Best 27 quotes of Kurt Busiek on MyQuotes

At one point, I worked up a list of five requirements for a superhero: superpowers, a costume, a code name, a mission, and a milieu. If the character had three out of the five, they were a superhero. But that's just my definition.

Dracula, if he could see modern corporations, wouldnt like them much. He took care of his people, at least as he saw it. They had very little freedom, but they had a protector.

I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity.

I don't view Twitter as a promotional tool but as a really, really, really cool cocktail party.

If I won the lottery tomorrow - which would be a real trick, since I haven't entered - and was independently wealthy for the rest of my life, I'd write comic books, because it's what I like doing.

If there's ever a character who can only serve one metaphor, I'll probably tell one story with that character and be done with it.

I like superheroes. I like the drama of it, the stirring, larger-than-life aspect.

I'm a writer. I just love telling stories.

I'm not building each one character around one metaphor, so much as trying to build a heroic archetype that can be used to express the kind of metaphors that I find in each story.

I think James Bond is a spy. He's not superhuman. Calling him a superhero is like calling James Bond movies "comic-book movies.

I think that the superhero-as-metaphor involves a superhero being some sort of intellectual, emotional, or other such concept writ large. But I don't know that it's a necessary part of the appeal that the superhero be superior.

I think the Hulk has always appealed very strongly to much younger readers than Spider-Man, because Spider-Man is an adolescent character, and the Hulk is a very childlike character.

I think the purpose of deconstruction is to take something apart and see how it works. If you're not going to put it back together again and watch it go, what's the point?

It's fun to take a piece of formula and go someplace else with it and see what happens.

It strikes me that the only reason to take apart a pocket watch, or a car engine, aside from the simple delight of disassembly, is to find out how it works. To understand it, so you can put it back together again better than before, or build a new one that goes beyond what the old one could do. We've been taking apart the superhero for ten years or more; it's time to put it back together and wind it up, time to take it out on the road and floor it, see what it'll do.

I wanted to be a writer, but the idea of writing novels or movies seemed really intimidating. I never got more than a few pages into one.

Maybe I had a 'secret identity,' but then when you think about it, don't we all? A part of ourselves very few people ever get to see. The part we think of as 'me.' The part that deals with the big stuff. Makes the real choices. The part everything else is a reflection of.

Superhero creators who engage in deconstruction fall into two categories: There are the guys who do it because it's easy, because it gets an audience reaction if you point out that superheroes must be a bunch of psychotic nuts. And there are the guys who do it because they're actually interested, and they're trying to get at what's going on underneath. They're interested in the process and the results.

"Superhero" is a term that's been borrowed in order to say "big and larger than life and loud and active and dumb." And I don't think that's a useful definition. That's more a dismissal.

The characters are, by their nature, archetypes that can serve different metaphors.

The Hulk is rage personified, just, "I don't like something. Break it." And that's a great concept for a seven- or eight-year-old.

The metaphor is the story, not the character.

The metaphors exist for the stories.

There are a lot of discussions where people will decide that James Bond is a superhero, because he's a larger-than-life hero who beats the bad guys by doing larger-than-life things. And I don't think that's a useful definition.

What really matters is not how well a character fits a definition, but how strongly he or she resonates. Characters with strong, resonant ideas at their core will have more of an impact on the cultural consciousness than a character who's just an empty collection of attributes.

Youve got to leave the reader with more than just a name and a costume - they need to know who the character is, what theyre like, what kind of attitude they have, what sort of role they play.

It strikes me that the only real reason to take apart a pocket watch, or a car engine, aside from the simple delight of disassembly, is to find out how it works. To understand it, so you can put it back together again better than before, or build a new one that goes beyond what the old one could do. We’ve been taking apart the superhero for ten years or more; it's time to put it back together and wind it up, time to take it out on the road and floor it, see what it’ll do.