Best 24 quotes of Simon Callow on MyQuotes

Simon Callow

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    Simon Callow

    Childhood didn't have a big influence on me, really - in fact I spent most of it plotting how to escape.

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    Simon Callow

    Having caught a glimpse of what I might be able to do with my talent, I feel a tremendous obligation to try to fulfill it.

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    Simon Callow

    I am never bored, never short of anything to do and I don't even ever feel lonely. I am quite gregarious and I get out and about a lot, but sometimes it is just wonderful to be on your own.

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    Simon Callow

    I'd like to direct more operas.

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    Simon Callow

    I don't practise any religion but I am deeply interested in the answers that mankind has come up with to explain the human situation.

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    Simon Callow

    I hated Sundays when I was growing up in Streatham, south London. Everything closed down and stopped.

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    Simon Callow

    I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.

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    Simon Callow

    Increasingly I've come to think that what's at the core of acting is thinking. Most people would say it's feeling.

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    Simon Callow

    I've come to this conclusion: What makes a great actor is great need. A huge need of acting.

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    Simon Callow

    I would say critically of myself that I am somebody without secrets. Sometimes acting depends on you having a secret. I don't think I've ever had that.

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    Simon Callow

    Like many Catholics, I was very affected by the personality of Jesus and that impression, pious as it was, has stayed with me.

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    Simon Callow

    Many actors have protested about mobile phones going off in theatres, but the real menace now is people texting during a show. It may only disturb a few people around them, but for me, as an actor, when I spot them answering their emails, I am outraged.

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    Simon Callow

    My mother wanted me to be a teacher. She had this vision of me walking across the quadrangle in an Oxford college wearing my academic gown.

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    Simon Callow

    Shakespeare speaks for the human heart but Dickens speaks for the social man and for injustices.

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    Simon Callow

    Shakespeare wrote all there is that we need to know about dementia in 'King Lear.

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    Simon Callow

    The elderly are all someone's flesh and blood and we cannot just shut them in a cupboard and hand over the responsibility for taking care of them to the state.

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    Simon Callow

    There is something essentially sanguine about me, which I am inclined to attribute to the fact that I was born by caesarean section. It must affect you.

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    Simon Callow

    To enter a theatre for a performance is to be inducted into a magical space, to be ushered into the sacred arena of the imagination.

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    Simon Callow

    To live another person's life is quite a weird thing.

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    Simon Callow

    Very often my weekends are spent performing on Saturday, on stage in the afternoon and again in the evening.

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    Simon Callow

    When children have grieving parents it's also common for them to feel an obligation to cheer them up and make them happy.

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    Simon Callow

    When the BBC decided to bring Doctor Who back as a feature film a few years ago, one national newspaper ran a poll to ask its readers who should be the new Doctor, and I topped it.

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    Simon Callow

    You could say Shakespeare is so extraordinary precisely because he was so ordinary. He had all the usual anxieties and understandings of what it is to have children, lose children, get married, struggle to make a living and so on.

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    Simon Callow

    He very soon acquired the reputation of being the best public speaker of his time. He had taken pains to master the art, approaching it with scientific precision. On the morning of a day on which he was giving a speech, he once told Wilkie Collins, he would take a long walk during which he would establish the various headings to be dealt with. Then, in his mind’s eye, he would arrange them as on a cart wheel, with himself as the hub and each heading a spoke. As he dealt with a subject, the relevant imaginary spoke would drop out. When there were no more spokes, the speech was at an end. Close observers of Dickens noticed that while he was speaking he would make a quick action of the finger at the end of each topic, as if he were knocking the spoke away.