Best 18 quotes of Ninette De Valois on MyQuotes

Also, if you have an accident, you can't start to dance again at the top, you're too weak; you start with the easy things - the way you did them when you were young, and come up up up, the way you did then.

And then you have the classical ballerinas, they're like sopranos. Applied to the dance.

As time goes on, all schools only get left alive if they have found something special themselves.

Classical ballet will never die.

First of all, the most important, that is to learn everything good that has survived from other times, and carefully to watch the bad - and throw it out.

God gave us all exactly the same fingers, arms, legs, and feet, but in our different countries we divided them all a little differently as we feel it, do you understand?

It is a fact that all the ballet's fundamental dance steps are derived from the folk dances of Western Europe.

It's either not good enough and dies altogether, or it develops.

No no, we ALL teach each other, whether it's dancing, whether it's singing, whether it's talking, we all listen to each other. That's progress.

Nothing is done easily, first have the thing, then the thing has a success, then all sorts of difficulties arise through the success.

The best way to study is to go to the Cecchetti method for about a year and draw onto all the highest points and then put that into the general method.

There's nothing in the world that isn't good, bad, and indifferent.

There would never have been a British Ballet without Diaghilev. He had a wonderful influence

The smile is the dance of the face - the dance is the smile of the limbs.

We are developing the other parts, and we can't give quite all our attention to the upper part, but soon the lower parts will be developed, and the upper part and the lower part will become partners, that will be wonderful.

You cannot create genius. All you can do is nurture it.

You can't dance until you've learnt steps, the things your feet can do.

You never advance without losing something en passant... you lose it because you're paying so much attention to the new thing.