Best 13 quotes of Ricardo Piglia on MyQuotes

Ricardo Piglia

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    Ricardo Piglia

    A body is a body, but only voices are capable of love

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    Ricardo Piglia

    A poet without memory, said Marconi, is like a criminal and nearly undone by feelings of decency. A poet without memory is an oxymoron. Because the poet is the memory of the language.

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    Ricardo Piglia

    A ratos preocupado porque llevo muchos meses sin escribir, marcado por el vértigo y la circulación social. Reuniones, fiestas, entretenimientos. Decidido a terminar con esa farsa y sentarme a escribir salga como salga, por fin.

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    Ricardo Piglia

    Death is a terrifying experience... It threatens, with its corrosive power, our possibility of living a humane life. There are two kinds of experiences that can protect those---those able to turn to them---from the terror of the danger of death. One is the certainty of truth, the continuous awakening toward the understanding of the 'ineluctable need for truth,' without which a good life is not possible. The other is the resolute and profound illusion that life has meaning and that the meaning of life is found in performing good deeds.

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    Ricardo Piglia

    É com os escritores imaginários que eu aprendo o que quero fazer. Por exemplo, Stephen Dedalus ou Nick Adams. Leio suas vidas como um modo de entender do que se trata. Não tenho interesse em me inspirar nos escritores "reais". O desprezo de Dedalus pela família, pela religião e pela pátria será o meu. Silêncio, exílio e astúcia.

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    Ricardo Piglia

    Estoy convencido de que nunca nos sucede nada que no hayamos previsto, nada para lo que no estemos preparados. Nos han tocado malos tiempos, como a todos los hombres, y hay que aprender a vivir sin ilusiones

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    Ricardo Piglia

    He wrote very well in those days, as it happens, much better than he does now. He had absolute convictions, and style is nothing more than the absolute conviction of possessing a style.

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    Ricardo Piglia

    Mudanças, novos bairros onde circulo como um estrangeiro, renovando meu interesse pela cidade. Já faz algum tempo, Barracas, os velhos prédios da fábrica – por exemplo, a da Bagley –, tão abundante por aqui, junto com os armazéns próximos do porto velho, que dão nome ao bairro. Também fica perto o parque Lezama, que tem uma atmosfera serena, com alguns velhos bares e restaurantezinhos muito agradáveis. Sempre faço a experiência de ficar sem dinheiro e conhecer a cidade a pé, procurando locais baratos, viajando de ônibus, uma experiência mais direta, mais conflituosa, não mediada pela qualidade mágica do dinheiro que alivia todo desconhecimento da realidade, porque quando tudo pode ser comprado não há enigmas.

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    Ricardo Piglia

    Narrar es jugar al póquer con un rival que puede mirarte las cartas.

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    Ricardo Piglia

    Obviamente me siento mucho más cerca de John Berger o de Calvino que de García Márquez.

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    Ricardo Piglia

    The idea of a small circle, of an exalted and loyal sect, except with a traitor infiltrated at its core, an informant who's not foreign to the sect, but constitutes an essential part of its structure---this was the true organizational form of any small society. One must act knowing that there's a traitor infiltrated in the ranks.

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    Ricardo Piglia

    There’s another quote on the act of writing letters, have a look: Letter writing is a truly anachronistic genre, a sort of tardy inheritance of the eighteenth century; those who lived at that time believed in the pure truth of the written word. And we? Times have changed; words are lost with ever greater ease; you can see them float on the waters of history; sink, come up again, mixed in by the current with the water hyacinths.

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    Ricardo Piglia

    To write a letter is to send a message to the future; to speak of the present with an addressee who is not there, knowing nothing about how that person is (in what spirits, with whom) while we write and, above all, later: while reading over what we have written. Correspondence is the utopian form of conversation because it annihilates the present and turns the future into the only possible place for dialogue.