Best 3577 quotes in «film quotes» category

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    Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.

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    Take my wife... please. I'm not saying she's ugly, but when she went to see a horror film, the audience thought she was making a personal appearance.

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    Take ownership of every decision you make because you will be hold responsible for the film, whether good or bad.

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    Television has usurped everybody from film. And so have commercials, by the way.

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    [Televised stand-up] never really makes me laugh. The only one I ever saw that I liked was Richard Pryor, and that was [shot on] film.

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    Television and film are such streamlined story mediums. You can't really meander about, whereas a novel is an interior experience.

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    That comes from most people having an American film model in their heads which is nothing but a total illusionary masturbatory massage.

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    That film Memento creeped me out. I was looking over my back through the whole thing. I get more creeped out than scared, and spill popcorn all over the place.

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    That middle ground of films used to be 70, 80, 90, 100; now it's like anything over 20 or under 140, the middle ground has become this huge area where they don't really want to be.

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    Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.

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    That's like a dream come true. To be able to hire friends, to shoot a movie in the neighborhood where you grew up. To have it released. It's actually a dream. How many people can say that their first film got distributed and out there? What are the odds? My persistence made the odds work for me.

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    That's the imagination that happens in the theater. That imagination is translated in film by the film magicians and all the technology.

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    That's the thing with animated films - I often feel that puppets get the better parts compared to us normal actresses.

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    That's what I like about Neil Jordan's films: everyone is better at what they do than you are.

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    That's what I love about film scoring. Every situation is new. Every show is a new adventure.

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    That's when it really came together for me that I was in a Bond film, to have my own spy car!

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    That's when you know a horror film delivers - when you're walking out of the theater going 'Oh my God!' You can't get the images out of your mind.

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    That's where my passion was ignited, on the set of 'Pobol Y Cwm.' I loved it and I've had such a passion for TV and films. I can't do anything else.

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    That wasn't an ending. It was just a stopping point.

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    Telly and films has been my thing, not necessarily by choice, and if the right piece of theatre came along, I would jump at it.

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    That movie, 'Airplane!,' what a landmark film it was. It's a great, great movie.

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    The actors are the greatest executors of tone in a film. They're the most important cinematic component.

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    The actual cheerleaders in our film are all Broadway dancers.

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    The actual work of recording a record or making a film just requires that you consciously block the time out to do that and nothing else. That's what I do.

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    The adrenaline of a live performance is unlike anything in film or theater. I can see why it's so addictive.

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    The American films just have so much more publicity and so much more money behind them that it's so hard to compete.

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    The art of making a film and its content are far more interesting to me than the result or impact.

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    The art of making films is a collaborative art. As a composer, you're always working with the cinematographer because he's so much the heart of the world they've created on film.

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    'The Assassination of Jesse James' remains one of my favorite films that I've done. You know, it's still labeled a loser.

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    Theater and film are essentially the same - just different kinds of storytelling.

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    Theater is far superior to film in poetry, in abstract poetry.

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    Theater will never, and never has, gotten audiences like film. But theater goes to work on society in a different and more subversive way.

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    The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.

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    The American movie, in part because America's a melting pot, the cultural hodgepodge that America makes, generates movies that have appeal across all international boundaries. And that's really not true for most domestic film industries. It's no longer true of France and Italy, less true than it used to be of the U.K.

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    The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.

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    The audience has realized how much money the studios make from games now. They're making more money from games than they are from feature films. I mean this is a massive industry. It's still in its infancy. So I really feel lucky to be a part of it.

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    The audience is making the film and not the film-maker.

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    The Australian film industry has recognised Tropfest as a place to nurture young talent. It's a stepping stone between amateur and professional.

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    The beauty of doing film is that you construct whatever you do block by block and you can build something that will stay.

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    The beauty of being an actor in a horror film is that you know what to expect and what's coming.

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    The beauty is that we can blur film and TV a little bit more.

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    The best films are because of nobody but the director.

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    The best education in film is to make one

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    The best films in the world, you've got to beg and plead and try your best to get.

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    The best reason to make a film is that you feel passionately about it.

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    The best thing about series TV is that everyone you work with is hand-picked, as compared to working on a film.

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    The best thing about making films is the time spent making them. When I see works that I've made, I always think what a great time I had making them. The films remind me of that time.

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    The best times I had on film sets were the times the director let me express myself, but those were rare.

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    The best films of any kind, narrative or documentary, provoke questions.

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    The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.

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