Best 52 quotes of Lykke Li on MyQuotes

After you've been wounded a few times, it's hard to let somebody get that deep again.

A lot of times females are in charge because they kind of have the pussy power. If they say, "I'm you're prostitute," then they mean, "I'm the power.

Because you're a woman, the music industry puts you in another corner. I want to be fighting with the men. I want to be amongst the men, topless, throwing things onstage. Pitchfork: Whe

Do you have to have emotional turmoil to create music? I'm not sure because I've never been without it

Driving, for me, means power and freedom. The feeling that I can go anywhere I want at any time is exhilarating.

I always want to keep things unwritten. I'm inspired by Bob Dylan, who's kept evolving and changing his sound. I think that's what you should do as an artist. Why be comfortable?

I am such a complex person. I have so many different layers of my personality to choose from. I am super-sensitive, and I am super-strong.

I believe life's too short for compromises and bad fitting jeans

I can cry myself to sleep because I'm not as great as Leonard Cohen, but who cares? Maybe you can't be as great as some people, but it's a tragedy when you don't follow your dreams.

I do it live on tape with a band. It's not like I'm doing electronic music with a laptop.

I don't necessarily love all the collaborations that I've done; the more I work with other people, the more I realize that I want to work with myself.

I don't think Neil Young has a beautiful voice but it's something that grabs you and the songs are so good.

I dove into the craziness and did things that maybe I would think twice about when I get older.

I feel it's so important to have strong women around you.

I felt such a deep connection with dolphins. I felt like they were the only ones who understood me.

If you're being ignored, that's a good time to concentrate on finding yourself and creating your own mystery.

I had a period after touring the first record where I didn't agree with the way things worked in the music industry as far as how you release music, demand, the pace of everything. You don't know who's talking to you. Who's Spotify? Who's iTunes? Who are all those bloggers? Who says I have to do this? Why do you have to do all this press? Why do I have to do so many shows? Why do I have to do a regular album right now? I don't understand it.

I had to do this album. I tried thinking, "I'm not going to do it." But then I'm sitting there getting all suicidal and depressed, and I just start writing. It's like this inner drive. If I could choose, I would probably be living in the countryside and be fine with that, but I'm not.

I hate the fact you always feel like you have to be going somewhere, like the end destination is to be finished, or to be happy. But the truth is a lot of us are completely lost, and we don’t know, and that is also a state of mind, to not know who you are and where you’re going.

I hung out with some crazy desert people. One guy was just walking around with only shorts on - he'd been walking with bare feet for the last two years. He was totally scarred and eating on all fours like a dog.

I know that I'm dealing with some kind of wound through my music.

I lived five years in Portugal and then spent winters in Nepal or India.

I'm a girl from Sweden. I took a lot of risks and went to New York by myself when I was 19 just because I read about it in a few books. I came here knowing nobody, having no money, and now I'm doing all these things like making records and videos every day.

I'm from Sweden so I don't enjoy winter at all; there's nothing cute about it.

I'm a really restless person; I'm tired of the way I sounded or looked yesterday. So it's hard to hang onto this image of me as this young Swedish female in this world.

I'm looking forward to some peace and quiet. I fantasize about having a home, which I've kind of never had.

I'm really depressing. Some people watch comedy to relax. I watch 21 Grams. I can recognize sadness and tragedy really easily because it's been with me forever.

In every person's life, around 27 to 29 years old, the stars and the planets align themselves to exactly the way they were when you were born. You're faced with yourself. There's no running away.

I relate to hustlers who want to get out of where they are and create something different for themselves.

I remember watching Romeo + Juliet when I was 14 and listening to the soundtrack. When I hear that soundtrack now, all those emotions come back. It's really beautiful when you're at a certain point in your life where most of the adventure lies ahead of you. And it's a sad thing when you feel like you've lost that. But you can get it back.

I think I've been a bit misunderstood; the first record was more timid than I wanted it to be. I don't like getting pinned down by sex or how I sound like because it's not who I am or what I want to be.

It's not about being a sex prostitute. It's about this power play in the war of the sexes. It's a rat race, like, "I'm in charge," "No, I'm in charge.

It's not a very sane thing to try to be great all the time.

It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.

It would be amazing if people listened to it when they needed shelter; it would be lovely if they didn't spit on it.

I wanted to create something really aggressive and psychedelic

I want people to have a good time. Its boring only to hear singer/songwriters spilling their guts.

I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.

I want to get my music out there. I enjoy playing shows; I just don't enjoy airports. I want to be more creative, but it's hard to get into that zone on tour.

I was 19 when I recorded my first album, and I've been exposed to many things during these last few years; all the baby fat is gone.

I was 21 and homeless - such a broken, lost woman.

I was going on this desert adventure with some friends and we were like, "How amazing would it be to just drag all these mirrors out there?" A lot of times I do things as an impulse and find out my inspirations afterward. Even with songs and lyrics, it can take me years to find out what I was actually trying to do.

I was inspired by [Michelangelo] Antonioni's Red Desert - very big and moody.

I was totally romanticizing the idea of Los Angeles when the Doors, Joni Mitchell, and Neil Young were hanging out there.

I would want to create an amphitheater outside of California where I would play everyday, and then people would have to come to me. I would create all this crazy stage decor and film it. Or I would just stay inside my home and do films. I would be like the modern Maya Deren.

Los Angeles is such a mysterious place because there's so much evil in that city, but there's also so much light. You can be totally alone on a hillside and I love that kind of secluded, deserted rawness.

My whole art is based on escaping life and reality, which might not the best tendency to have when you're trying to be a good person in general. But people can escape into my world easily - artists are supposed to create a keyhole that people can look into.

People comment on how you look, it's so unnecessary. I just wanted people to listen to what I have to say instead of focusing on anything else.

Sometimes women are so great and powerful, but then they surrender to these vain things. They kind of fall for it.

The key to a good life is finding things that you want to master.