ken Thompson
If someone wanted to be a runner, you don't tell them to think about running, you tell them to run. And the same simple idea applies to writing, I hope.
My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction.
We had been texting for exactly thirteen minutes, asking random questions, trying to figure out if we knew any of the same people, or if we liked the same kind of music--the usual interview process you go through when you're trying to get the job as boyfriend.
I am not gay, although I wish I were, just to piss off homophobes.
I think sometimes in literature we kind of police ourselves. I know a lot of people talked about Twilight, and they would say, oh, but the heroine, she lets this man make her decisions. And I thought, that may not be the particular fantasy or trope that works for me. But listen man, I read Wuthering Heights. I wanted me a little Heathcliff action. I mean, why can't we indulge that fantasy and also be like, “And now I would like the ERA passed, please. Also, this lipstick is fuckin' killer.
In a sense, I am a moralist, insofar as I believe that one of the tasks, one of the meanings of human existence—the source of human freedom—is never to accept anything as definitive, untouchable, obvious, or immobile. No aspect of reality should be allowed to become a definitive and inhuman law for us. We have to rise up against all forms of power—but not just power in the narrow sense of the word, referring to the power of a government or of one social group over another: these are only a few particular instances of power. Power is anything that tends to render immobile and untouchable those things that are offered to us as real, as true, as good
What girl doesn't love the tortured bad boy? I think when it comes to bad boys, girls/women have this desire to step forward and try to rescue that sort of individual. It is very appealing to the nurturer inside us I think." - author Lacey Weatherford during an interview on whether she was a bad boy kinda girl
What is the trick for writing dialogue? That you are not running a wiretap for the FBI. I used to have a boyfriend who was an assistant District Attorney in narcotics in New York and he used to have to read wiretaps. And he would bring them home, three feet high, two women who were watching television in their separate apartments, saying, “I need Pampers! Do you have Pampers? Did you see what he just did on that show?” Four thousand pages. They were girlfriends of suspects and it was a real cautionary tale in how you don’t want people to go on and on. And dialogue is nothing at all like how people talk. Dialogue, hopefully, if you’re doing it well, is a couple of well-chosen kernels that stand in for conversation, that represent conversation. Conversation is very boring. Even interesting conversations.
Portia remembered her interview in the small office upstairs...in which she had been so shy, so terrified about not being good enough, not getting this thing, this chance, which she had only just discovered she wanted very badly.
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
I read poetry, song lyrics, stories, history, novel and any books I found interesting to read included religious scriptures, political science, life science and biography & life history of scholars, noble persons, litterateurs & scientists.
At a time when we are spending the majority of our time glued to smartphones and laptops, having a poetry hub to engage with online provides literary relief from endless cat memes and disaster stories. The internet has dissolved the barriers of publishing and the difficulties of having your voice heard, allowing literature to be born straight away on social media. Poems are liked and shared thousands of times on Facebook, showing how poetry continues to resonate and be engaged with even in the digital age.
Most of most politicians’ answers are long-winded implicit ways of saying: ‘I don’t know’ or ‘I don’t want you to know’.
Treating Abuse Today 3(4) pp. 26-33 The national discussion regarding the veridical truth of memories of childhood abuse will have a beneficial effect. Therapists will be reminded that dire consequences can ensue from poor practice, careless technique, and unchecked countertransference and parallel process. Hopefully, it will also stimulate legitimate research into the nature of traumatic memory. Unfortunately, the polemic often has been hysterical, scapegoating, accusatory, speculative, rumor driven, biased and antiempirical. Since many members of the FMSF, Inc. Scientific Advisory Board are frequent professional witnesses for the defense in cases of alleged sexual abuse, we questioned whether the organization was acting more as an advocate for a previously determined position or whether it was truly taking a scientific approach to determining the veridical truth of recollections of child abuse.
I'd be stunned, shocked, and amazed if there were a human being on the planet in 2030.
I had an interview once with some German journalist—some horrible, ugly woman. It was in the early days after the communists—maybe a week after—and she wore a yellow sweater that was kind of see-through. She had huge tits and a huge black bra, and she said to me, ‘It’s impolite; remove your glasses.’ I said, ‘Do I ask you to remove your bra?
... walk in the footprints of his ancestors. This land is a museum of man's ancient history. The American has gone to the moon and found dust, he's going farther away to look for other planets, very good. But know thyself first. That is what I would tell my American friend.
To me, the thing about friendship that makes it so singular is that it’s a relationship that’s central to our identity in that it doesn’t necessarily benefit us in any tangible way. It’s a relationship we don’t have to pursue – if we decide to stop being friends one day, nothing will happen, no one’s there to legislate or adjudicate it. It’s two people who every day choose to keep it going, and in that way it’s very powerful because it’s one you choose to work on, and you choose to without any agreement; it’s an unspoken bond.
China Belt-Road region focused on the One Belt and One Road of The Silk Road Economic Belt and 21st Century Maritime Silk Road in the ancient Chinese silk traders were road the belt for merchant silk & banking finance. Bangladesh is Belt-Road member states. Ancient we learned business & capitalism from China traders on which today’s super power America’s economy was built.
Treating Abuse Today 3(4) pp. 26-33 While Pamela Freyd was speaking to us on the record about her organization, another development was in the making in the Freyd family. Since Pamela and her husband, Peter Freyd, started the Foundation and its massive public relations effort in which they present as a "falsely accused" couple, their daughter, Jennifer Freyd, Ph.D., remained publicly silent regarding her parents' claims and the activities of the FMS Foundation. She only wished to preserve her privacy. But, as the Foundation's publicity efforts gained a national foothold, Dr. Jennifer Freyd decided that her continued anonymity amounted to complicity. She began to feel that her silence was beginning to have unwitting effects. She saw that she was giving the appearance of agreeing with her parents' public claims and decided she had to speak out. Jennifer Freyd, Ph.D., is a tenured Professor of Psychology at the University of Oregon. Along with George K. Ganaway, M.D. (a member of the FMS Foundation Scientific Advisory Board), Lawrence R. Klein, Ph.D., and Stephen H. Landman, Ph.D., she was an invited presenter for The Center for Mental Health at Foote Hospital's Continuing Education Conference: Controversies Around Recovered Memories of Incest and Ritualistic Abuse, held on August 7, 1993 in Ann Arbor, Michigan. Dr. Jennifer Freyd's presentation, "Theoretical and Personal Perspectives on the Delayed Memory Debate," included professional remarks on the conference topic, along with a personal section in which she, for the first time, publicly gave her side of the Freyd family story. In her statement, she alleges a pattern of boundary and privacy violations by her parents, some of which have occurred under the auspices of the Foundation; a pattern of inappropriate and unwanted sexualization by her father and denial by her mother, and a pattern of intimidation and manipulation by her parents since the inception of the Foundation. She also recounts that several members of the original FMS Foundation Scientific Advisory Board had dual professional relationships with the Freyd family.
Nearly everything I do is independent. It's my nature, what being fiercely independent. And publishing my written works of literature under my own imprint—Quill Pen Ink Publishing—is no different. ("Smashwords," 2018)
A major defining factor was my wanting him to be part of the DC Universe. Because if someone as powerful as the Sandman was running all the dreams in the world, a natural question would be “Why haven’t we heard about him by now?” The answer I came up with was “He’s been locked away.” And that solution formed an image in my head of a naked man in a glass cell. My next question was “How long had he been trapped there?” The movie Awakenings hadn’t been made yet, but I’d read Oliver Sacks’s book a few months earlier, so I knew about the encephalitis lethargica, or “sleepy sickness,” that had swept Europe in 1916. Scientists to this day don’t understand what caused it, and I loved the idea of blaming it on the Sandman’s imprisonment, so I determined the length of his stay to be seventy-two years—ending in late 1988, when the series debuted. And so on; each plot point just seemed to naturally lead to the next one.
I find it’s more fun to write about something that you don’t know completely and that you will discover on route. A dear friend of mine...once said: 'The only time I know anything is when it comes to me at the point of my pen.' So I think that if you start to write about things that you know half well, that you’re fascinated by, that you sense you have an appreciation of that others might not have, but you do have to acquire the knowledge as you go, you discover a great many things at the point of a pen. And it keeps the writing alive in itself in a way. (in an interview with Martin Amis, 1991, see YouTube)
If heaven really exists: then heaven is the job, hell is unemployment, while life is merely an interview.
Lailah Gifty Akita
Everyone at some point in life have faced rejection and failure, it is part of the process to self realisation.
The dean put a finger to his chin as he studied this great and troubling mystery. The applicant’s response reeked of insincerity, like, “Have a nice day!” with all the friendly burned off. “Okay, Mr. Darlington. I’ll just be a minute.
Stirton's work, he says, is now all about investigation. 'You literally are trying to find out what's happening and, finally, manoeuvre yourself to the point where you can take a picture, and then you're presented with a 20-minute window where it's: Okay, now get your picture!' His voice is charged with emotion. 'Fucking angst and worry and, you know, FEAR of failure – every aspect of that comes into those 20 minutes, so it's a very intense experience. So when I make those pictures, I'm worried; I’m nervous.
I knew that my trauma, no matter what it was, was not unique. I knew that pain was the universal driving force of so many people—I knew that only in the details was it specific, and I just found it urgent to cut right to the chase and get right to the point.
Treating Abuse Today 3(4) pp. 26-33 TAT: I want to move back to an area that I'm not real comfortable asking you about, but I'm going to, because I think it's germane to this discussion. When we began our discussion [see "A Conversation with Pamela Freyd, Ph.D., Part 1", Treating Abuse Today, 3(3), P. 25-39] we spoke a bit about how your interest in this issue intersected your own family situation. You have admitted writing about it in your widely disseminated "Jane Doe" article. I think wave been able to cover legitimate ground in our discussion without talking about that, but I am going to return to it briefly because there lingers an important issue there. I want to know how you react to people who say that the Foundation is basically an outgrowth of an unresolved family matter in your own family and that some of the initial members of your Scientific Advisory Board have had dual professional relationships with you and your family, and are not simply scientifically attached to the Foundation and its founders. Freyd: People can say whatever they want to say. The fact of the matter is, day after day, people are calling to say that something very wrong has taken place. They're telling us that somebody they know and love very much, has acquired memories in some kind of situation, that they're sure are false, but that there has been no way to even try to resolve the issues -- now, it's 3,600 families. TAT: That's kind of side-stepping the question. My question -- Freyd: -- People can say whatever they want. But you know -- TAT: -- But, isn't it true that some of the people on your scientific advisory have a professional reputation that is to some extent now dependent upon some findings in your own family? Freyd: Oh, I don't think so. A professional reputation dependent upon findings in my family? TAT: In the sense that they may have been consulted professionally first about a matter in your own family. Is that not true? Freyd: What difference does that make? TAT: It would bring into question their objectivity. It would also bring into question the possibility of this being a folie à deux --
Charles De Lint
Years ago, when I was about to go on a book tour for Someplace to Be Flying, my editor at the time Terri Windling and I sat down to figure out what to call what I was writing for the interviews that were to come. Terri came up with the term mythic fiction and I think that sums it up perfectly. There are almost invariably mythic elements in my fiction (as well as bits of folk and faerie lore) and the term doesn’t lock me into writing only in an urban setting since many of my stories take place in rural areas. It never caught on, but when I don’t describe what I do as simply fiction, I’ll go with mythic fiction.
New thing is made in writting books, (novels, short stories... stories...)... It's to be build a character which you will love you will like him.... and one moment he dies... isn't it awesome?