-
By AnonymChristopher Logue
Come to the edge. We might fall. Come to the edge. It's too high! Come to the edge! And they came, and he pushed, and they flew.
00 -
By AnonymChristopher Logue
It seems to me that the contrast between adjacent syllables has lessened and the result is an over-reliance on enjambment. Now enjambment is a fine, intellectually strong aid, but like all such things it becomes tiresome and calls too much attention to itself.
00 -
By AnonymChristopher Logue
Poetry is not a silent art. The poem must perform, unaided, in its reader’s head.
00 -
By AnonymChristopher Logue
Poetry is not a silent art. The poem must perform, unaided, in its reader's head. Educated readers give themselves a good performance. Educated listeners compare performance with text and with other performances. Good poets use the full resources of language.
00 -
By AnonymChristopher Logue
Honour to Agamemnon is a thing / That he can pick, pick up, put back, pick up again, / A somesuch you might find beneath your bed.
00 -
By AnonymChristopher Logue
Those who have slept with sorrow in their hearts Know all too well how short but sweet The instant of their coming-to can be: The heart is strong, as if it never sorrowed; The mind's dear clarity intact; and then, The vast, unhappy stone from yesterday Rolls down these vital units to the bottom of oneself.
00 -
By AnonymChristopher Logue
Those who have slept with sorry in their hearts Know all too well how short but sweet The instant of their coming-to can be: The heart is strong, as if it ever sorrowed; The mind's dear clarity intact; and then, The vast, unhappy stone from yesterday Rolls down these vital units to the bottom of oneself.
00