Best 6 quotes of Leo Steinberg on MyQuotes

If a work of art or a new style disturbs you, then it is probably good work. If you hate it, it is probably great.

...it is in the nature of original contemporary art to present itself as a bad risk. And we the public...should be proud of being in this predicament, because nothing else would seem to us quite true to life; and art, after all, is supposed to be a mirror of life.

One way to cope with the provocations of novel art is to rest firm and maintain solid standards... set by the critic's long-practiced taste and by his conviction that only those innovations will be significant which promote the established direction of advanced art.

The critic interested in a novel manifestation holds his criteria and taste in reserve. Since they were formed upon yesterday's art, he does not assume that they are ready-made for today.

Whatever else art is good for, its chief effectiveness lies in propagating more art.

Modern art always projects itself into a twilight zone where no values are fixed. It is always born in anxiety, at least since Cézanne. And Picasso once said that what matters most to us in Cézanne, more than his pictures, is his anxiety. It seems to me a function of modern art to transmit this anxiety to the spectator, so that his encounter with the work is--at least while the work is new-- a genuine existential predicament. Like Kierkegaard's God, the work molests us with its aggressive absurdity [...]. It demands a decision in which you discover something of your own quality; and this decision is always a "leap of faith," to use Kierkegaard's famous term. And like Kierkegaard's God, who demands a sacrifice from Abraham in violation of every moral standard: like Kierkegaard's God, the picture seems arbitrary, cruel, irrational, demanding your faith, while it makes no promise of future rewards. In other words, it is in the nature of original contemporary art to present itself as a bad risk. And we the public, artists included, should be proud of being in this predicament, because nothing else would seem to us quite true to life; and art, after all, is supposed to be a mirror of life.