Best 7 quotes of Sarah Rayner on MyQuotes

Anna has a stab of jealousy - she is thrilled for them, yet can't help but envy their happiness. Don't be ungracious, she tells herself. It is not your time; it is theirs. Lou is so lovely; she deserves to be happy.

Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.

She has no regrets; she knows now he could never have made her happy, even though he has, apparently, joined AA, is doing better. But sobriety is his journey, not hers; he needs to do it for himself, alone. Still, she misses him hugely, doesn't feel ready for another relationship yet. But as time passes, she hopes that she might be, eventually, with someone new, easier, kinder.

She watches Simon's profile as he drives, concentrating, but he keeps turning to her, and every time he does so, he is smiling. He doesn't seem to care, and she wonders if, actually, he wants to be caught. In some ways she does, because she knows, already, albeit crazily swiftly, that she wants more of this man, that once was never, ever going to be enough.

What Karen wants to do - needs to do - is cry, but she can't. Here, alone, when she could howl, beat the sofa cushions, scream; now, somehow, she is unable. It's for fear that if she gives in to it, she'll lose all sense of who she is. She is afraid that if she falls apart in private, then she'll fall apart completely. That if she crumbles, like a house in an earthquake, she will disappear down some deep, dark crevasse, and never be able to pull herself out and put herself back together again.

When merely meeting someone is ridden with angst and open to misinterpretation, is it any wonder she is so hopeless at relationships.

Wrestling through her introspection has coloured  her views of life, people and relationships. And working it out, with all the excitement, pain and fear that went with it, has given her a strong sense of herself. She knows who she is because of it. Not only that: it has given her a strong bond to those who are also, in different ways and for different reasons, disconnected from society. ironically, she is connected to the Aaron's and Kyra's of this world by the fact that they are each of them disconnected.