Best 22 quotes of Susan Minot on MyQuotes

After she was gone there would be no one who knew the whole of her life. She did not even know the whole of it! Perhaps she should have written some of it down...but really what would have been the point in that? Everything passed, she would too. This perspective offered her an unexpected clarity she nearly enjoyed, but even with this new clarity the world offered no more explanation for itself than it ever had.

After the briskness of loving, loving stops. And you roll over with death stretched out alongside you like a feather boa, or a snake, light as air, and you... you don't even ask for anything or try to say something to him because it's obviously your own damn fault. You haven't been able to- to what? To open your heart. You open your legs but can't, or don't dare anymore, to open your heart.

Between children and parents there is a difficulty of seeing each other simply as people.

Boy poison - a boy's kisses were like a poison, which infected you and after you were exposed you craved more, like an addict.

Change and renewal are themes in life, arent they? We keep growing throughout life.

Desire suppressed finds its way into other more surreal settings, into dreams.

Did people ever stop changing? They surprised you with fresh pain. Sometimes they surprised you with happiness, but the pain was the sharper surprise. There was no way to protect yourself from it. People could always change and always hurt you. Of course it went in the other direction too, you could hurt them when you didn't intend it and that too was out of your control.

Hope is a terrible thing, she said. Is it? Yes, it keep you living in another place, a place which doesn't exist. For some people it's better than where they are. For many it's a relief. From life, she said. A relief from life? Is that living? Some people don't have a choice. No and that's awful for them. Hope is better than misery, he said. Or despair. Hope belongs in the same box as despair. Hope is not so bad, he said. At least despair has truth to it.

I first travelled to Africa at the end of 1996 and was immediately captivated. I had planned on a three-week trip, and I ended up staying two months.

I learned that if you love a boy you are no longer free. The boy may become more important than your own self and if it is so, you will find trouble there. The first time you are hurt in your heart, you do not forget the lesson. It stays forever.

Illness can make us behave in the most surprising ways.

Off the packed trail we experience the miracle of corn snow, skiing atop the crust, like skiing on an eggshell that has been sprinkled with sugar.

Painting keeps me occupied in those moments when travel can be aimless and even disorienting. Mainly it is a way to register at least some of the new impressions of a foreign place, when its thrilling barrage can sometimes overwhelm you.

Recording a scene with paint rather than film sinks you more deeply into your surroundings. You have to look a little harder and a little longer. And you end up with a memento.

[The director's idea for the film was:] A young American or English girl goes to Tuscany to visit English expatriates. She is on a mission to lose her virginity. That's a mission easily accomplished, if that's the only mission. The story had to be more complicated than that. Because there is so little happening dramatically, there had to be something to keep you curious.

There are aspects of love that I once undervalued. Kindness. Having a sort of honor when love is on the table.

There is no good reason. Don't waste your life waiting for good reasons...You'll wait and wait.

The word dysfunction has, I think, served its purpose and now has lost its meaning. Every family, like every person, is imperfect, after all. The idea that there is a family somewhere who functions, is an odd concept. In my youth I was running from my family to try to find out who I was-their influence distracted me. Now I see what a powerful hold they have, no matter what.

When a person you love moves by you with flat eyes that will not see you, it is a shock to believe it.

For a girl, with each boy it’s as though a petal gets plucked each time.

He had made his decision. Later in life Ann would learn that when certain men made decisions no matter how much it might torture them afterwards they would stick with their decision. Men, she learned, would rather suffer than change their minds or their habits. They could develop elaborate systems for containing pain, sometimes so successful they would remain completely unaware of the vastness of the pain they possessed.

I learned that if you love a boy you are o longer free. The boy may become more important than your own self and if it is so, you will find trouble there. The first time you are hurt in your heart, you do not forget the lesson. It stays forever.