Best 12 quotes in «da vinci quotes» category

Another dream had been shattered.

For self-educated scientists and thinkers such as Charles Darwin, Srinivasa Ramanujan, Leonardo-da-Vinci, Michael Faraday, myself and many others, education is a relentless voyage of discovery. To us education is an everlasting quest for knowledge and wisdom.

It would be futile to delude ourselves that at present, readers find every pathography unsavory. This attitude is excused with the reproach that from a pathographic elaboration of a great man one never obtains an understanding of his importance and his attainments, that it is therefore useless mischief to study in him things which could just as well be found in the first comer. However, this criticism is so clearly unjust that it can only be grasped when viewed as a pretext and a disguise for something. As a matter of fact pathography does not aim at making comprehensible the attainments of the great man; no one should really be blamed for not doing something which one never promised. The real motives for the opposition are quite different. One finds them when one bears in mind that biographers are fixed on their heroes in quite a peculiar manner. Frequently they take the hero as the object of study because, for reasons of their personal emotional life, they bear him a special affection from the very outset. They then devote themselves to a work of idealization which strives to enroll the great men among their infantile models, and to revive through him, as it were, the infantile conception of the father. For the sake of this wish they wipe out the individual features in his physiognomy, they rub out the traces of his life's struggle with inner and outer resistances, and do not tolerate in him anything of human weakness or imperfection; they then give us a cold, strange, ideal form instead of the man to whom we could feel distantly related. It is to be regretted that they do this, for they thereby sacrifice the truth to an illusion, and for the sake of their infantile phantasies they let slip the opportunity to penetrate into the most attractive secrets of human nature.

If someone told me I could hang out in da Vinci's studio while he painted the Mona Lisa or go up on Brian's roof with him at night - I'm on the roof

Unfortunately, Da Vinci was a prankster who often amused himself by quietly gnawing at the hand that fed him. He incorporated in may of his Christian paintings hidden symbolism that was anything but Christian - tributes to his own beliefs and a subtle thumbing of his nose at the Church.

One of the best examples of a polymath is Leonardo da Vinci. Born in Italy in 1452, Leonardo was a sculptor, painter, architect, mathematician, musician, engineer, inventor, anatomist, botanist, geologist, cartographer and writer. Although he received an informal education that included geometry, Latin and mathematics, he was essentially an autodidact, or a self-taught individual.

When I was in art school, we were looking one day at a slide of some great fifteenth century painting, and one of the students asked 'Why don't artists paint like that now?' The room suddenly got quiet. Though rarely asked out loud, this question lurks uncomfortably in the back of every art student's mind. It was as if someone had brought up the topic of lung cancer in a meeting within Philip Morris. 'Well,' the professor replied, 'we're interested in different questions now.' He was a pretty nice guy, but at the time I couldn't help wishing I could send him back to fifteenth century Florence to explain in person to Leonardo & Co. how we had moved beyond their early, limited concept of art. Just imagine that conversation. In fact, one of the reasons artists in fifteenth century Florence made such great things was that they believed you could make great things. They were intensely competitive and were always trying to outdo one another, like mathematicians or physicists today—maybe like anyone who has ever done anything really well. The idea that you could make great things was not just a useful illusion. They were actually right. So the most important consequence of realizing there can be good art is that it frees artists to try to make it.

While working on The Last Supper, Leonardo da Vinci regularly took off from painting for several hours at a time and seemed to be daydreaming aimlessly. Urged by his patron, the prior of Santa Maria delle Grazie, to work more continuously, da Vinci is reported to have replied, immodestly but accurately, 'The greatest geniuses accomplish more when they work less.

If Da Vinci had to tweet 5 times a day, we’d still be riding bicycles.

The greatest story ever told is, in fact, the greatest story ever sold

We all still show too little respect for nature, which in Leonardo's deep words recalling Hamlet's speech "is full of infinite reasons which never appeared in experience." Every one of us human beings corresponds to one of the infinite experiments in which these "reasons of nature" force themselves into experience.

When wine is drunk by a drunkard, that wine is revenged on the drinker. Leonardo Da Vinci Notebooks, 1281