Best 18 quotes of Dave Van Ronk on MyQuotes

And then adds with a laugh, 'but in retrospect I think he may have been more sophisticated than we were.'

God has a way of telling you when to change your strings.

Honesty is the cruelest game of all, because not only can you hurt someone - and hurt them to the bone - you can feel self-righteous about it at the same time.

Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song.

I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician.

If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not going to be as good as doing the same piece in front of an audience.

If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes.

If you asked anybody in my family, they would have very stridently proclaimed themselves middle class. My mother and father were separated, so he doesn't count.

If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and these are related to skills in the real world.

I'm an exhibitionist, I was an exhibitionist as a kid.

In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that.

I think I have more in common with a carpenter than you might think. We're putting things together.

Most blues don't have a beginning, middle, or end. You just cut a couple slices of blues.

Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz.

My uncle and my grandfather both worked in the Brooklyn Navy Yard.

Sometimes you have to forget your principles and do what’s right.

There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians.

You can't be afraid of failure and you can't be afraid of success, because either one gets in the way of your work.