Best 96 quotes in «copying quotes» category

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    Admiring doesn't make you exactly like what you admire, admire yourself and you will be original and exactly how you wish and feel to be.

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    If you fail in copying from a master you succeed in birthing an original art. Kushal Poddar, Poet

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    Between the key ages of fourteen and twenty-four, numerous Americans will form their views based on the popularity of the current president. A popular Republican or unpopular Democrat will influence many young adults to become Republicans. An unpopular Republican or popular Democrat puts this impressionable group in the Democratic column. And those views, in these key years, will, on average, last a lifetime.

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    And in an essential way, this was what he was most ashamed of: not his poor understanding of sex, not his traitorous racial tendencies, not his inability to separate himself from his parents or make his own money or behave like an autonomous creature. It was that, when he and his colleagues sat there at night, the group of them burrowed deep into their own ambitious dream-structures, all of them drawing and planning their improbable buildings, he was doing nothing. He had lost the ability to imagine anything. And so every evening, while the others created, he copied: he drew buildings he had seen on his travels, buildings other people had dreamed and constructed, buildings he had lived in or passed through. Again and again, he made what had already been made, not bothering to improve them, just mimicking them. He was twenty-eight; his imagination had deserted him; he was a copyist. It frightened him. JB had his series. Jude had his work, Willem had his. But what if Malcolm never again created anything? He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge.

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    People who copy you will always be one step behind.

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    Even though copying what’s come before is a guaranteed path to mediocrity, it appears to be a safe choice, and the desire to be safe—to succeed with minimal risk—can infect not just individuals but also entire companies. If we sense that our structures are rigid, inflexible, or bureaucratic, we must bust them open—without destroying ourselves in the process.

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    One of the fundamental causes of the disintegration of society is copying, which is the worship of authority.

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    Nobody is born with a style or a voice. We don't come out of the womb knowing who we are. In the beginning, we learn by pretending to be our heroes. We learn by copying.

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    When you are gunning to be like other people, you are foolishly repeating their mistakes, and the worst of it all is that you can't even correct yours.

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    The only way to efficiently battle evil is to copy enough to know how to counter each argument, yet not enough to believe all the bullshit.

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    There must be a certain amount of imitation, copying, in outward technique, but when there is inward, psychological imitation surely we cease to be creative.

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    Traumatic events, by definition, overwhelm our ability to cope. When the mind becomes flooded with emotion, a circuit breaker is thrown that allows us to survive the experience fairly intact, that is, without becoming psychotic or frying out one of the brain centers. The cost of this blown circuit is emotion frozen within the body. In other words, we often unconsciously stop feeling our trauma partway into it, like a movie that is still going after the sound has been turned off. We cannot heal until we move fully through that trauma, including all the feelings of the event.

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    Why escape your intended purpose by copying and trying to be someone else? You will discover who you were meant to be only after you have shown confidence being yourself.

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    A woman is handicapped by her sex, and handicaps society, either by slavishly copying the pattern of man's advance in the professions, or by refusing to compete with man at all.

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    Are you copying others? People won't pay extra for that. You won't be followed for that.

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    Being a cover artist is not like being a real artist. That's just copying what someone else did.

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    An Internet meme is a hijacking of the original idea. Instead of mutating by random change and spreading by a form of Darwinian selection, Internet memes are altered deliberately by human creativity. There is no attempt at accuracy of copying, as with genes - and as with memes in their original version.

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    As far as modern writing is concerned, it is rarely rewarding to translate it, although it might be easy. Translation is very much like copying paintings.

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    Copying is about reverse-engineering.

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    Copying all or parts of a program is as natural to a programmer as breathing, and as productive. It ought to be as free.

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    Copying is not theft. Because when you steal something it means the other person doesn't have it anymore.

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    Copying is slavery. The letter must never be followed, only the spirit is to be grasped. Higher affirmations live in the spirit. And where is the spirit? Seek it in your everyday experience, and therein lies abundance of proof for all you need.

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    Charlotte, who had sagged back in her chair, her eyes half-closed, said, “Will, I have already been up all night copying down the relevant parts. Much of it was—” “Gibberish?” Jem suggested. “Pornographic?” said Will at the same time. “Could be both,” said Will. “Haven’t you ever heard of pornographic gibberish before?

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    Copying is an art in itself, demanding the greatest technical ability, especially in watercolour. However well done, the copy invariably lacks that nascent, ineffable, but definite quality, provided by the furious enthusiasm with which an original is created, an essential spontaneity that defies reproduction.

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    Copying isn’t particularly creative work. Being inspired by someone else’s idea to produce something new and different IS creative work.

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    Copying is the greatest form of flattery, I guess. I am actually a little surprised that Vincent Lo didn't try and make a deal to be on The Apprentice,.

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    Copying or imitation is the highest form of flattery.

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    Copying one person is stealing. Copying ten is research.

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    David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.

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    Fools talk of imitation and copying, all is imitation

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    Given that you'll never be able to prevent copying, the question is, what can you do to minimize it? What can you do to make consumers happy enough with legitimate use of the system that they'll be willing to pay for it?

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    I am just a copier, an impostor. I wait, I read magazines. After a while my brain sends me a product.

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    For memetics to be a reasonable research programme, it should be the case that copying, and differential success in causing the multiplication of copies, overwhelmingly plays the major role in shaping all or at least most of the contents of culture. Evolved domain-specific psychological dispositions, if there are any, should be at most a relatively minor factor that could be considered part of background conditions.

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    Even if there were no illegal copying, the advent of digital distribution will put a lot of stress on the movie and music industry. When the distribution costs comes down, that puts more price pressure on the rest of the cost.

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    I can't catch her by copying her, I can't draw her with a borrowed stencil. She is all the things a lover should be and quite a few a lover should not. Pin her down? She's not a butterfly. I'm not a wrestler. She's not a target. I'm not a gun. Tell you what she is? She's not Lot no. 27 and I'm not one to brag.

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    I don't remember that I copied any guitar player note-for-note. But I remember copying Charlie Parker note for note.

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    I believe I do much better for the time being by first copying some good things than by working without that foundation

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    If I created a new depravity I would be a priestess, while my imitators would founder, after my reign, in abominable filth...Don't you think that proud men, copying Satan, are more guilty than the Satan of the Bible, who invented pride? Is Satan not respectable because of his unprecedented and divinely inspired sin?

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    If I don't have anything better to do that day, I'll copy paintings, generally by people who have some relationship to the work of the moment.

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    If we go around clearing up our own mess and being positive about our own lifestyle, other people will start copying us and picking up their own carbon 'litter' too

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    I have studied the art of the masters and the art of the moderns, avoiding any preconceived system and without prejudice. I have no more wanted to imitate the former than to copy the latter; nor have I thought of achieving the idle aim of art for art's sake.

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    If a spectacle is going to be particularly imposing I prefer to see it through somebody else's eyes, because that man will always exaggerate. Then I can exaggerate his exaggeration, and my account of the thing will be the most impressive.

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    If your competitors start copying you then you are doing something right!

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    I didn't want to feel like I was mimicking or copying someone else's performance, whether it's subconscious or not.

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    Imagine you're copying a very long document, and occasionally you'll put an A where there should be a C. And that mistake has been translated down through the generations, and more mistakes have accumulated. So the longer the lineage has been in existence, the more mistakes the sequence is going to have.

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    I looked long and carefully at the picture of a stag painted by Landseer - the style was good, and the brush was handled with fine effect, but he fails in copying Nature, without which the best work will be a failure.

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    I love making, I love doing. I love being to the full, I love everything which is not sitting and watching and copying and dead at heart.

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    In the '50s, to appropriate was a real no-no. However, once you go from Duchamp to Jasper Johns to Warhol, appropriation becomes not only a common thing to do, but possibly the central way of working in the era we call postmodernism.

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    I read an article on me once that described my machine-method of silk-screen copying and painting: 'What a bold and audacious solution, what depths of the man are revealed in this solution!' What does that mean?

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    I rather want my things to be copied than me copying. I would feel ashamed!