Best 4010 quotes in «fashion quotes» category

I think the fashion industry, as a result of globalization, has undergone a uniformity. I'm not saying that's good or that's bad but that is my observation.

I think the future fashion will be more and more separated-like, on one side would be big distribution, and on the other side there will be high-level prêt-à-porter and couture. I mean, the prêt-à-porter is already couture in a way for the prices and the way that it's made. The big distribution will allow people to dress in a fashionable way, so this could be for everybody. This part of the big distribution will be stronger and stronger, but the other part we are coming up on is more and more rich people, because we are always thinking about Europe and about America.

I think the fashion industry was slightly put off by people they didn't know. They were presented with things like 20-gatefold color brochures.

I think the essence of fashion is lightness, frivolity, and I'm very nostalgic for the time when Bérard was doing the windows, Cocteau was writing a play, Chanel did the costumes, Bérard did the sets. I don't have to tell you this, because Colette was the first to have revived the Rue St.-Honoré by precisely doing windows that attract people. And I really like that spontaneous spirit. And so, you're lucky to be with Colette, because it's a magic word.

I think the idea of mixing luxury and mass-market fashion is very modern, very now - no one wears head-to-toe designer anymore.

I think the moment that I'm very proud of is building a business without using animals. And, hopefully, changing people's perception of how you can do luxury fashion.

I think the music comes first, then comes the fashion, and thus, the lifestyle. I believe it starts with music, and then the person delivering it delivers the lifestyle, the fashion. Madonna is a great example of that.

I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.

I think there is a case for strong action and intervention when there is criminality and when the leaders are corrupt or behaving in a criminal fashion.

I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.

I think there is beauty in everything. What 'normal' people would perceive as ugly, I can usually see something of beauty in it.

I think the responsibility lies with the fashion world as a collective. We have to demand more variety.

I think there's more room for different representations of women within fashion imagery.

I think the rising and falling popularity of areas like hard SF and far-future SF is, to a considerable extent, the same as any other fashion.

I think the world is really small today, and fashion, from that end of it, it's instantaneous everywhere.

I think this kind of bohemianism doesn't really exist in the New York city anymore - the bohemianism that I was trying to record in Carnegie Hall that completely defined our culture. The people who lived and worked in Carnegie Hall studios, they defined our culture in music, dance, theater, fashion, illustration. It wasn't so much nostalgic as a celebration of that and an acknowledgment of that and saying that it's really important. And it's actually something that is a loss for the city, I think.

I think we could benefit from world history that is specifically taught in a multi-faceted fashion that allows for an understanding that perspectives on truth can be very different. I'm an advocate of an approach that endeavors to foster empathy and which tries to find a common humanity across the divide.

I think we are becoming more and more linked, and before long, we'll all be one culture. It's happening in every field, not just fashion. Actually, I think the only hope for peace is if culture is homogenized. Unfortunately, money seems to be the only solution to political disagreements. If we are all linked through culture and trade, it won't be worth fighting each other.

I think we lost a great deal of sympathy and support with the way in which the crisis was handled, most importantly I think when we appeared to be grasping for too much at one time instead of identifying our priorities in a much more responsible fashion.

I think we're going to see a move away from that, because young people - digital natives who spend their life on the Internet - get saturated. It's like a fashion trend, and becomes a sign of a lack of sophistication.

I think what Kanye West is going to mean is something similar to what Steve Jobs means. I am undoubtedly, you know, Steve of Internet, downtown, fashion, culture. Period. By a long jump. I honestly feel that because Steve has passed, you know, it's like when Biggie passed and Jay-Z was allowed to become Jay-Z.

I think what I create is serious fashion, but I don't want to keep my focus on that. You have to look at a lot of different things. I mean, people are always surprised when they find out that my favorite show is RuPaul's Drag Race.

I think what I often see is that people are frightened about fashion. Because it scares them or makes them feel insecure, so they just put it down. On the whole people that may say the mean things about our world I think that’s usually because they feel, in some ways, excluded or, you know, not a part of ‘the cool group’ so as a result they just mock it.

I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.

I think what's so interesting for people is that I don't take it so seriously and yet I am still immersed in the [fashion] industry.

I think when I started to get in shape and spend time at the gym, I could be better to other people and be better to myself and get back to loving fashion and experience it myself. I started to wear kilts and lace dresses.

I think when you grow up living next to your grandparents and cousins and you're 300 meters from the family offices and the setting of your after-school games is the fashion atelier, it can be hard to see yourself as an individual. It's quite understandable that a young person might feel the need to prove themselves as a single entity first.

I think what we're talking about is a sense of fashion as laboratory work. I mean, we are not scientific, of course, but we are looking for ideas all the time.

I think, with suits and clothes, if you keep them long enough, they all come back in fashion. It's like me. I've been around long enough and I've come back in fashion.

I think young people are aware, more than when I was young. There is such an obsession in the media of young people, about their beauty. The magazines and the fashion, all these kinds of things. They know that, and they use this power.

I thought about how to film something, how to take pictures of it and how to mix it all together. And I was getting that through Patti [Smith] - because she takes pictures, performs, writes; she does so many things, and that was a big inspiration to me. It helped me realized that I'm not just a fashion photographer. I wanted to do all these other artistic things as well, and during filming my mind opened up to those possibilities.

It is a fact that, in the West, we live in a capitalist society, but that does not mean that we cannot be guided by the idea of a social conscience in our work. Yes, fashion design requires consumers to consume, but we can do our bit for society by running our companies in a socially responsible way, and by creating products that promote respect for social and environmental issues. There is also the possibility for power and influence to be a force for change.

It is a comely fashion to be glad; Joy is the grace we say to God.

I thought everyone must know that a short jacket is always worn with a silk hat at a private view in the morning.

I thought that I could do some kind of vehicle involving rock musicals and presenting rock and characters and storyline in a completely different fashion.

I thought to be feminine was to give in to straight culture, or the beauty standard, but in my heart I had a flair for fashion and style. They were passions I kept secret because I didn't understand I could love clothes and hair and makeup and still like girls.

It is a grand old name, that of gentleman, and has been recognized as a rank and power in all stages of society. To possess this character is a dignity of itself, commanding the instinctive homage of every generous mind, and those who will not bow to titular rank will yet do homage to the gentleman. His qualities depend not upon fashion or manners, but upon moral worth; not on personal possessions, but on personal qualities.

It is almost as stupid to let your clothes betray that you know you are ugly as to have them proclaim that you think you are beautiful.

It is always self-defeating to pretend to the style of a generation younger than your own; it simply erases your own experience in history.

It is a terrifying as well as hopeful truth that we tend to bring into being in form whatever we fashion in thought.

It is extremely important to me that the social and environmental issues associated with the production of fashion clothing are addressed.

It is claimed that the United States gets the cleanest and purest tea in the market, and certainly it is too good to warrant the nervous apprehension which strains and dilutes it into nothingness. The English do not strain their tea in the fervid fashion we do. They like to see a few leaves dawdling about the cup. They like to know what they are drinking.

It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric - without a practical or visual reality.

It is generally supposed that where there is no QUOTATION, there will be found most originality; and as people like to lay out their money according to their notions, our writers usually furnish their pages rapidly with the productions of their own soil: they run up a quickset hedge, or plant a poplar, and get trees and hedges of this fashion much faster than the former landlords procured their timber. The greater part of our writers, in consequence, have become so original, that no one cares to imitate them; and those who never quote, in return are never quoted!

It is imperative to create luxury products that are also functional. My vision for fashion precludes frivolous, fantasy-only designs. That said, fashion does tend to move more quickly than interior design. One doesn't change their couch every season as one does their wardrobe.

It is important that New York, in addition to its fashion, and finance, and tourism, and communications infrastructure, also begin developing venture infrastructure that's for real.

It is interesting how fashion filters down and we discover in the "Devil Wears Prada" that we're all prey to trends, even if we think we are not.

It is much simpler and easier to collect and caress the trophies of our democratic inheritance than it is to fashion up-to-date tools with which to work on our current problems.

It is neither a great praise nor a great blame when people say a tendency is in or out of fashion. If a tendency is as it should be at one time, it is always as it should be.

It is not so for art in appreciation because art is concerned with human behavior. And science is concerned with the behavior of metal or energy. It depends on what the fashion is. Now today it's energy. It's the same soul behind it. The same soul, you see.