Best 11 quotes of Hanns Heinz Ewers on MyQuotes

Hanns Heinz Ewers

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    Hanns Heinz Ewers

    And in the livid night there creeps a basilisk, spawned by the moon after its strange fashion. The moon – eternally barren - is its father, but its mother is the sand, barren likewise: this is the mystery of the desert. Many say that it is an animal, but this is not so, it is a thought, growing there where there is no earth and no seed: a thought which sprang from that which is eternally barren, and now assumes strange forms which life does not know. This is the reason that no one can describe this being, because it is like nothingness, indescribable.

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    Hanns Heinz Ewers

    Drink, drink! Bacchus is the enemy of Venus. "From The Diary Of An Orange Tree

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    Hanns Heinz Ewers

    Er aber, Manasse, sah recht gut, dass der Tod da war, obwohl sie noch lebte. Längst war er da, schlich überall herum in diesem Hause. Spielte Blindekuh mit dieser Frau, die sein Mal trug, liess ihre gezeichneten Kinder schreien und rasen im Garten. Freilich – er galoppierte nicht. Ging hübsch im Trab, da hatte sie recht. Aber nur – – so aus Laune. Nur so – – weil es ihm Spass machte, zu spielen mit dieser Frau und ihren lebensgierigen Kindern wie die Katze mit den Fischlein im Goldfischglas –

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    Hanns Heinz Ewers

    I know, you were much closer to the painter than any of us. In spite of that, your lips, too, will want to curl up into a smile. There are levels of tragedy whose mind-numbing properties can only be checked by laughter, and what story does not contain an inkling of the grotesque? When we Germans will have learnt to laugh like the Gauls, we will truly be the rulers of this earth; even more so than before, one might add." "John Hamilton Llewellyn's End

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    Hanns Heinz Ewers

    The actor passed him his cigarette case. "No, you must tell us all about it. One should always be reminded of the fact that even in this best of worlds the blood still flows freely." "The Dead Jew

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    Hanns Heinz Ewers

    The thought may seem remarkable, but perhaps not so much so as it would at first. First of all, there was never anything unusual about the Baron's sex life, even if it may tickle one's curiosity when presented in so balanced a fashion, and there is certainly nothing unique about the case. On the contrary, I would like to intimate that I have never, especially in artistic circles, met an individual who could be called psychically monosexual through and through. Our manliness-with all due respect-does not preclude a certain amount of femininity, thank God; it would be a great pity if it were otherwise. This 'second phase', then, which is so prevalent in the Baron's psychosexual makeup, this balanced perception of the feminine side of his nature, only seems special when studied in a superficial way. It should rather be seen as something entirely natural and normal. For if within an utterly male body with clearly defined male sexual feelings a soul is contained - I use the word in an abstract sense in order to get my point across more easily and directly - a soul, I say, which is animated by feminine feelings, generally speaking these feelings won't be strong enough to vanquish the natural restraints that stand in the way of an outspoken male-male bonding. The instinct remains focused on the female, and even when it finds itself in a feminine position vis-a-vis the soul, the apparent ambivalent result is only seeming. The masculine yearning for the female body basically remains, even when it finds itself flooded by feminine feelings, and the ostensible homosexuality is merely a mask. I do not consider Baron von Friedel's case to be anything more than an exceptionally clear-cut textbook case describing a phenomenon I have, for my part, seen often enough, if hardly ever in such pronounced form. "The Death Of Baron Jesus Maria Von Friedel

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    Hanns Heinz Ewers

    Wednesday. March 16 Isn't it strange that it hasn't occurred to me to put my relationship with Clarimonda on a more serious basis than these endless games. Last night, I thought about this...I can, of course, put on my hat and coat, walk down two flights of stairs, take five steps across the street and mount two flights to her door which is marked with a small sign that says "Clarimonda." Clarimonda what? I don't know. Something. Then I can knock and... Up to this point I imagine everything very clearly, but I cannot see what should happen next. I know that the door opens. But then I stand before it, looking into a dark void. Clarimonda doesn't come. Nothing comes. Nothing is there, only the black, impenetrable dark. "The Spider

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    Hanns Heinz Ewers

    Wednesday, March 23 I know now that I love Clarimonda. That she has entered into the very fiber of my being. It may be that the loves of other men are different. But does there exist one head, one ear, one hand that is exactly like hundreds of millions of others? There are always differences, and it must be so with love. My love is strange, I know that, but is it any the less lovely because of that? Besides, my love makes me happy. If only I were not so frightened. Sometimes my terror slumbers and I forget it for a few moments, then it wakes and does not leave me. The fear is like a poor mouse trying to escape the grip of a powerful serpent. Just wait a bit, poor sad terror. Very soon, the serpent love will devour you. "The Spider

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    Hanns Heinz Ewers

    When the Devil was a woman, When Lilith wound Her ebony hair in heavy braids, And framed Her pale features all 'round With Botticelli's tangled thoughts, When she, smiling softly, Ringed all her slim fingers In golden bands with brilliant stones, When she leafed through Villiers And loved Huysmans, When she fathomed Maeterlinck's silence And bathed her Soul In Gabriel d'Annunzio's colors, She even laughed And as she laughed, The little princess of serpents sprang Out of her mouth. Then the most beautiful of she-devils Sought after the serpent, She seized the Queen of Serpents With her ringed finger, So that she wound and hissed Hissed, hissed And spit venom. In a heavy copper vase; Damp earth, Black damp earth She scattered upon it. Lightly her great hands caressed This heavy copper vase All around, Her pale lips lightly sang Her ancient curse. Like a children's rhyme her curses chimed, Soft and languid Languid as the kisses, That the damp earth drank From her mouth, But life arose in the vase, And tempted by her languid kisses, And tempted by those sweet tones, From the black earth slowly there crept, Orchids - When the most beloved Adorns her pale features before the mirror All 'round with Botticelli's adders, There creep sideways from the copper vase, Orchids- Devil's blossoms which the ancient earth, Wed by Lilith's curse To serpent's venom, has borne to the light Orchids- The Devil's blossoms- "The Diary Of An Orange Tree

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    Hanns Heinz Ewers

    Wie willst du leugnen, liebe Freundin, dass es Wesen gibt - keine Menschen, keine Tiere - seltsame Wesen, die aus der verruchten Lust absurder Gedanken entsprangen?

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    Hanns Heinz Ewers

    Wo es hinkam, wuchs aus der Nacht ein kleinstes Geräusch. Knirschte hell eine Diele, löste sich ein Nagel, bog sich ein altes Möbel. Knarrte es in den verquollenen Läden oder klirrte seltsam zwischen den Gläsern – Alles schlief in dem grossen Hause am Rhein. Aber irgend etwas schlurfte langsam herum –