Best 23 of Carnival quotes - MyQuotes
The dust was antique spice, burnt maple leaves, a prickling blue that teemed and sifted to earth. Swarming its own shadows, the dust filtered over the tents.
Painted faces laughed. It was like a mad carnival where everyone was oblivious, lost in the bliss of chaos, a throng unaware of a bomb planted beneath the floorboards.
Everyone loves a comedy, my dear. It is divine.
Okay, I'll take the pink one with the torn ear.' The guy behind the counter scratches his neck. "Are you being serious?" Her face is stoic. 'Absolutely. I never kid about teddy bears.
So the carnival steams by, shakes ANY tree: it rains jackasses.
Ana Claudia Antunes
cause we don't hide, We parade our pride!
He looked at me then, his deep golden eyes meeting mine, and I saw a heat in them that I felt reflecting in my own.
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A tired man lay down his head in a dusty room so dim, and for so long his wife did shake and yell to waken him. Meanwhile his thoughts, his dreams, did stir of sandy, red bullfights, of powder-blasts in the air and carnival delights. Yet still his wife was in despair in a dusty room so dim, for she knew death was a whore not far from tempting him.
Now this greatest tent staled out hot raw breaths of earth, confetti that was ancient when the canals of Venice were not yet staked, and wafts of pink cotton candy like tired feather boas. In rushing downfalls, the tent shed skin; grieved, soughed as flesh fell away until at last the tall museum timbers at the spine of the discarded monster dropped with three canon roars.
Deeply ambivalent also is the image of fire in carnival. It is a fire that simultaneously destroys and renews the world. In European carnivals there was almost always a special structure (usually a vehicle adorned with all possible sorts of gaudy carnival trash) called "hell," and at the close of carnival this "hell" was triumphantly set on fire (sometimes this carnival "hell" was ambivalently linked with a horn of plenty). Characteristic is the ritual of "moccoli" in Roman carnival: each participant in the carnival carried a lighted candle ("a candle stub"), and each tried to put out another's candle with the cry "Sia ammazzato!" ("Death to thee!"). In his famous description of Roman carnival (in Italienische Reise)h Goethe, striving to uncover the deeper meaning behind carnival images, relates a profoundly symbolic little scene: during "moccoli" a boy puts out his father's candle with the cheerful carnival cry: "Sia ammazzato il Signore Padre!" [that is, "death to thee, Signor Father!"]
That's when I realized the chill wasn't coming from outside—it was coming from within me.
The sun had begun its descent toward the horizon, and the sounds of the carnival played like a familiar song behind me.
Darkness engulfed me...There was no ground below me, no sky above. Only the black, and the cold.
Something about the crisp, cool air, the twinkling carnival lights, and the scent of deep-fried food provided the perfect atmosphere for reckless teenage abandon.
the sun had tanned her so that the rich velvety blackness of her skin glistened and she felt so much herself on those days of Carnival, soaked so deeply with a sense of her own beauty, that after the festival, she continued to keep her hair in the same fashion and wear her skin with the same pride, the result being that men took her for a foreign woman
A ten-year-old Amanda wandering around the sights and sounds of a carnival. Trying to take it all in as such an event was much larger than the backroads of isolated territory from whence she grew up. She could not imagine this many people assembled in one place. It was made more disturbing by the fact none of them seemed familiar. Short for her age, she wandered unnoticed among the crowds and began to feel the first stirrings of fear. The loud talk, the screaming children, the long lines of procession, along with the myriads of odors created a miasma that she wanted to flee. The laughter and the faux expressions of joy on the faces of people, took on the maroon tones of a nightmare. She could imagine underneath the laughter, were horrid screams about to erupt.
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The principle of laughter and the carnival spirit on which the grotesque is based destroys this limited seriousness and all pretense of an extratemporal meaning and unconditional value of necessity. It frees human consciousness, thought, and imagination for new potentialities. For this reason, great changes, even in the field of science, are always preceded by a certain carnival consciousness that prepares the way.
Ana Claudia Antunes
I want to be your Columbine, And make your dreams mine.
The speech fascinated him. His ear caught the rhythm of it and he noted their idioms and worked some of them into his patter. He had found the reason behind the peculiar, drawling language of the old carny hands—it was a composite of all the sprawling regions of the country. A language which sounded Southern to Southerners, Western to Westerners. It was the talk of the soil and its drawl covered the agility of the brains that poured it out. It was a soothing, illiterate, earthy language.
We came on the wind of the carnival. Eight and a half long years ago, on a wind that seemed to promise so much; a mad wind, full of confetti and scented with smoke and pancakes cooked by the side of the road. The pancake stall is still there, and the crowds that line the side of the street, and the flower-decked cart with its motley crew of fairies, wolves and witches. I bought a galette from that very stall. I bought one now, to remember. Still as good, just the right side of burnt, and the flavors- butter and salt and rye- help reawaken the memory.
Happiness is simply a temporary condition that proceeds unhappiness. Fortunately for us, it works the other way around as well. But it's all a part of the carnival, isn't it?