Best 21 quotes of Kathleen Raine on MyQuotes

Academia is a graveyard of poets.

And see the peaceful trees extend their myriad leaves in leisured dance- they bear the weight of sky and cloud upon the fountain of their veins.

As a child I became a confirmed believer in the ancient gods simply because as between the reality of fact and the reality f myth, I chose myth...Myth is the truth of fact, not fact the truth of myth.

Being a poet is not a job or a profession but a way of life.

Chemistry dissolves the goddess in the alembic, Venus, the white queen, the universal matrix, Down to the molecular hexagons and carbon-chains.

I couldn't claim that I have never felt the urge to explore evil, but when you descend into hell you have to be very careful.

I make no apology for writing in nature's age-old and unaging language, of whose images we build our paradises, Broceliande and Brindavan, the Forest of Arden, Xanadu, Shelley's Skies, or even Wordsworth's Grasemere, which can be found on no map.

Intent on one great love, perfect, Requited and for ever, I missed love's everywhere Small presence, thousand-guised.

It was not the purpose of poetry to record anything and everything, to merely describe either the outer world or some subjective mood, but to speak from the imagination of the poet to the imagination of the reader.

I've read all the books but one Only remains sacred: this Volume of wonders, open Always before my eyes.

Meanings, moods, the whole scale of our inner experience, finds in nature the 'correspondences' through which we may know our boundless selves.

Nature is the common, universal language, understood by all.

Of all created things the source is one, Simple, single as love; remember The cell and seed of life, the sphere That is, of child, white bird, and small blue dragon-fly Green fern, and the gold four-petalled tormentilla The ultimate memory. Each latent cell puts out a future, Unfolds its differing complexity As a tree puts forth leaves, and spins a fate Fern-traced, bird feathered, or fish-scaled.

Of all the arts the living of a life is perhaps the greatest; to live every moment of life with the same imaginative commitment as the poet brings to a special field.

O never harm the dreaming world, the world of green, the world of leaves, but let its million palms unfold the adoration of the trees It is a love in darkness wrought obedient to the unseen sun, longer than memory, a thought deeper than the graves of time. The turning spindles of the cells weave a slow forest over space, the dance of love, creation, out of time moves not a leaf, and out of summer, not a shade.

Poetry is not an end in itself but in the service of life; of what use are poems, or any other works of art, unless to enable human lives to be lived with insight of a deeper kind, with more sensitive feelings, more intense sense of the beautiful, with deeper understanding?

Sensing us, the trees tremble in their sleep, The living leaves recoil before our fires, Baring to us war-charred and broken branches, And seeing theirs, we for our own destruction weep.

Strangers have crossed the sound, but not the sound of the dark oarsmen Or the golden-haired sons of kings, Strangers whose thought is not formed to the cadence of waves, Rhythm of the sickle, oar and milking pail

The air is full of a farewell- deserted by the silver lake lies the wild world, overturned. Cities rise where the mountains fell, the furnace where the phoenix burned

For [W. B.] Yeats magic was not so much a kind of poetry as poetry a kind of magic, and the object of both alike was evocation of energies and knowledge from beyond normal consciousness.

Whiteness of moonlight builds a house that is not there