Best 10 quotes of Dara Horn on MyQuotes

And the reward when good people die - her mother paused, swallowed, paused again - the reward when good people die is that they get to help make the people in their families who haven't been born yet. They pick out what kinds of traits they want the new people to have - they give them all the raw material of their souls, like their talents and their brains and their potential. Of course it's up to the new ones, once they're born, what they'll use and what they won't but that's what everyone who dies is doing, I think.

Children are often envied for their supposed imaginations, but the truth is that adults imagine things far more than children do. Most adults wander the world deliberately blind, living only inside their heads, in their fantasies, in their memories and worries, oblivious to the present, only aware of the past or future.

Good books leave an impression. Great books forever alter the way you think about what it means to be alive. You Disappear is not just a well-told story, but a dramatic recalibrating of what it means to have a mind-and a soul.

The wicked will run to the iron bridge, but it will collapse under their weight. The righteous will cross the paper bridge, and it will support them all. Paper is the only eternal bridge. Your purpose as a writer is to achieve one task, and one task only: to build a paper bridge to the world to come.

Another remarkable thing about the dead is that they are all ages, preserved at every age you ever knew them, and at no age at all.

Before being born, his mother explained, babies go to school. Not a school like Boris’s, but a different kind of school, where all the teachers are angels. The angels teach each baby the entire Torah, along with all of the secrets of the universe. Then, just before each baby is born, an angel puts its finger right below the baby’s nose—here she paused to put her finger across his lips (could he see the blood under her skin, or did he only imagine it?)—and whispers to the child: Shh—don’t tell. And then the baby forgets. “Why does he have to forget?” Boris had asked, moving his lips beneath her finger. He didn’t want to know, not really. But his mother’s back had stiffened, and he could feel that she might get up at any moment, put out the light, walk away, disappear. She pulled her hand away from his face, resting it on her own stomach. “So that for the rest of his life,” she said, “he will always have to pay attention to the world, and to everything that happens in it, to try to remember all the things he’s forgotten.

She didn’t know exactly when she had first felt the sensation of regret. It was a physical sensation, a shudder that began deep in the stomach and traveled up through the throat; it was distinct from remorse, which one felt first in the throat and only later in the gut. Yet it was regret that she couldn’t handle. She did anything she could to avoid it—including the initial bargain, the one that began everything. And now this one.

That's the problem. We don't grow. We're like an old book, full of stories and also full of errors, and no one can completely understand us, even though many people try. But the problem is that we don't change. Only the people around us change.

There's no such thing as a problem that's yours and not mine.

When he finally fell asleep, his dreams contained no stories at all, but only the hard stones of thoughts: the unimaginably unlikely coincidence of being alive at the same time as the love of your life, the frequency with which a person was expected to bear the body and the burden of someone else, the idiocy of thinking that kindness can protect the person who is kind, and worst of all, the bottomless pit of a truth that he had suddenly, sickeningly seen: that the world to come that his parents had always talked about was not an afterlife at all, but simply this world, to come--the future world, your own future, that you were creating for yourself with every choice you made in it.