Best 47 quotes of Jill Soloway on MyQuotes

Along the way, female filmmakers will have the feeling that they're not good enough. And that's really just a result of being "otherized" from the moment they're born. Keep an eye out for all those insecurities, and even expect them. Borrow white male privilege and just move through the world as if it was created for you. You have to kind of talk yourself into an imaginary space where the world is on your side and expects you to speak and wants you to speak. You have to create that space for yourself over and over again. Every hour sometimes.

As you grow and change, you become possibly someone else. You want to go back to your family of origin and say, ‘Do you still love me? Would you still love me if I become X or Y or Z? When will you stop loving me? Is this unconditional love and if not what are the conditions?’

Fear of anti-Semitism almost is part of our religion. Throughout time Jewish people have experienced traumas that we relive in a lot of the things we celebrate.

I'd always have a sort of automatic urge to share what I'm doing with other people.

I did a piece where I was talking about torture at Abu Ghraib, and I embroidered my hand with the image of the hooded Abu Ghraib prisoners who'd been tortured using a needle and thread. I know that meeting a Holocaust survivor when I was eight and seeing the tattoo on her arm from her time in the camps influenced my piece about Abu Ghraib.

If most of the reviewers are white cis men, if most of the distributors are white cis men, most of the executives in history have been white cis men. Most of the people who have been giving awards to people are people who've already been in the business - retired white cis men. They've been creating a body of narrative forever.

If people want to watch that five hours [of stream show] on their own terms in their own schedule. It needs to work if somebody wants to stop after an hour and a half or stop after half an hour. People talk about it like food. Like, "I just want to let you know I'm saving it." They talk about it like pasta. "I'm saving it. I'm only going to have one a week." And I love the fact that everybody can have their own experience and I want to make sure that what we put out there works in as many ways as possible.

If you go to Europe, public bathrooms have any-gender sink areas and stalls for everyone to use. This is completely reasonable. It potentially involves the destruction of the urinal industry, which I think people would be happy to see go away.

I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure.

I have never wanted to claim I know what is best for Israel.

I haven't made art about Israel. There's a covert subtext of Jewish identity in my artwork.

I learned in grade-school that after WWII European politicians considered sending Jews to Madagascar instead of Palestine. At the time I thought: Madagascar would've been so great.

I'm glad that Jewish kids are taught about the Holocaust and other stories in our history, but I wonder if there are ways that this information and narrative can be transmitted differently.

I'm like a bit of a feminist, I have kinds of highly political dreams. I'm a dreamer about taking on the patriarchy and all that kinda stuff. So I actually have the secret belief that there are enough people who would consider themselves quote-unquote "other" to support my particular taste.

In my own work I am invested in art as a way to break through impasses, whether those impasses are personal, social, or political.

In the little travel I've done to other countries, the Jews there embraced me saying, Come to our house, come and have Shabbat with us. Jews in the Diaspora. I didn't imagine an Israeli traveling to the U.S. would feel this intensity of a forced relationship.

I remember learning about the Holocaust when I was in kindergarten and being terrified. I think we even watched a graphic video about it in Jewish day school. Although I was quite young, I remember making these vows to myself such as, I'm never going to love my country so much that I can't leave in a moment's notice.

I said to my parents that I don't even know if there should be an Israel. And they were just so upset and hurt.

I think generational trauma also plays a big part in the reactions to Israeli politics.

I think kids in general are much more capable of understanding the idea of being transgender than adults.

I think people don't really actually talk about what their real issue is, which is that white, cis men - not straight men, but cis men - have had their hands on the narrative ever since filmmaking has begun.

It's assumed that if you're a woman, you want to be the prettiest version of yourself. It always put me in a bad mood. It was like, "OK, I'm successful. I'm supposed to be happy. Well, why aren't I happy?" Part of the problem was that my looked-at-ness had become a priority over my art making. Over and over again it was like, "I don't have time for this. I want to work." I love writing. I don't love somebody putting false eyelashes on me.

It's interesting to think about the history of Israel in relation to the history of the U.S.. There were Native Americans living here that U.S. settlers totally displaced, and that narrative is not connected with the Isreal-Palestinian struggle at all.

It's really just a freedom that we have with Amazon to push ourselves creatively. It allowed me to say, you know, okay this is going to be a little half-hour film here to start the season.

It will feel boring when you're bingeing.

I've always wondered what it means to the Republican Party to be pro-Israel. My husband says that is is because certain sects of Christianity need Jews in Israel for the second coming.

I've been told by people I respect that flashbacks only work if they have their own narrative, but they can't be part of the present narrative.

I was talking to my friend who's Israeli and she said that from the moment you're born, you're taught to hate the Palestinians. That's it. That's your life. That's what you learn from day one.

Many of our holidays revolve around traumas that happened to our people and how we must remember them in specific ways. The way these stories are told and what we take away from them can change, and do in certain contexts, but overall I am not sure whether Jews want to let go of the narrative of the victim.

Many of the trans women who are in our world are also in Caitlyn's Jenner world. And yes I've definitely spoken to her multiple times, talked to her, socialized with her. It's a small community when all is said and done, the trans community in Los Angeles. So everybody really knows each other and everybody's in contact.

My experience as a Jewish American has often been as a spectator of one-sided conversations, or more like monologues, about Israel, Jewish History, Jewish identity, etc. Although there are profound divisions amongst Jews on all of these topics there are not many opportunities for deep and thoughtful dialogue about them.

My family gets incredibly tense and stressed out around traveling. There's something really beautiful in that vulnerability.

One of the things that feels so challenging is how questioning Israel and the idea of a Jewish state somehow opens the door for other sorts of questions - and wounds.

So for me to actually have access to women, to feminist women, to gay people, to trans people, to intellectuals, iconoclasts, weirdos, academics, just the people who don't normally get marketed to, in some way I kinda hoped that if I could collect all of them, I could say, "Hey! Look over here! There are enough people who like my stuff." And it sorta has seemed to be true.

Someone will say to me, Oh that's so Jewish to interrupt. I say to myself, okay, is that code for you hate Jews? Or am I just being paranoid?

Sometimes it seems like America is the Christian and Israel is the little Jew they love in this fetishistic way. Like, you're my little sister and I'll kick anyone's ass that messes with you. But when we're alone and no one's looking I'll harass you.

So much of the United State's political relationship with Israel is based on culture. Israel is the only Westernized culture in the region and the Middle Eastern countries bordering Israel are Arab, which is a totally different society. Even though Israel doesn't exactly feel like the United States, by comparison to its neighbors it's very Western.

That was something that I learned from Alan Ball from “Six Feet Under." He didn”t really like to have too many pop culture references because they don”t really hold up after a few years.

The only way things will change will be when we're all wilder, louder, riskier, sillier, unexpectedly overflowing with surprise.

There are a lot of men with feminine leadership styles and there are a lot of women with masculine leadership styles.

There are a whole bunch of people - Republicans or sports fans or reality TV fans - who probably would never have recognized that they have trans people in their world. Caitlyn Jenner really is thinking about the movement and saving lives, so I know that her intentions are honorable.

There are times when folks will point out certain characteristics I have, like me being an interruptor, and attribute them to my Jewish identity.

There is a real comfort with the position of the victim, which can either result in true empathy or deep paranoia.

There was an Israeli artist who was in grad school with me. I remember trying to get to know him on a more personal level. He had moved to the Fairfax area, not realizing that it's a super Jewish part of L.A. He told me, I don't understand why American Jews feel this connection with me. I was embarrassed because I was feeling that connection with him, too!

We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.

We stay away from pop culture almost all the time, you know. That's sort of a rule. You won't really hear people on our show talking about Beyoncé or Adele. We try to make it a little bit more timeless.

When I write, I lose time. I'm happy in a way that I have a hard time finding in real life. The intimacy between my brain and my fingers and my computer... Yet knowing that that intimacy will find an audience... It's very satisfying. It's like having the safety of being alone with the ego reward of being known.