Best 300 quotes in «shooting quotes» category

There is a great difference between shooting a photograph and making a photograph.

The whole world is there for you. Gifts will happen, but only if you are patient with life itself, the shooting process, and your own limitations.

There's something about shooting webs out of my wrists and climbing up things that just makes me happy.

To bring a child into the world that you cannot feed, clothe, house, and educate is the moral equivalent, in my opinion, of a drive-by shooting.

They continue to criticize me for my outside shooting, but I continue to make outside shots.

To shoot a gun proficiently, including speed shooting, is much less of a skill than typing.

Universal rushed us. We started shooting without a script that was totally completed.

Using the right of veto would be shooting the Americans in the back.

This is my sadness for shooting my friend

Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.

War is only a sort of dramatic representation, a sort of dramatic symbol of a thousand forms of duty. I fancy that it is just as hard to do your duty when men are sneering at you as when they are shooting at you.

We are breaking new ground in the territory of dumb with Shooting Fish. Dumb, but in good taste. Silly, but not ridiculous.

We don't work in the traditional TV format where we're like writing concurrently to shooting. Like, we really view it as a large feature film.

Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot.

Typical news accounts and commentaries about school shootings and rampage killings rarely mention gender.

We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.

We are not shooting enough professors.

We're beginning to find out that many of the school shootings are side reactions to Prozac-like medications. That's a very big hidden factor.

We talked about it. An assistant coach suggested fouling, but I rejected it because I was afraid we'd foul them shooting and get beat that way. Hindsight couldn't have been worse than what happened to us.

We used to send whole flocks of birds shooting out of our mouths and never managed to grab them by their wings.

We've evolved from sitting back on our tripods and shooting wildlife films like they have been shot historically, which doesn't work for us.

[We were very lucky that Sean [ Ellis ] researched the film [Anthropoid ] for many years.] We sort of piggybacked on his knowledge, and he gave us a lot of materials, which we read. For me, the greatest resource was actually shooting the film in Prague.

We with [ Marjane Satrapi] always work together on the script which is very important. We even film each other and we start to imagine things so that we are ready, because when you start shooting, it's pretty stressful.

We were shooting this movie called "Hardball," with Keanu Reeves. We shot in the city, and I just remember I couldn't really do too much. At 13 or 14, you couldn't go out to any nightlife.

Well, thanks for not shooting anyone, I guess", said Marcus. "My contribution was to somehow refrain from peeing myself. You can thank me later.

What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in.

What does it tell you that applications for guns since the shooting are up 41 percent in Colorado, and that our cameras found about 50 people in line at one gun shop yesterday outside Denver?

When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.

When I'm shooting, as much as writing, I see edited footage in my mind, so I work that way, and it's economical.

When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.

When I'm shooting things, I'm training.

When I'm shooting, I just try to make sure I wouldn't be embarrassed of it later, because in Watertown, you don't get away with anything.

When I started shooting speed, amphetamine, when I was 15, almost 16, it actually calmed me down.

When shooting a story about someone, their hands should always be on your list to shoot.

What's great is when you're shooting at the same hotel you're living in, you finish shooting, put your stuff down, take an elevator and go to bed.

When I was in Vietnam with Jane Fonda, I was shooting a farmer in a field - just a pastoral scene. And while I was shooting him, an explosion occurred right - he blew up right in my lens, so to speak. And he had stepped on a landmine.

When we shot "Stargate," he [ Jaye Davidson] came up to me at one point and said, "I don't like shooting movies," and I said, "Why?" "Too many people stare at me." I said, "Then you're totally in the wrong business.

When people approach you angrily, you take them very seriously, and, if you're like me, with the faint suggestion that you can be angry too, and that you would like to know what the shooting is about

When we're shooting, I commute to the UK, every three weeks or so, and that's hard. That's probably the toughest, physically, on me. It's a much longer commute than I've ever had to deal with. And then, there are the challenges of this particular production. It's not the kind of show that has standing sets.

When you're shooting 20-odd episodes in a season, the last thing you want is for each script to be the same tone.

When you're fast when you're shooting, there are great things that you discover. By being fast you also sometimes get more time to experiment.

While shooting a movie if I can't find what I want, then I keep going until I find my moment.

While shooting Ten I was sitting in the backseat, but I didn't interfere. Sometimes, I was following in another car, so I was not even present on the "set", because I thought they would work better in my absence.

Without the right marketing metrics, you are shooting in the dark. The only way to know if things are working for you or not is those metrics.

Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.

When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.

When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.

While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.

Yeah, I had a tremendous time shooting in Nebraska. I like that state a lot, all over it.

You can just imagine the restrictions of shooting in a prison, but I just decided I'm going to embrace those restrictions sometimes when you don't have many choices you can make the best choices.