Best 14 quotes of David Longstreth on MyQuotes

Clearly, things are definitely changing in big ways as far as the way we consume music, listen to music, and what we expect from music.

I do feel like the hardest thing is to do something simple and tap into whatever remains of our common language rather than cultivating your own willfully esoteric vocabulary.

I feel like the world is super different now than it was in 2009. And to get at something that's somewhat darker, harsher, rougher, and a bit more challenging feels right.

I love that, for Kanye [West], there's no difference between the epic and the personal. That makes him sound like a really grandiose douche - which, I don't think anyone, himself included, could contest - but at the same time, it's really amazing. I love the scope of his perfectionism.

I'm super interested in visual, and I love that being in a band can be as much about making an image as it is about making a sound.

I'm the worst at favourites! I don't have one - I love all my children, I love them all equally.

I think certain people would be moved to be nostalgic about America's glory days, when the music set the tone for the cultural conversation and popular musicians had this absurd level of authority.

It's a weird job because making music or writing a song is a personal thing... and it kind of has to be. You can always tell when people are faking.

Sometimes you get really bitter about how the prettiest images don't typically end up attached to the most interesting music. But I just take that as a challenge to try to do something cool.

The idea of letting a recording be a moment in time appealed to me. With digital recording, it's easy to create a perfect text of whatever song you have.

There's a certain power in vague language, but I started to get more into the idea of really trying to have a discrete thought in the lyrics and to have songs that were about stuff - to try to make things more coherent.

When you make a melody that doesn't come with words from the get-go, sometimes you're just thinking about random vowel sounds that go with it - and it's really, really hard to write lyrics that actually obey the vowel sounds.

You have to figure out as a band how a band becomes a business, and then you have to keep that business mentality separate from the creative one, which is good for the songs. It's always a work in progress.

You think about, like, [20th-century classical composers] Alban Berg, Schoenberg, and Webern sitting around in some living room in Vienna and being like, "We are the end of music. We are the end of this tradition. Music is done.