Best 11293 quotes in «play quotes» category

But alas for the dreams that round us play! / For the plans of mortal making! / And alas for the false and fickle day / That looked so fair at waking!

But after that you don't see a lot of real good fundamental play. You see a showboat-type basketball which is almost parallel to street basketball.

But as far as I'm concerned, I can still play defense.

But as far as dream roles - I know this is so expected of me, but I would to play Elphaba in 'Wicked' on Broadway. I have a lot of dream roles, but that's like my main one because of the vocal track. I love belting high things!

But at a certain point, and I don't really know... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed.

But a true diva has dismissed that drama. A true diva's heart is open, and she's ready to play by her own rules - rules that are gentle and kind.

But at [soccer] tournaments you tend to see novel, unanticipated trends coming through, with everyone watching each other like hawks and immediately copying anything new. What is really important for every team is to be aware of its own capabilities and find a style which plays to one's own strengths.

But be careful about the parts you agree to play...You never know when one is going to stick.

But do you know how old I will be by the time I learn to really play the piano / act / paint / write a decent play?" Yes . . . the same age you will be if you don't.

But before any of the small appliances who may be listening to this tale should begin to think that they might do the same thing, let them be warned: ELECTRICITY IS VERY DANGEROUS. Never play with old batteries! Never put your plug in a strange socket! And if you are in any doubt about the voltage of the current where you are living, ask a major appliance.

But being energetic in my playing is something I've always thought was the right thing to do. Like I'm never forcing it, like "My God, I've gotta play so hard tonight!

But I always like to play ugly people who think they're pretty.

But basketball was always something I was good at, that I was passionate about. I just didn't have the confidence to play in front of people at the time, at that early age. Now, I feel like I'm ready to play in front of people and play on the big stage.

But by us doing a lot on the road, we were able to afford things like videos on the tours, cartoons that we'd open up the shows with. We were doing that way back when and now it's the hippest thing to do. We're just coming back around, I guess trying to play catch-up.

But do we know how to make love stay?' I can't even think about it. The best I can do is play it day by day.

But if we play it safe, the problem is that we may be losing out, and I believe we are.

But, I don't think any arranger should ever write a drum part for a drummer because if a drummer can't create his own Interpretation of the chart and he plays everything that's written, he becomes mechanical; he has no freedom.

But I can't find anybody. That's the problem. I don't know where they are. I mean, I've got an idea that there must be someone to play with. If I was going to play properly, I should need some really good people.

But I don't want to be compared to anyone like to impose my own style of play and do the best for myself and for the club here.

But if I didn't have to make money, I would still play my horn.

But I'd do it again. I know that now. I'd make that promise a thousand times over and lose her a thousand times over to have heard her play last night or to see her in the morning sunlight. Or even without that. Just to know that she's somewhere out there. Alive.

But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.

But I find with Francis Bacon, some of the things were in the place, and someone who was connected with these schools of thought, and someone who had a motivation that equals the scope of the comedy and the tragedy in the plays.

But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work.

But if you want to be a songwriter-based musician, whether you play punk or rock or country or jazz, whatever, you have to work on your songwriting and you have to work on being able to play in front of people, I think. That performance is how you create the groundwork for a lasting career.

But I have been hitting for a week now and trying to get back into some sort of routine because I need to play well at tournaments.

But I'm not adverse to the idea of Torch Song as a musical. It would just be different. Because the play will always be there exactly as it was, and in a musical you could tell a lot of the story through songs.

But I think there's a genuine joy, too, a sense that no matter what, even if my stomach's growling, I'm going to dance. That's what I want to leave people with at the end of the play. After all this, people still know how to live.

But I still read Shaw on a regular basis. What I love is the nakedness of the polemic and the irresistible good humour. For me, 'Major Barbara' is the greatest of all the plays in that it starts from the rational and proceeds to the ecstatic in a spectacular way, and leaves you very confused if you cling to Euclidean logic.

But I own that I cannot see as plainly as others do, and I should wish to do, evidence of design and beneficence on all sides of us. There seems to me too much misery in the world. I cannot persuade myself that a beneficent and omnipotent God would have designedly created that a cat should play with mice.

But I still have to practice hard if I'm going to play my best tennis.

But just maybe sometimes being even more patient. Even though I thought I did that much better this year, and sometimes, you know, make my opponents play that one extra ball, and just knowing how to play the big points better.

But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the most laudatory of reviews.

But I think that any young drummer starting out today should get himself a great teacher and learn all there is to know about the instrument that he wants to play.

But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.

But my relief that David Auburn's Proof is less about its ballyhooed higher mathematics than the fragility of life and love was matched by my delight in his fine and tender play. (...) Proof surprises us with its aliveness and intelligent modesty, and we have not met these characters before.

But most men regard their life as a poem that women threaten. They may not have two spondees to rub together but they still want to pen their saga untrammelled by life-threatening activities like trailing round Sainsbury's, emptying the dishwasher or going to the nativity play.

But nirvana is a radical transformation of how it feels to be alive: it feels as if everything were myself, or as if everything---including "my" thoughts and actions---were happening of itself. There are still efforts, choices, and decisions, but not the sense that "I make them"; they arise of themselves in relation to circumstances. This is therefore to feel life, not as an encounter between subject and object, but as a polarized field where the contest of opposites has become the play of opposites.

But Nature cast me for the part she found me best fitted for, and I have had to play it, and must play it till the curtain falls.

But I shall hear without pain, that I play the courtier very ill, and talk of that which I do not well understand.

But just like I've always said when people complain about tee times, 'I just want a tee time. Just give me one so I can play.

But it's been funny to try and carry the through line, but I think the main thing is the relationship that the band has because we have spent now all this time together that I think that's sort of what we returning to. And whenever we get to play together, it still sort of returns to that little shitty rehearsal space. So that's good.

But rules only work when everyone plays by them. What happens when someone doesn't, and the fallout bleeds right into his life? Whats stronger- the need to uphold the law, or the motive to turn one's back on it?

But really, anytime, I play on a practice pad as much as I can.

But particularly when the media profess to strive toward objectivity, gatekeepers play a crucial role in helping people navigate the news to make educated political decisions.

But once a culture develops sufficiently to become skeptical, the idea of censorship becomes less attractive. To suppress a book or a picture or a sculpture or a play or a film is a terrible act of aggression against the artist who created it. This is a miming of capital punishment; it destroys the life that has been emanated by a life.

But once you get down to reality, there's no one to play her and there's no movie. It would be ridiculous.

But, she knew, you didn’t have to marry your soulmate, and you didn’t even have to marry an Interesting. You didn’t always need to be the dazzler, the firecracker, the one who cracked everyone up, or made everyone want to sleep with you, or be the one who wrote and starred in the play that got the standing ovation. You could cease to be obsessed with the idea of being interesting.

But Shakespeare one gets acquainted with without knowing how. It is a part of an Englishman's constitution. His thoughts and beauties are so spread abroad that one touches them everywhere; one is intimate with him by instinct. No man of any brain can open at a good part of one of his plays without falling into the flow of his meaning immediately.

But there is a process that happens when you're making something, be it a musical or a new play. That process takes time, and mistakes will be made along the way, and you will go down and hit dead ends. But it is so public now. Any yahoo with a computer can start a firestorm.