Best 30 of Sacred geometry quotes - MyQuotes
The golden era of the golden number was the Italian renaissance. The expression divine proportion was coined by the great mathematician Luca Pacioli in his book 'De divina proportione', written in 1509.
In geometry, as in nature, the circle is the archetypal shape of wholeness and inclusion. It is an effective shape for nonprofits or community-focused efforts.
The Golden Proportion, sometimes called the Divine Proportion, has come down to us from the beginning of creation. The harmony of this ancient proportion, built into the very structure of creation, can be unlocked with the 'key' ... 528, opening to us its marvelous beauty. Plato called it the most binding of all mathematical relations, and the key to the physics of the cosmos.
In the pentagram, the Pythagoreans found all proportions well-known in antiquity: arithmetic, geometric, harmonic, and also the well-known golden proportion, or the golden ratio. ... Probably owing to the perfect form and the wealth of mathematical forms, the pentagram was chosen by the Pythagoreans as their secret symbol and a symbol of health. - Alexander Voloshinov [As quoted in Stakhov]
You too can make the golden cut, relating the two poles of your being in perfect golden proportion, thus enabling the lower to resonate in tune with the higher, and the inner with the outer. In doing so, you will bring yourself to a point of total integration of all the separate parts of your being, and at the same time, you will bring yourself into resonance with the entire universe.... Nonetheless the universe is divided on exactly these principles as proven by literally thousands of points of circumstantial evidence, including the size, orbital distances, orbital frequencies and other characteristics of planets in our solar system, many characteristics of the sub-atomic dimension such as the fine structure constant, the forms of many plants and the golden mean proportions of the human body, to mention just a few well known examples. However the circumstantial evidence is not that on which we rely, for we have the proof in front of us in the pure mathematical principles of the golden mean.
The description of this proportion as Golden or Divine is fitting perhaps because it is seen by many to open the door to a deeper understanding of beauty and spirituality in life. That’s an incredible role for one number to play, but then again this one number has played an incredible role in human history and the universe at large.
If someone gave you the rules to the game you have been playing right away, you would miss the most exciting part – the details. Sometimes it’s all about the details, they make the whole more meaningful.
When the ancients discovered ‘Phi’, they were certain they had stumbled across God’s building block for the world.
The Great Pyramid was a fractal resonator for the entire Earth. It is designed according to the proportions of the cosmic temple, the natural pattern that blends the two fundamental principles of creation. The pyramid has golden ratio, pi, the base of natural logarithms, the precise length of the year and the dimensions of the Earth built into its geometry. It demonstrates.... As John Michell has pointed out in his wonderful little book, City of Revelation, 'Above all, the Great Pyramid is a monument to the art of 'squaring the circle''.
The basic consciousness structure is perfectly organized according to the principles of sacred geometry, even though the physical structure of the Universe looks to be very random.
The Golden Ratio defines the squaring of a circle. Stated in mathematical terms, this says: Given a square of known perimeter, create a circle of equal circumference. According to some, in ancient Egypt, this mathematical mystery was encoded in the measurements of the Great Pyramid of Giza.
The Ark of the Covenant is a Golden Rectangle because its rectangular shape is in the proportions of the Golden Ratio.
Merkabah is translated as either meaning the throne of god or chariot. Both definitions imply a means of spiritual ascension, not a physical one. They only have it partly right.
[The golden proportion] is a scale of proportions which makes the bad difficult [to produce] and the good easy.
God Child is a free and inspirational translation of Adam. Adam means 'human', not 'man'. The Hebrew for 'man' is 'aish'. In English man can mean both man and human, which may have caused the confusion in the first place. If Adam isn’t the first male Homo sapiens, who or what is he?
The pyramid that can be constructed on the diameters of earth and moon bears the precise proportions of the Great Pyramid
We therefore find that the triangles and rectangles herein described, enclose a large majority of the temples and cathedrals of the Greek and Gothic masters, for we have seen that the rectangle of the Egyptian triangle is a perfect generative medium, its ratio of five in width to eight in length 'encouraging impressions of contrast between horizontal and vertical lines' or spaces; and the same practically may be said of the Pythagorean triangle
Buckminster Fuller explained to me once that because our world is constructed from geometric relations like the Golden Ratio or the Fibonacci Series, by thinking about geometry all the time, you could organize and harmonize your life with the structure of the world.
Try to imagine this formless, liquid abyss of many waters and surfaces. With and within this awesome, abysmal substance, God Mother creates universes. We are made from this stuff, literally! And we literally live, move, and have our being in this fathomless, multi-dimensional matrix.
And our Divine Parents have been molding God Child’s soul from stardust. And They have been breathing life-breath into its nose, and God Child’s soul has been existing as a Soul of Life.
The water beneath the Temple was both actual and metaphorical, existing as springs and streams, as spiritual energy, and as a symbol of the receptive or lunar aspect of nature. The meaning of that principle is too wide and elusive for it to be given any one name, so in the terminology of ancient science it was given a number, 1,080. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666. These two numbers, which have an approximate golden-section relationship of 1:1.62, were at the root of the alchemical formula that expressed the supreme purpose of the Temple. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666. Not merely was it used to generate energy from fusion of atmospheric and terrestrial currents, but it also served to combine in harmony all the correspondences of those forces on every level of creation.
The Fibonacci Sequence turns out to be the key to understanding how nature designs... and is... a part of the same ubiquitous music of the spheres that builds harmony into atoms, molecules, crystals, shells, suns and galaxies and makes the Universe sing.
According to Thoth, because of the placement of the Great Pyramid on the Earth connecting into the Earth's huge geometrical field - specifically the octahedral field of the Earth, which is equivalent to our own fields - and because of the pyramid's mass and the geometries used in it, the white-light energy field spirals upward and becomes extremely strong, stretching all the way out to the center of the galaxy. The dark-light energy comes in from above, spirals through zero point and connects with the center of the Earth. In this way the Great Pyramid connects the center of the Earth to the center of our galaxy.
Since time immemorial, the serpent has symbolized organic vitality. Serpents move in curves and so does energy. The serpent developed from the Light created on the first cosmic day. In the firmament it manifests as the life-breath that animates souls. In the physical universe it manifests electro-magnetism, the light in substance so to speak.
Basic geometric shapes communicate universal qualities common to all cultures. Practical design integrates them appropriately.
The golden ratio is a reminder of the relatedness of the created world to the perfection of its source and of its potential future evolution.
The golden ratio, as well as the Great Pyramid as an expression of it, is an important key to our universe containing the Earth and the Moon. ... The ratio between the Earth and the Moon is in fact the basis for the mathematical concept of 'squaring the circle' ...
The Golden Number is a mathematical definition of a proportional function which all of nature obeys, whether it be a mollusk shell, the leaves of plants, the proportions of the animal body, the human skeleton, or the ages of growth in man.
The impulse to all movement and all form is given by [the golden ratio], since it is the proportion that summarizes in itself the additive and the geometric, or logarithmic, series.
Some of the greatest mathematical minds of all ages, from Pythagoras and Euclid in ancient Greece, through the medieval Italian mathematician Leonardo of Pisa and the Renaissance astronomer Johannes Kepler, to present-day scientific figures such as Oxford physicist Roger Penrose, have spent endless hours over this simple ratio and its properties. But the fascination with the Golden Ratio is not confined just to mathematicians. Biologists, artists, musicians, historians, architects, psychologists, and even mystics have pondered and debated the basis of its ubiquity and appeal. In fact, it is probably fair to say that the Golden Ratio has inspired thinkers of all disciplines like no other number in the history of mathematics.