Best 32 quotes of Joris-karl Huysmans on MyQuotes

Ah; but my courage fails me, and my heart is sick within me! —Lord, take pity on the Christian who doubts, on the skeptic who would fain believe, on the galley-slave of life who puts to sea alone, in the darkness of night, beneath a firmament illumined no longer by the consoling beacon-fires of the ancient hope.

Already, he was dreaming of a refined solitude, a comfortable desert, a motionless ark in which to seek refuge from the unending deluge of human stupidity.

Art and prayer are the only decent ejaculations of the soul.

Art is the only clean thing on earth, except holiness.

At a period when Literature was wont to attribute the grief of living exclusively to the mischances of disappointed love or the jealousy of adulterous deceptions, he had said not a word of these childish maladies, but had sounded those more incurable, more poignant and more profound: wounds that are inflicted by satiety, disillusion and contempt in ruined souls tortured by the present, disgusted with the past, terrified and desperate of the future.

(Baudelaire) had descended to the bottom of the inexhaustible mine, had picked his way along abandoned or unexplored galleries, and had finally reached those districts of the soul where the monstrous vegetations of the sick mind flourish. There, near the breeding ground of intellectuals aberrations and disease of the mind - the mysterious tetanus, the burning fever of lust, the thyphoids and yellow fevers of crime – he had found, hatching in the dismal forcing-house of ennui, the frightening climacteric of thoughts and emotions.

Far from seeking to justify, as does the Church, the necessity of torments and afflictions, he cried, in his outraged pity: 'If a God has made this world, I should not wish to be that God. The world's wretchedness would rend my heart.

He realized at last that the arguments of pessimism were powerless to comfort him

...he shrunk more and more from the realities of life and above all from the society of his day which he regarded with an ever growing horror,--a detestation which had reacted strongly on his literary and artistic tastes; he refused, as far as possible, to have anything to do with pictures and books whose subjects were in any way connected with modern existence.

His contempt for humanity grew fiercer, and at last he came to realize that the world is made up mostly of fools and scoundrels. It became perfectly clear to him that he could entertain no hope of finding in someone else the same aspirations and antipathies; no hope of linking up with a mind which, like his own, took pleasure in a life of studious decrepitude; no hope of associating an intelligence as sharp and wayward as his own with any author or scholar.

Immersed in solitude, he would dream or read far into the night. By protracted contemplation of the same thoughts, his mind grew sharp, his vague, undeveloped ideas took on form.

In the matter of animals I love only cats, but I love them unreasonably for their qualities and in spite of their numerous faults. I have only one, but I could not live without a cat.

In this game he had acquired a great deal of muddled knowledge, more than one approximation and less than one certitude. And absence of energy, a curiosity that was too sharp to be crushed immediately, a lack of order in his ideas, a weakening of his spiritual boundaries, which were promptly twisted, an excessive passion for running along forked roads and wearying of the path as soon as he had started on it, mental indigestion demanding varied dishes, quickly tiring of the foods he desired, digesting almost all, but badly, was his state.

I wish to confound all these people, to create a work of art of a supernatural realism and of a spiritualist naturalism. I wish to prove... that nothing is explained in the mysteries which surround us.

Last comes the class of persons, of nervous organization and enfeebled vigour, whose sensual appetite craves highly seasoned dishes, men of a hectic, over-stimulated constitution. Their eyes almost invariably hanker after that most irritating and morbid of colours, with its artificial splendours and feverish acrid gleams,-orange.

Menacing lines of black tomorrows on the horizon.

No longer was she merely the dancing-girl who extorts a cry of lust and concupiscence from an old man by the lascivious contortions of her body; who breaks the will, masters the mind of a King by the spectacle of her quivering bosoms, heaving belly and tossing thighs; she was now revealed in a sense as the symbolic incarnation of world-old Vice, the goddess of immortal Hysteria, the Curse of Beauty supreme above all other beauties by the cataleptic spasm that stirs her flesh and steels her muscles, - a monstrous Beast of the Apocalypse, indifferent, irresponsible, insensible, poisoning.

Really, when I think it over, literature has only one excuse for existing; it saves the person who makes it from the disgustingness of life.

Speaking of dust, ‘out of which we came and to which we shall return,’ do you know that after we are dead our corpses are devoured by different kinds of worms according as we are fat or thin? In fat corpses one species of maggot is found, the rhizophagus, while thin corpses are patronized only by the phora. The latter is evidently the aristocrat, the fastidious gourmet which turns up its nose at a heavy meal of copious breasts and juicy at bellies. Just think, there is no perfect equality, even in the manner in which we feed the worms.

The modern painter…is an excellent couturier

The only really indecent people are the chaste.

There's no doubt about it - gardeners are the only true artists these days.

An aunt, who though not a midwife was expert in that kind of work, helped bring forth the child, cleaning his face with butter and, to save money, powdering his thighs with some flour scraped from a crust of bread in lieu of talcum. "So you see, my boy, you come from humble stock," his Aunt Eudore would say, acquainting him of these petty details, and from an early age Jean didn't dare hope for any kind of good fortune in the future.

At the memory of how tired, how embarrassed he'd been, M. Folantin considered himself lucky to be able to dine where he pleased and to spend the rest of the evening in his room; he reckoned that solitude had its advantages, that to mull over old memories and recount idle gossip to oneself was still preferable to the company of people with whom one shared neither convictions, nor sympathy; his desire to be sociable, to rub shoulders with others, evaporated and, once again, he repeated this depressing truth: that when old friends disappear, one should resolve not to look for others, but to live apart, to habituate oneself to isolation.

Every one has a sum of physical and moral suffering to pay, and whoever does not settle it here below, defrays it after death; happiness is only lent, and must be repaid; its very phantoms are like duties paid in advance on a future succession of sorrows.

Goya’s savage verve, his harsh, brutal genius, captivated Des Esseintes. On the other hand, the universal admiration his works had won rather put him off, and for years he had refrained from framing them, for fear that if he hung them up, the first idiot who saw them would might feel obliged to dishonour them with a few inanities and go into stereotyped ecstasies over them.

...indeed it is very true that, just as the finest air in the world is vulgarized beyond all bearing once the public has taken to hum it and the street organs to play it, so the work of art that has appealed to the sham connoisseurs, that is admired by the uncritical, that is not content to rouse the enthusiasm of only a chosen few, becomes for this very reason, in the eyes of the elect, a thing polluted, commonplace, almost repulsive.

Neither the next day, nor the day after that, did M. Folantin's unhappiness dissipate; he simply let himself drift, incapable of resisting this crushing feeling of depression. Mechanically, under a rainy sky, he would make his way to his office; then he would leave it, eat, and go to bed at nine, only to resume the following day the exact same routine; little by little he slid into complete spiritual apathy.

The confused medley of meditations on art and literature in which he had indulged since his isolation, as a dam to bar the current of old memories, had been rudely swept away, and the onrushing, irresistible wave crashed into the present and future, submerging everything beneath the blanket of the past, filling his mind with an immensity of sorrow, on whose surface floated, like futile wreckage, absurd trifles and dull episodes of his life.

The food and the wine were certainly wretched enough, but what was even more wretched than the food and more wretched than the wine, was the company in the midst of which you were consuming it; there were the emaciated waitresses who brought the dishes, wizened women with unfriendly eyes and features that were sharp and severe. A feeling of complete powerlessness came over you as you looked at them; you felt conscious of being watched and you ate uneasily, with circumspection, not daring to leave gristle or skin for fear of a reprimand, and apprehensive about taking a second helping beneath those eyes that sized up your appetite, forcing it back into the depths of your belly.

The heart, said to be man’s noblest organ, has the same shape as the penis, commonly supposed the most ignoble; the symbolism is not inappropriate, because the love which comes from the heart soon extends to the organ which it resembles.

The only people who are worth knowing are either saints, scoundrels or madmen; at least their conversation is always interesting. Sensible people are dull by definition, because they are always harping on to the same boring tune about everyday life. They form part of the crowd, the more intelligent part perhaps, but the crowd for all that, and I’m sick of them.