Best 6 quotes of Frederick C. Crews on MyQuotes

Frederick C. Crews

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    Frederick C. Crews

    But with whom, in the Pooh world, could a sexually and politically aroused Kanga speak?

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    Frederick C. Crews

    From the very moment of Kanga's appearance the pastoral playground is overshadowed by doubt and guilt, for the all-too-loving anima-Woman has pitched her temple here!

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    Frederick C. Crews

    It is hardly fortuitous that all the chief actors are property owners with no apparent necessity to work; that they are supplied as if by miracle with endless supplies of honey, condensed milk, balloons, popguns, and extract of malt; and that they crave meaningless aristocratic distinctions and will resort to any measure in their drive for class prestige. Not for nothing is the sycophant Pooh eventually invested by Christopher Robin as 'Sir Pooh de Bear.

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    Frederick C. Crews

    No less instructive is the story, 'Pooh Goes Visiting,' in which Rabbit, having deceitfully offered Pooh admittance to sample his overstocked larder, artfully traps his victim in the doorway and exploits him as an unsalaried towel rack for an entire week.

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    Frederick C. Crews

    Now, 'that sort of Bear' is of course a bear who wants to be flattered, and it is plain that the Christophoric ear is using Pooh to make its own devious request that it (the ear's projection, 'Christopher Robin') be made the center of attention. The Milnean voice, however, in its didactic-paternal role, is unprepared simply to feed the self-love of the Christophoric ear; it (the voice) must also see that it (the ear) is properly edified in a moral sense. The stories, therefore, will express a vector of the two forces pleasing and teaching the Christophoric ear.

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    Frederick C. Crews

    The world of 'Pooh,' no less than that of the 'idealistic' bourgeois pacifist Milne, is a world of sheer animalism, where the inhuman bestiality of the 'free' market has full sway. In this unconsciously revealing portrait of capitalism we glimpse, not only the sordidness of wage-slavery, speculation, and 'lawful' gangsterism, but also the possibility of a better life--of a forthcoming heroic revolution. ... This optimistc note, which is in fact the ultimate meaning of 'Winnie-the-Pooh,' is what rescues the book from the vilest decadence and makes it, after all, suitable reading for progressive children thoughout the world.