Best 3577 quotes in «film quotes» category

We look at it as the multiverse. We have our TV universe and our film universe, but they all co-exist.

We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.

We petitioned to get access to film [Suffragette] at the Houses of Parliament and we whooped with joy when we were allowed in, as this is the first ever commercial film to shoot there.

We're all forgotten sooner or later. But not films. That's all the memorial we should need or hope for.

We're excited for when Sony greenlights the $50 million film a "Bunch Of Swirling Colors" starring George Clooney and a lava lamp.

We're all waiting for the opportunity to do big films but you have to wait your turn - unless you get offered something like Twilight when you're 20! Otherwise, you just have to keep slogging away.

We're always trailing, as far as the amount of roles that are written for us and the films that are being made that have black characters in them. I don't know if that's going to change.

We're in a situation now where fewer and fewer small films get made. People want these big giant tentpole sort of things, and I don't know, it's getting harder and harder to make a small movie.

We're in a time now where technology is such that we can create anything, and that's what's new about television and film these days.

We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.

Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.

We show a lot of film [with Regis Philbin] from my career which is most enjoyable. I enjoy watching it.

Western audiences can gain an impression of China from my films. This is an excellent channel for promoting China`s culture.

Western films don't do very well in India.

Western civilization shapes the content of my films, provides me with subjects that haven't been used before.

We thought by setting the film ["Selling Isobel"] in the cloak of... let's call it an indie-Hollywood thriller, it would appeal to a wider range of young women who would see this cautionary tale and say, "Hang on, I've got to think twice about what I get myself into.

We've evolved from sitting back on our tripods and shooting wildlife films like they have been shot historically, which doesn't work for us.

We've always been observant of things, and I think Crackdown was very much like that and the film interpretation was that journalistic view of that situation.

We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.

We wanted to make sure that the film covered the main issues of his life. Musicianship, appearance.

Well I think always, when you remake films, I always think the first one is most original, authentic.

We were in another planet and we were reaching for something closer to a fable. It was something fabulous. I started looking at the film as if it happened in another planet and that allowed me even more freedom.

We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.

We're not a media company. We don't own media. We don't own music. We don't own films or television. We're not a media company. We're just Apple.

We were very clear that this film's [Young Adam] so much about a relationship that's borne out through the sexual contact, and that that's the way they communicate.

We work in an environment where your options are to do, you know, Batman 10, so when you get to do a movie that's a really great film like this, people really step up to the plate and enjoy it.

We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.