Best 2876 quotes in «design quotes» category

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    Man was designed in a way in which he must eat in order to give him a solid reason to go to work everyday. This helps to keep him out of trouble. God is wise.

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    Mathematics is my first language.

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    Modernism isn't a design ethos any more, it's an economy of scale, and a marketing tool to sell the ordinary as something special, the sexless as erotic. A technological device without a specific, personalized identity has a subtext: it asserts the value of instrumentality. Its design is a reflection of its role... The anonymity of these objects is part of what they are: interchangeable commodities whose uniqueness in so far as they possess any is created by what is done with them. Function is an identity. And that identity is something we are encouraged to incorporate into our perception of self, that anonymity is proposed as something to emulate. Whimsy and uniqueness are indulgences.

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    Modern architecture has the potential to send you to an early grave.

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    Margherita stared at the mask. It was painted bright yellow and marked with little copper-colored circles to suggest florets. White petals streaked with gold radiated out in all directions. Long golden eyelashes fringed the eye slits, and the mouth was painted as a big happy smile. 'La sua bella,' she whispered, her lisp more pronounced than ever.

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    Museums, whatever their content, are logical design arenas. Their renewed vitality reflects a spreading curatorial perception that a museum is a designed situation more than it is a warehouse open to the public. This in turn has made it possible for a great many people, including children, to perceive museum-going as something to do, rather than something that is done to you.

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    Mathematical design is the future. Landscape Mathematics is the revolution!

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    My boyfriend likes to fuck my brains out on our kitchen island. Which tile would you recommend for that?

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    My job is simple; empower people with design and technology and lead them to be happier citizens of the world.

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    Nature's design is fully economical. Human design follows this model when it minimizes information and maximizes understanding.

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    Nature should be idealised not copied.

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    Most improved things can be improved.

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    My love for paper floral design grew with each custom project and I’m now officially on a mission to embellished people’s lives, spaces and fabulous events!

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    My philosophy is best summed up by the phrase 'plain, simple, and useful.' Such things may not win many design prizes, but neither do they go out of fashion.

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    Non è un caso, infatti, che la grafica globalizzata tenda spesso a somigliarsi un po' tutta. Non si tratta di mera influenza culturale, ma di modo di procedere. Tutti i designer compiono gli stessi movimenti, maneggiano pixel: un po' più a destra; ruotato; di nuovo a destra; abbassato; poi sopra; e taglia; e incolla. Così all'infinito. Il design dovrebbe essere un modo di ragionare, di impostare problemi, di raccontare storie, non può ridursi a maneggiare box o spostare pixel.

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    One of the talents of the [late] great Steve Jobs is that he [knew] how to design Medusa-like products. While every Macintosh model has had flaws (some more than others), most of them have has a sexiness and a design sensibility that has turned many consumers into instant converts. Macintosh owners upgrade far more often than most computer users for precisely this reason.” (p.98)

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    Only great artists have the wisdom to let go of good ideas.

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    Nothing important should ever be more than two clicks away.

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    Optimal design delivers information in ways that are useful, beautiful and improve the experience of all involved: audience, client and designer.

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    Optimistic design isn't a particular look, it is a movement of residential anarchy. It goes much deeper than using bright colors - it's an attitude displaying self-empowerment, nurturing a more upbeat approach to living. It is about doing things differently, to kick against what is currently on-trend. The only guiding principle is that there is no guiding principle. It is a crusade where a new breed of self-curating, design-smart amateurs who blog about their rebellious design have led the way. They have coined the world 'undecorate.

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    Other clues to how things work come from their visible structure - in particular from affordances, constraints, and mappings. Consider a pair of scissors: if you have never seen or used them before, you can see that the number of possible actions is limited. The holes are clearly there to put something into, and the only logical things that will fit are fingers. The holes are affordances: they allow the fingers to be inserted. The sizes of the holes provide constraints to limit the possible fingers: the big hole suggests several fingers, the small hole only one. The mapping between holes and fingers - the set of possible operations - is suggested and constrained by the holes.

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    Penguin Classic, with the orange bands at the top and bottom; and the Gill Sans thirty-sixpoint title, all caps, centered and medium weight, in black on the white band in the middle. One of the designer Tschichold's prouder moments, when he finally woke the hell up and joined the twentieth century.

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    …no industrial designer worth his salt, or our attention, has been trained to work exclusively on any particular product, unless by accident. What he has been trained to do is practice a process called design, a process that includes esthetic choices but does not consist only of them.

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    Our critics make us strong! Our fears make us bold! Our haters make us wise! Our foes make us active! Our obstacles make us passionate! Our losses make us wealthy! Our disappointments make us appointed! Our unseen treasures give us a known peace! Whatever is designed against us will work for us!

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    Our head is designed to broaden our capability of analyzing facts, events and draw the right conclusions

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    People relate to people, and if your brand feels like people, they’ll relate to you, too.

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    Parks, plazas, gardens, and rooftops are culture-producing places, not merely place for retreat. Sidewalks and bridges become ends in themselves instead of just a means of getting from one place to another.

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    People change, and so do their aspirations, and so should brands.

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    Products shouldn’t just work well, they must unfold well.

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    Plans are design to fail.

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    Principles that drive equilibrium in nature's design also power human design.

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    Research conquers doubt. It aligns everyone around the incontestable. Research is the key to clarity—in startups, enterprises, and life itself.

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    Secondo gli stereotipi comuni, la grafica si occupa, in maniera artistica e creativa, di pubblicità e di siti web, al fine di rendere le cose più belle e attraenti. Se ne identifica così il compito anzitutto nel campo della persuasione. Da sempre però – e ben prima della società pubblicitaria – il visual design svolge altri compiti, se non più nobili, spesso più utili: si occupa cioè di spiegare.

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    Sense-driven describes a situation in which progress pivots on our sensory perceptions. Let's pit this concept against that of the technology-driven world. Reviewing the world based on our senses would be sound and meaningful for technology as well.

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    She had baked a simple round vanilla sponge cake in two layers with crimson icing between the layers. Then she had coated the cake with a vibrant turquoise blue icing. Across the top she had created a loose, open, basket-weave design in bright yellow bordered with piped yellow stars alternating with crimson stars, and she was now finishing off by piping scrolls of crimson around the base of the sides. It would be a handsome cake: beautiful, but at the same time masculine.

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    Simple is good.

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    Simplicity is all but nothing that's there.

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    Positioning is finding the right parking space inside the consumer’s mind and going for it before someone else takes it.

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    Since the Leeburg Pike [at Tyson's Corner] carries six to eight lanes of fast-moving traffic and the mall lacks an obvious pedestrian entrance, I decided to negotiate the street in my car rather than on foot. This is a problem planners call the 'drive to lunch syndrome,' typical of edge nodes where nothing is planned in advance and all the development takes place in isolated 'pods'.

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    Simplicity isn't about being a cold, hard minimalist. A different way of looking at simplicity is to take note of the Japanese aesthetic of wabi sabi. It is difficult to translate it directly into a Western sensibility but it is a way of finding beauty in imperfection and profundity in nature.

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    Small, noncomparative, highly labeled data sets usually belong in tables.

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    Some concepts take courage.

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    Some do not want to create rich experiences for others, others lack the ability to do so, but most just want to experience being rich, with little to no other experience.

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    Real artists ship.

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    Some websites are completely optimized for simple conversion, and it’s easy to tell. The design centers on one clear call to action, a vivid lozenge labeled with a verb.

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    Sophistication is the craft of subtlety that goes noticed.

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    So, you don’t have money to invest in your brand? You do have money for damage control, right? Here’s the thing: anyone can make your brand inferior in your absence.

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    Sometimes the most complex problems can be solved with the simplest solutions.

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    Sometimes time spent reinventing the wheel results in a revolutionary new rolling device. But sometimes it just amounts to time spent reinventing the wheel.

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    Style is a matter of taste, design a matter of principles.