Best 10 quotes of Lucinda Childs on MyQuotes

I am just a choreographer, and I am trying to make productions, not dance concerts.

I disagree with the idea that modern dancers are cold or unemotional.

I do not like a haphazard connection between the dances and the music.

I do not like to be thought of as avant-garde or some kind of didactic artist.

If the simple positions of ballet are demonstrated straight on, they seem quite dull and lifeless, but when put on a diagonal, they begin to take on all kinds of possibilities.

I like large sounds and very complex sonorities, and I also tend to opt for creating a feeling of vast space. I could achieve this effect either by using a symphony orchestra, which for a dance piece is pretty much impossible these days, or by using a synthesizer on multi-channel tape and a superb sound system, to get that same sensation of expansiveness and depth.

I no longer need to have what I see as the surface of the dance so connected to the underlying structure.

I use geometric and mathematical ideas to organize material, but those are tools. The purpose of the work is not to expose that at all, but to arrive at some kind of expressiveness.

The diagonal gives a three-dimensional feeling to dancers that cannot be achieved when they are only front and back. On the diagonal, more movement is automatically visible.

The relationship between the audience and the dancers goes through many different stages. Someone seeing my work for the first time may or may not pick up on that.