Best 22 quotes of John Britt Daniel on MyQuotes

Although it's pretty rare that I'll get completed, finished lyrics to a song and feel like it's done, and then decide that it's not worth doing. Usually, I can tell along the way - even if it's something I've been working on for a couple of months - that it's just not going to work. Maybe I'll come back to it a few months or even a year later, or maybe it's just gone.

I don't even think about having a "rock-star profile." But sure, I always think, "Wouldn't it be great to have your friends along for the ride?" I just feel like me, you know? I've always been me, and I feel like the same guy. It surprises me when people expect me to be anything other than just a dude. I'm just a dude.

I don't have any intention to stop. Rock 'n' roll is my main concern.

I don't wanna keep playing the same song over and over again. It's just thinking about "what's going to be the coolest thing to play on this particular show?" The easiest thing to do is to play the single over and over again.

I guess if we do enough shows and keep doing it long enough, then people will get the picture. But I can't really be bothered if they don't get the picture. That's not my concern.

I just think that's more exciting. When people used to cut records live, there were mistakes all the time that stayed in. It was part of the charm. You're kind of missing something if everything is all doctored-up and clinical. So when we hear a mistake that sounds interesting, we make a point to keep it.

I'm never trying to be commercial or accessible, or saying "let's do this weird stuff, but at the same time we gotta do this safe stuff".

I'm not the underdog, but - Well actually, I guess I've been the underdog. To me, it always felt like I was talking to "the big guy," you know, the big guy in the government, and trying to tell him about some things he didn't seem to be aware of. I just think that's a pretty arrogant group of liars we've got up there, and they don't really consider the abilities of their opponents.

I'm used to coming up with a lot of parts. And I don't have to do that so much [with Divine Fits]. This is the kind of band I've always wanted to be in because we never set up any aesthetic rules when we started it. We just wrote and edited, and it ended up sounding like Divine Fits.

I'm usually way more pleased with the stuff that just kinda happens by accident and is no way a pop song. But sometimes the easiest thing for me to write is pop songs.

I recognize that there are some great things about not playing a song live, and just kind of piecing it together as you go.

I sometimes feel like I need to pinch myself. I feel extremely fortunate.

It's cool because you don't know how certain songs are going to go over until you play them live. For some reason, "Shivers" gets a huge response. I was not expecting it. When I start singing in the middle of "Baby Get Worse", they go nuts. Just little surprises like that.

It's hard being the guy that brings in a song, because you're very, you know, it can be something that you get too sensitive about.

Mostly, isolation allows me to go through a period where I really concentrate and get in a flow. Sometimes the whole process can be daunting, and when you're away from it, thinking about going back to it is especially daunting. If I go away for a week, I can be working on 10 songs at once, just jumping around to each one. I can get a month's worth of work done.

My problem was never with the major label, it was with the guy who we put our trust in and then wouldn't take my phone calls once we'd signed to a major label, who then quit.

Sometimes it's hard to hear criticism, or "maybe let's try a different way." People's feelings get hurt.

Sometimes to get in the "musical mood," I'll just turn on music really loud, or go drive around and listen to music, or learn a song that I really like on guitar or piano. That gets me in the right frame of mind to proceed.

The fastest I ever did that was when Kill the Moonlight came out after Girls Can Tell, and I remember both labels I was working with at the time saying, "If this was any other period, I would probably say this is too fast, but because this is first time anybody has ever paid attention to Spoon, let's keep it on an upward trajectory.

The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.

There's no way to replicate a really great vocal sometimes.

You definitely get more of a band feel to a song if you've been playing a song live a bunch.