Best 9 quotes of Mort W. Lumsden on MyQuotes

Mort W. Lumsden

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    Mort W. Lumsden

    Don't most astrophysicists now predict some "end of the line" - an end to it all? Not just the death of things, but the annihilation of everything. Some great contraction, or collapse. Or, perhaps, some vast dissipation into eternal emptiness. Maybe it's all swallowed up by an immense black hole, which then swallows itself. But, whatever the case, their extinction is inevitable and absolute. So complete as to erase any and all evidence that this reality - this existence - ever took place. So complete that, perhaps, for all intents and purposes, it never really did. (attrib: F.L. Vanderson)

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    Mort W. Lumsden

    Don't you find it odd that two of the foremost symptoms of insanity are the hearing voices and talking to oneself? Is it any wonder that language is an area of such interest in psychology? (attrib: F.L. Vanderson)

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    Mort W. Lumsden

    FV: Annandale defines 'definition' as "an explanation of the signification of a term." Yet Oxford, on the other hand, defines it as "a statement of the precise meaning of a word." A small, perhaps negligible difference you might think. And neither, would you say, is necessarily more correct than the other? But now look up each of the words comprising each definition, and then the definitions of those definitions, and so on. Some still may only differ slightly, while others may differ quite a lot. Yet any discrepancy, large or small, only compounds that initial difference further and further, pushing each 'definition' farther apart. How similar are they then at the end of this process...assuming it ever would end? Could we possibly even be referring to the same word by this point? And we still haven't considered what Collins here...or Gage, or Funk and Wagnalls might have to say about it. Off on enough tangents and you're eventually led completely off track. ML: Or around in circles. FV: Precisely! ML: Oxford, though, is generally considered the authority, isn't it? FV: Well, it's certainly the biggest...the most complete. But then, that truly is your vicious circle - every word defined...every word in every definition defined...around and around in an infinite loop. Truly a book that never ends. A concise or abridged dictionary may, at least, have an out... ML: I wonder, then, what the smallest possible "complete dictionary" would be? Completely self-contained, that is, with every word in every definition accounted for. How many would that be, do you suppose? Or, I guess more importantly, which ones? FV: Well, that brings to mind another problem. You know that Russell riddle about naming numbers?

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    Mort W. Lumsden

    FV: Hasn't all art, in a way, submitted to words - reduced itself to the literary...admitted its failure through all the catalogues and criticism, monographs and manifestos — ML: Explanations? FV: Exactly. All the artistry, now, seems expended in the rhetoric and sophistry used to differentiate, to justify its own existence now that so little is left to do. And who's to say how much of it ever needed doing in the first place? [...] Nothing's been done here but the re-writing of rules, in denial that the game was already won, long ago, by the likes of Duchamp, Arp, or Malevich. I mean, what's more, or, what's less to be said than a single black square? ML: Well, a triangle has fewer sides, I suppose. FV: Then a circle, a line, a dot. The rest is academic; obvious variations on an unnecessary theme, until you're left with just an empty canvas - which I'm sure has been done, too. ML: Franz Kline, wasn't it? Or, Yves Klein - didn't he once exhibit a completely empty gallery? No canvases at all. FV: I guess, from there, to not exhibit anything - to do absolutely nothing at all - would be the next "conceptual" act; the ultimate multimedia performance, where all artforms converge in negation and silence. And someone's probably already put their signature to that, as well. But even this should be too much, to involve an artist, a name. Surely nothing, done by no-one, is the greatest possible artistic achievement. Yet, that too has been done. Long, long ago. Before the very first artists ever walked the earth.

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    Mort W. Lumsden

    Isn't one of the first lessons of good elocution that there's nothing one can say in any rambling, sprawling rant that can't, through some effort, be said shorter and better with a little careful editing? Or that, in writing, there's nothing you can describe in any page-filling paragraph that can't be captured better in just a sentence or two? Perhaps even nothing in any sentence which cannot better be refined in a single, spot-on word? Does it not follow, then, that there's likely nothing one can say in any word - in saying anything at all - that, ultimately, isn't better left unsaid? (attrib: F.L. Vanderson)

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    Mort W. Lumsden

    The problem with living forever, of course, is you have to live forever before you know you're immortal...or invincible. Even the gods, in this way, must always remain uncertain. Time trumps immortality just as uncertainty trumps omniscience, for a knower can only ever know what it knows, never what it doesn't. (attrib: F.L. Vanderson)

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    Mort W. Lumsden

    There's actually a sort of comfort in the belief that things can only get worse. It gives one an appreciation for the here-and-now, knowing that each and every moment may be as good as its ever going to get. Anyways, I can't imagine living too happy a life - so much to lose. It only figures that the more miserable your life is, the easier it is to lose it. And, when you can lose it at any moment, any time un-enjoyed must be time well spent. (attrib: F.L. Vanderson)

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    Mort W. Lumsden

    The topics which language limits us to aren’t much worth discussing in the first place. (attrib: F.L. Vanderson)

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    Mort W. Lumsden

    We know there are colours in the spectrum untranslatable to our eyes; sounds beyond the range of our hearing; sensations beyond the tolerance of taste or touch. What else is there that we might be missing? Could it be that we, ourselves, only ever really experience the mere gist of our own lives? (attrib: F.L. Vanderson)