Best 52 quotes of Kate Forsyth on MyQuotes

I had always been a great talker and teller of tales. 'You should put a lock on that tongue of yours. It's long enough and sharp enough to slit your own throat,' our guardian warned me, the night before I left home to go to the royal court at Versailles ... I just laughed. 'Don't you know a woman's tongue is her sword? You wouldn't want me to let my only weapon rust, would you?

I think fantasy is best described as a kind of fiction that evokes wonder, mystery or magic, a sense of possibility beyond the ordinary world in which we live, and yet which reflects and comments upon that known world.

Once there was a gypsy queen who wore on her wrist a chain of six lucky charms - a golden crown, a silver horse, a butterfly caught in amber, a cat's eye shell, a bolt of lightning forged from the heart of a falling star, and the flower of the rue plant, herb of grace. The queen gave each of her six children one of the charms as their lucky talisman, but ever since the chain of charms was broken, the gypsies had been dogged with misfortune.

She felt as if she had strayed into a fairy tale, as full of peril as of wonder, a place where anything could happen.

There's a flame of magic inside every stone & every flower, every bird that sings & every frog that croaks. There's magic in the trees & the hills & the river & the rocks, in the sea & the stars & the wind, a deep, wild magic that's as old as the world itself. It's in you too, my darling girl, and in me, and in every living creature, be it ever so small. Even the dirt I'm sweeping up now is stardust. In fact, all of us are made from the stuff of stars.

War is an unpredictable beast. Once unleashed, it runs like a rabid dog, ravening friend or foe alike. It can drag on for years, a slow attrition of nerve and fortitude, or be over in one brilliant flash, an extravagant conflagration of flame and blood and waste.

Words. I had always loved them. I collected them, like I had collected pretty stones as a child. I liked to roll words over my tongue like a lump of molten honeycomb, savouring the sweetness, the crackle, the crunch.

A lark began to sing in the tree above her. Dortchen opened her eyes and looked up. It was such a small, plain, grey thing, yet its song was so full of joy. She could see its breast swell, its thin throat tremble. It lifted its wings, as if seeking to draw more air into its lungs. Song-notes were flung into the air, like golden coins thrown by a generous hand. All the lark's strength was poured into its music, all its joy. Dortchen took a deep breath, so deep that she felt her lungs expand and the muscles of her chest crack. She wanted to live like the lark did, filled with rapture. She stood up, looking up at the bird through the sunlit leaves. It flung its wings wide and soared away into the sky. She wanted to fly with it.

A small grove of linden trees grew on the far side of the lake, below the palace. Dortchen made her way there carefully, not wanting to be seen so close to the King's residence. The trees were in full blossom, bees reeling drunkenly from the pale-yellow flowers that hung down in clusters below the heart-shaped leaves. Dortchen harvested what she could reach, breathing the sweet scent deeply, then picked handfuls of the wild roses that grew in a tangled hedge along the path. She would crystallise the petals with sugar when she got home, or make rose water to sell in her father's shop. She plucked some dandelions she found growing wild in a clearing, and then some meadowsweet, and at last reached the ancient old oak tree she knew from her last foray into the royal park. Here she found handfuls of the sparse grey moss, and she hid it deep within her basket, beneath the flowers and herbs and leaves.

Autumn into winter was called Shadowfest, and was the night to predict the future and communicate with the dead. Winter into spring was called the Feast of the Wolf, and was a time to celebrate and make love. Spring into summer was called Lady's Day, and was a time to be handfasted and to dance about the maypole. Summer into autumn was called Cornucopia, when we celebrated the harvest and and enjoyed the fruits of the earth.

Ava's father believed that myths and fairy tales - like dreams - opened a window into the unconscious. by listening to the language of dreams and old tales, he said, all humans could learn to understand themselves and the world, better.

Belle laide, Athénaïs calls me,' I replied with a little shrug. The expression was usually used to describe a woman who was arresting despite the plainness of her looks.

By fire, fever, storm and sword, your blood shall suffer this bane. No peace or joy for Wintersloe's lord, till the puzzle ring is whole again

Can we make promises to each other, as if we were truly married? Can we swear to be true and faithful and love only each other and all those things? Because I'm in such pain, Margherita, I need to have you, I need to know that you're mine. I've been in torment since I first saw you. No, since I first heard you singing from you tower height. Please, mia bella bianca, please let us swear to each other. Love breaks all spells, I know it does. Wear my ring and let me know-" She stopped his words with her mouth, cupping both hands about his face. Then she sat back to show him the ring on her finger. "I swear it all. Is that good enough? Because I really need you to kiss me again.

Dortchen ducked through a gap in the trees, following a winding path to a small grove of old linden trees, their branches hanging with heavy creamy-white flowers. A hedge of briar roses, with delicate pink-white flowers blooming among the thorns, shielded them from the eyes of anyone walking past. The garden was alive with birdsong. A blackbird looked at her with a cheeky eye, then hopped away to search for worms. The scent of the linden blossoms was intoxicating.

Dortchen was called the wild one because one day, when she was seven years old, she had got lost in the forest. She had wandered off to a far-distant glade where a willow tree trailed its branches in a pool of water. Dortchen crept within the shadowy tent of its branches and found a green palace. She wove herself a crown of willow tendrils and collected pebbles and flowers to be her jewels. At last, worn out, she lay down on a velvet bed of moss and fell asleep.

Do you deny the Scriptures, madame? For is it not said that a woman should be silent and have no authority over man?' 'Of course I do not deny the Scriptures, Your Majesty.' 'Yet you are on of these 'réformés,' are you not?' She met the King's gaze. 'I am, Your Majesty. But we do not deny the Scriptures. We believe they contain all that is necessary for the service of God and our own salvation.' He frowned. 'Yet you argue against the one true Church, is that not so?' She picked her words with care. 'The one true Church is made up of those faithful who agree to follow the word of God.

Each word was shaped with certainty, and I felt, more strongly than ever before in my life, that I had at last found my true path. I knew the story would change as I told it. No one can tell as tory without transforming it in some way; it is part of the magic of storytelling. Like the troubadors of the past, who hid their messages in poems, songs and fairy tales, I too would hide my true purpose [ … ] It was by telling stories that I would save myself.

Fairy-tales are as old as language itself. Indeed, many linguistic scholars believe that language was invented simply so that humans could tell each other stories. Non-verbal communication is surprisingly effective, as anyone who has observed chimpanzees at the zoo can confirm. However, for humans to express more sophisticated ideas they needed a more subtle and complex form of communication. And so, about sixty thousand years ago, humans began telling each other stories. The purpose of these stories was manifold. On the one hand, they amused and entertained and brought comfort and consolation. On the other, they warned and enlightened and taught what was needed to be known.

Fairy tales are not just for children. They are for all humans, having the power to help us change not only ourselves but, indeed, the whole world.

Fairy tales ... give us hope that we can somehow be saved, rescued, healed. Transformed in some way for the better. As we travel with the fairy tale protagonist through the dark and dangerous forest, as we suffer with them and triumph with them, we follow them back into the brightness of a world renewed. Fairy tales are an instruction manual for psychological healing.

Fairy tales have been with us for a very long time. Ever since humans invented language, we have used those sounds laden with meaning to create stories – to teach, to warn, to entertain, and to effect change upon the world. Those stories have been handed down through many generations – changing with each retelling, but still carrying within them the same wisdom and transformative power that has helped shape the human psyche.

Fairytales work on two levels. On a conscious level, they are stories of true love and triumph and overcoming difficult odds and so are pleasurable to read. But they work on a deeper and symbolic level in that they play out our universal psychological dramas and hidden desires and fears.

Farfallina, bella e bianca, vola vola, mai si stanca, gira qua, e gira la- poi si resta sopra un fiore, e poi si resta sopra un fiore... Butterfly, beautiful and white, fly and fly, never get tired, turn here and turn there- she rests upon a flower... and she rests upon a flower.

Hannah Rose Brown was not quite 13 years old when she discovered her family was cursed. THE PUZZLE RING

Her papa called her 'chiacchere' because he said she chattered away all day, just like a magpie. He had all sorts of funny names for her: 'fiorellina', my little flower; 'abelie', which meant honeysuckle; and 'topolina', my sweet little mouse. Margherita's mother only called her 'piccolina', my little one, or 'mia cara Margherita,' my darling daisy.

Huge tureens of puréed chestnut soup with truffles were carried in and served to each guest, filling the air with a rich earthy small. Then the servants brought in ballotine of pheasant, served with cold lobster in aspic and deep-sea oysters brought up the river by boat that morning. Our own foie gras on tiny rounds of bread was followed by 'margret de canard,' the breast meat of force-fed ducks, roasted with small home-grown pears and Armagnac. There was a white-bean cassoulet with wild hare, a haunch of venison cooked in cinnamon and wine, eel pie, and a salad of leaves and flowers from the garden, dressed in olive oil and lemon.

I also know that not everyone will like what I do, and that there are many people who do love my work, and so I write for them, and for my own pleasure, and try not to brood too much over those who have different tastes. And I have written enough books now that I know the self-doubt and the anxiety are part of the creative process, and drive me to keep trying to do better, and keep me from becoming too cocksure about my writing, which is a form of creative death.

I did not really listen, fixing my eyes on the nearest tapestry, which showed a white unicorn sitting with its front hooves in the lap of a fair-haired maiden in a gorgeous medieval gown. The embroidered grass was studded with flowers, and the two overarching trees were hung with pomegranates. Small beasts- rabbits and squirrels and badgers- watched from the shelter of the forest, not noticing the hunters creeping closer with their dogs and spears. I stared at this tapestry for an hour every day and still I found new things in it- a nest of baby birds, a hunter who looked sad, a ladybird on a leaf.

If we want a better world, we must never cease to think about what kind of world we want... and we must not be afraid to do whatever it takes to make the world the way it should be. It is not enough just to talk. We must act!

If you are brave of heart, sharp of wit, strong of spirit and steadfast of purpose, there is nothing you cannot achieve

I have always had a deep love of fairytales and fairytale retellings. As well as the power to enchant and entertain, I believe that the old wonder tales can help us work through the deep internal conflicts that beset us all as we grow to adulthood.

I know you find your banishment from court hard, but, believe me, it could be much, much worse. This is not a true prison. You can come out here to the garden and see the sky and listen to the birds singing and the bees humming in the flowers. You can work with your own two hands and see things you have planted grow and bring beauty to the world. You can eat what you have grown, and that is a joy too. Then there is the music and the singing, which is a balm to the soul, and the convent itself is filled with beauty, the soaring pillars and the windows glowing like jewels and the embroidered tapestries.

I'm not brave,' Ava replied huskily. 'If you only knew how afraid I really am. Sometimes I think I am afraid of everything.' 'But isn't that what being brave is all about? Being afraid, but doing it anyway?

I'm sorry, I'm afraid I have no time to be a wet-nurse for a bantling.' To my surprise, he did not flush or draw away in embarrassment. He grinned and winked at me, as if to say I could suckle him any time, and to my horror I felt myself grow red.

I stood in a clearing among a stand of beech trees, leaves as red as rubies, branches black as jet. It was sunset, and shafts of richly colored sunlight struck through the delicate pillars of the tree trunks, as if through the lancet windows of a cathedral.

It seemed like a magical city, floating on the lagoon as if conjured by an enchanter's wand. I sat in the meadow and stared at it, picking meadow flowers from around my feet- clover and daisies and wild garlic- and making myself a wreath.

It was our passion for words and our ardent desire to write that drew me and Michael together, and the same that drove us apart. Michael wanted to be a great playwright, like the former master Molière. He had high ambitions and scorned what I wrote as frivolous and feminine. ‘All these disguises and duels and abductions,’ he said contemptuously, one day a year or so after our affair began, slapping down the pile of paper covered with my sprawling handwriting. ‘All these desperate love affairs. And you wish me to take you seriously.’ ‘I like disguises and duels.’ I sat bolt upright on the edge of my bed. ‘Better than those dreary boring plays you write. At least something happens in my stories.’ ‘At least my plays are about something.’ ‘My stories are about something too. Just because they aren’t boring doesn’t mean they aren’t worthy.’ ‘What are they about? Love’ He clasped his hands together near his ear and fluttered his eyelashes.’ ‘Yes, love. What’s wrong with writing about love? Everyone longs for love.’ ‘Aren’t there enough love stories in the world without adding to them? ‘Isn’t there enough misery and tragedy?’ Michael snorted with contempt. ‘What’s wrong with wanting to be happy? ‘It’s sugary and sentimental.’ ‘Sugary? I’m not sugary.’ I was so angry that I hurled my shoes at his head.

I want to stay here and think about the secret door.' 'You can think about it on the way. That's the beautiful thing about the secret door. You can open it anywhere, any time.' In later years, the court ladies often laughed behind their fans at the Dauphin, saying cruelly that he could spend a whole day tapping his cane against his foot and staring into space. I knew, though, that he was building castles in the air.

I was afraid this day would never come," she whispered. He cupped her face in his hands. "I told you love works magic.

Margherita stared at the mask. It was painted bright yellow and marked with little copper-colored circles to suggest florets. White petals streaked with gold radiated out in all directions. Long golden eyelashes fringed the eye slits, and the mouth was painted as a big happy smile. 'La sua bella,' she whispered, her lisp more pronounced than ever.

Margherita was not allowed to play in the 'portego,' for one never knew when a customer would come, and the room must always be clean and tidy and respectable. It was only ever used by the family on special occasions, and so Margherita's eyes widened when she saw that her mother had spread the table with a spotless white cloth and the best pewter bowls and mugs. A small bunch of 'margherita' daisies was in a fat blue jug, and three sweet oranges sat in an earthenware bowl. Coarse brown bread stood ready on a wooden board, next to a bowl of soft white cheese floating in golden oil and thyme sprigs. Soup made with fish and clams and fennel and scattered with sprigs of fresh parsley steamed in a big clay pot.

Nothing opens up the mind and the heart like books do, and so they have the power to change the whole world. That's why the are burning books, Ava. To stop us thinking, and feeling, and imagining...

Perhaps there was a secret door down low in the wall, a door only large enough for a child. If I stepped through that door, I would be in another world, in fairyland perhaps. It would be warm and bright there, and I would have a magical wand to protect myself. I'd ride on the back of a dragonfly, swooping through the forest. I'd battle dragons and talk to birds and have all kinds of grand adventures. Later, I found that small door into fairyland could be conjured any time I needed it. The world beyond the door was different every time. Sometimes, I found a little stone house in the woods where I could live with just Nanette and my sister, Marie, and a tabby cat who purred by the fire. Sometimes, I lived in a castle in the air with a handsome prince who loved me. Other times, I was the prince myself, with a golden sword and a white charger.

Stories are important too. Stories help make sense of things. They make you believe you can do things. They help you imagine that things may be different, that if you just have enough courage... or faith... or goodness... you can change things for the better.

The dried yellow petals of St. John's wort, which Old Marie called 'chase-devil' for the way it could drive the megrims away. Gaudy calendula, bright as the sun. Sweet-smelling lemon balm, guaranteed to lift the spirits with its aroma alone.

The garden was the most beautiful place Margherita had ever seen. In spring, it was a sea of delicate blossom. In summer, it was green and fruitful. In autumn, the trees blazed gold and red and orange, as vivid as Margherita's hair. Even in winter, it was beautiful, with bare branches against the old stone walls and green hedges in curves and curlicues about beds of winter-flowering herbs and flowers.

The scent of linden blossoms hung heavy on the air. Dortchen made a sharp, jerking movement, as if to walk away. But she hesitated, then turned and went down the long, winding path, past the tangle of briar roses and into the secret grove of linden trees. She picked a blossom and held it to her nose, inhaling deeply. Then she sat on the grass, the blossom cupped in her hand, leant her head back against the tree and closed her eyes. All she could hear was the soft sough of the wind in the leaves, and the humming of innumerable bees as they gathered the nectar from the creamy-white flowers.

The whole reason for telling the fairy tales is to awaken the heart. To help people believe that misfortune can be overcome and evil conquered.

The world is a cruel place, Petrosinella, and it wounds the weak.