Best 8 quotes of Francis Levy on MyQuotes

Brazil obviously connotes something in my mind to do with desire, sexuality and freedom. In fantasy, in mythology, Rio is the iconography of the imagination. In essence, we're all sex tourists. I've never been to Rio and I've never been to a psychoanalytic convention, but in a sense, Rio is symbolic of desire, some sort of ultimate ecstasy.

Can we come to the point where we can accept the impossible strivings that we have, the utter inability to ever fulfill our narcissistic megalomania, and then go on to live our lives and accept our disturbing thoughts? We need to accept our vulnerabilities and have love for our imperfections. If you can want what you have, I think you're on your way.

I am not for any form of repression, but I sometimes think the desire for liberation masks the desire for oblivion. It's very hard to tell the difference sometimes.

If we're not conscious of sex, than we don't know we're having the pleasure. There's a compromise. By virtue of being human, there's self-reflection. Sigmund Freud should replace the Gideon Bible in motel rooms.

Imagination is always greater than reality, and the reality of a sex paradise is that they offer a supposed escape from the nightmare of repressive society.

I think men are still very loath to talk about their sexuality. Yet, I am so ashamed about my imperfection as a human being that I tell everything.

I was in analysis for many years, and one of the things analysis does is open up forbidden territories. It opens up those unconscious, instinctual urges that you then have to deal with. I'm like a Frankenstein of analysis. I'm able to go back and forth between the world I've created inside of myself and the real world, which is something I think a lot of people who write and paint and make art do.

Fame Shark is American Psycho meets Call It Sleep. A no-holds -barred saga of the extremes a human being can go to in his or her quest for attention. Young has the precocity and audacity of Shelley and the fearlessness of Philippe Petit.