Best 1632 quotes in «television quotes» category

Why do they call them daytime dramas, anyway? Shouldn't they be bedtime dramas? All anyone ever talks about is getting someone into bed! Plus if you're at home watching, you're probably watching in bed. And if you're like me, after an hour or two of watching all those sexy goings-on you forget the silly story entirely and fall asleep. Just like it's bedtime!

Why was Simpson called "OJ" except in some kind of branding or headlinese that said, "Look, this guy is sweet, wholseome, and nourishing (and 'Orenthal' is just too fancy)? You can have him for breakfast." (And "Sweetness" and "Sweet" are nicknames often given to black men.) Is "OJ" that far away from Jell-O? Wasn't that extended advertising campaign a way of saying you can trust our pudding because Bill Cosby likes it—sweet, wholesome, and pretty?

Why is this interesting? Why are we watching?

Why is it these days that so many people hate reading? Some people won't even touch a newspaper or magazine. It isn't television that kills reading, or cinema or radio, or even those accursed little things known as video games. People used to read all the time, but when the century shifted subtly, somewhere along the way, people forgot how to imagine. When did it happen? At what point? Who or what is to blame? Maybe it's just because the world has become so cold and scientific and shallow in recent years.

With television, we vault ourselves into a continuous, incoherent present.

You are more likely to find three TVs inside a randomly selected house than you are to find a single book that is or was not read to pass an exam, to please God, or to be a better cook.

Would you ever sleep with me?” he questioned once. “Never,” she’d replied, her large eyes shining in the bluish glow from his TV set, “but I love you… in a different way. I’ll always be loyal to you, I’ll never betray you, that’s how I love people.

Y la cuestión es ésta: la televisión invierte la evolución de lo sensible en inteligible y lo convierte en el ictu oculi, en un regreso al puro y simple acto de ver. La televisión produce imágenes y anula los conceptos, y de este modo atrofia nuestra capacidad de abstracción y con ella toda nuestra capacidad de entender.

You know, Granna, going around saying how you don't watch TV... It's not even pretentious anymore... it's just plain out of it.

You have meddled with the primal forces of nature, Mr. Beale, and I won't have it! Is that clear? You think you've merely stopped a business deal. That is not the case! The Arabs have taken billions of dollars out of this country, and now they must put it back! It is ebb and flow, tidal gravity! It is ecological balance! You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems, one vast and immane, interwoven, interacting, multivariate, multinational dominion of dollars. Petro-dollars, electro-dollars, multi-dollars, reichmarks, rins, rubles, pounds, and shekels. It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That is the atomic and subatomic and galactic structure of things today! And YOU have meddled with the primal forces of nature, and YOU... WILL... ATONE! Am I getting through to you, Mr. Beale? You get up on your little twenty-one inch screen and howl about America and democracy. There is no America. There is no democracy. There is only IBM, and ITT, and AT&T, and DuPont, Dow, Union Carbide, and Exxon. Those are the nations of the world today. What do you think the Russians talk about in their councils of state, Karl Marx? They get out their linear programming charts, statistical decision theories, minimax solutions, and compute the price-cost probabilities of their transactions and investments, just like we do. We no longer live in a world of nations and ideologies, Mr. Beale. The world is a college of corporations, inexorably determined by the immutable bylaws of business. The world is a business, Mr. Beale. It has been since man crawled out of the slime. And our children will live, Mr. Beale, to see that... perfect world... in which there's no war or famine, oppression or brutality. One vast and ecumenical holding company, for whom all men will work to serve a common profit, in which all men will hold a share of stock. All necessities provided, all anxieties tranquilized, all boredom amused. And I have chosen you, Mr. Beale, to preach this evangel.

You cannot blame porn. When I was young, I used to masturbate to Gilligan's Island.

You know, who tells the stories of a culture really governs human behaviour. It used to be the parent, the school, the church, the community. Now it's a handful of global conglomerates that have nothing to tell, but a great deal to sell.

You know, you spend your childhood watching TV, assuming that at some point in the future everything you see will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined,that the world occupied by your parents, the world of washing dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'.

You know, you are a classic example of the inverse ratio between the size of the mouth and the size of the brain.

You should've thought of that before becoming a fireman." "Thought!" he said. "Was I given a choice? I was raised to think the best thing in the world is not to read. The best thing is television and radio and ball games and a home I can't afford and, Good Lord, now, only now I realize what I've done. My grandfather and father were firemen. Walking in my sleep I followed them.

Acting on television is like being asked by the captain to entertain the passengers while the ship goes down.

After 30 years of television, I want to play more than I used to.

After 50 years of television, there's no other conclusion the aliens could draw, but that most humans are neurotic, death-hungry, dysfunctional idiots.

Again, one of the problems I have with television, as I mentioned before, is it's trivial in many ways, and I think that a lot of folks out there are looking for new metaphors and new ways of thinking about things.

Aaron Spelling went further than anyone has ever gone for television.

After more than twenty-five years in television, there are days when I feel like I'm just beginning, because I'm learning new things. I want to be better all the time.

A human being is like a television set with millions of channels.... We cannot let just one channel dominate us. We have the seed of everything in us, and we have to recover our own sovereignty.

All joking aside, I'm a television watcher and I get frustrated with shows sometimes when they set up puzzles and then they don't give answers. It's just more questions and more questions.

Alas, irreverence has been subsumed by mere grossness, at least in the so-called mass media. What we have now - to quote myself at my most pretentious - is a nimiety of scurrility with a concomitant exiguity of taste.

All of television's appalling, but this is hardly a new statement.

all that has changed, in my opinion, is that, thanks to television, we can hide a great depression. we may even be hiding a third world war

All my interesting stories are from before I was on television. Nothing interesting has happened to me since then. Maybe it's because the most interesting thing in my life is the show and that's on telly.

Almost the first thing I did when I became ill was to buy a truly good television set.

A huge parasite in the marketplace, feeding and fattening itself off of local television stations and copyright owners of copyrighted material. We do not like it because we think it wrong and unfair.

A lot of parts on television are static. Nothing really changes.

All things change.  The automobiles change every year.  [Your] television set gets lighter and smaller and higher definition.  All things in the scientific world change.  But politicians do not change.  They carry old values and they don't even know it.

A lot of television tends to assume that audiences don't have the attention span or the IQ to follow a lot of stuff.

A lot of people live much more simply than in the old days. That doesn't bother me. Keeping busy is the problem. Television guest shot fees are going down. You can do a dozen guest shots a year, but you're not making that much money.

A lot of YouTubers, because they have such pride in what they do, have a negative connotation towards television. I don't feel that way. I feel like it's another medium to reach a broader audience.

Americans think the only funny Brits are John Cleese, Benny Hill and whoever makes our toothpaste. They're not laughing with us, they are laughing at us.

A man could rant and smash and grapple with the State Police, and still the sprinklers whirled at dusk on every lawn and the television droned in every living room.

American television constantly tries to co-op British comedy and create their own version of it. Most of the time it doesn't work; obviously, in the case of 'The Office,' it did. But a lot of times, it doesn't really work.

American television really is pathetic.

American television is very much created by the writers, just the volume of it. The writers are so key. You're just trying to do something that serves that script. And in general, film isn't all about the script, really.

Among the roles Ive played on stage, television and in films were politicos as diverse as Abe Lincoln, Juan Peron, Herman Goering, George Wallace and both Roosevelts.

Amongst my friends, I am known as the most cynical person they know - I'm incredibly cynical. I don't believe in God, I don't believe in the supernatural, I don't believe in anything! And I'm terribly cynical, and somehow or other, all three of my films and much of my television work has been rather sentimental, and 'heartwarming'.

A message I've been telling myself: the cinema is very conservative, and unless you have a story that satisfies you, that is within the unchallenging zone, but you love it, you can't do it as cinema. Otherwise, you better go do it for television, which is more daring now.

A lot of the television industry is so cookie-cutter. In general, there are so many shows that are easy and bland to watch. You can tune in at any time and know exactly where you are in the story arc because it's pretty much the same every week.

And I'm auditioning right now for a movie, and then I have a script that I'm reading right now for a horror film, and I'm meeting for a couple of television shows that I just had yesterday, and pretty much was offered one of them.

An actress, around 40, on television, that's where you get the most torture, I think.

And I tried it and I felt, I guess I must have been pulled in by the red light of television and now I've been on TV since 1992.

And they like being able to turn on the television day in and day out to see someone that they know and they feel comfortable with and trust hopefully and respect even.

An American has invented a remote control that will turn off any telly within a 20ft radius. What a marvellous device! What a splendid invention! What a really helpful and improving way of devoting your time to building something that turns off culture. Next week, I'm instigating Burn a Book Week, to encourage even more conversation. I've come up with a fantastic little device which I'll call a box of matches.

And what are your interests and hobbies, Nicholas?" Annabel asked faintly, sounding like a cross between a television interviewer and a hostage. Nick considered this for a minute, and then said "I like swords." Annabel leaned over her plate and asked, her voice changing "You fence?" "Not exactly," Nick drawled. "I'm more freestyle.

Animation did not become the dominant form of children's television until the '60s.