Best 689 quotes in «entertainment quotes» category

Prestidigitation? You've got to be joking. No one says that.

Risking your own life in order to entertain others is the height of stupidity.

Robert Kennedy was inspired to take on organized crime by watching the landmark movie On the Waterfront.

Sejatinya, seseorang yang ingin diselamatkan dan berharap seseorang mengulurkan tangan untuk meraihnya, memiliki waktu yang terbatas. Ya, waktu terbatas sebelum keputusasaan dan depresi merenggut nyawanya.

So, I found my refuge in art. I could find no truth in art, but I was obsessed with the beauty of its lies. The world was full of shit in all the wrong ways, but in art I could find whatever line of bullshit most satisfied me. And unlike religion, it didn’t require the gullibility to actually fall for it, only the ability to entertain it, and to be entertained by it.

Stories exist to entertain and inspire us. They’re merely veils of hope for when we see the ugliness of the world.

Real love involves a foundation of respect, honesty, and trust, concepts wholly missing from the pale imitations hawked to us by the folks who script 'unscripted' entertainment.

Routine ruins the life, variety vitalise the life.

Sekalipun sakit hati, seseorang tidak bisa membohongi bahwa dia tetap membutuhkan orang yang dicintai berada di sisinya.

Some printed pages are medical plasters to extract pain, others are tourists' tickets out of boredom or loneliness to exhilarating adventures, still others are diplomas for promotion and drilling ideas into a quick-step.

Son, in life you do not fight battles because you expect to win... ...you fight them merely because they need to be fought. -Snagglepuss

Superman, spider man, batman, all lost their parents in their childhood, they all had to live their lives against the conspiracy of villains, and even after these miseries they don’t hesitate to save people or to forgive the villains, that’s why they are superheroes.

Television is at its most trivial and, therefore, most dangerous when its aspirations are high, when it presents itself as a carrier of important cultural conversations.

The conversation had been so lacking in quality that it actually made Toddlers and Tiaras look like good entertainment by comparison.

The desire to “do more in less time” is not a neutral force in our culture; it is the handmaiden of miserable experts, specialists, and leaders. Not everyone has rushed to become efficient. Something else exists on the periphery: an inefficient utopia, a culture of consensus, collectives, and do-it-yourself ethics. A place where time is not bought, sold, or leased and no clock is the final arbiter of our worth. For many people in North America, the problem is not just poverty but lack of time to do the things that are actually meaningful. This is not a symptom of personal failures but the consequence of a time-obsessed society. Today, desire for efficiency springs from the scarcity model, which is the foundation of capitalism. Time is seen as a limited resource when we get caught up in meaningless jobs, mass-produced entertainment, and – the common complaint of activists – tedious meanings.

The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")

The modern man is usually in a hurry to get to a destination from which he will sooner or later suffer from and at times complain about boredom.

The notion, popularized by classicist and romanticist critics alike, of the Attic theatre as the perfect example of a national theatre, and of its audiences as realizing the ideal of a whole people united in support of art, is a falsification of historical truth.33 The festival theatre of Athenian democracy was certainly no ‘people’s theatre’ —the German classical and romantic theorists could only represent it as such, because they conceived the theatre to be an educational institution. The true ‘people’s theatre’ of ancient times was the mime, which received no subvention from the state, in consequence did not have to take instructions from above, and so worked out its artistic principles simply and solely from its own immediate experience with the audiences. It offered its public not artistically constructed dramas of tragi-heroic manners and noble or even sublime personages, but short, sketchy, naturalistic scenes with subjects and persons drawn from the most trivial, everyday life. Here at last we have to do with an art which has been created not merely for the people but also in a sense by the people. Mimers may have been professional actors, but they remained popular and had nothing to do with the educated élite, at least until the mime came into fashion. They came from the people, shared their taste and drew upon their common sense. They wanted neither to educate nor to instruct, but to entertain their audience. This unpretentious, naturalistic, popular theatre was the product of a much longer and more continuous development, and had to its credit a much richer and more varied output than the official classical theatre; unfortunately, this output has been almost completely lost to us. Had these plays been preserved, we should certainly take quite a different view of Greek literature and probably of the whole of Greek culture from that taken now. The mime is not merely much older than tragedy; it is probably prehistoric in origin and directly connected with the symbolic-magical dances, vegetation rites, hunting magic, and the cult of the dead. Tragedy originates in the dithyramb, an undramatic art form, and to all appearances it got its dramatic form—involving the transformation of the performers into fictitious personages and the transposition of the epic past into present —from the mime. In tragedy, the dramatic element certainly always remained subordinate to the lyrical and didactic element; the fact that the chorus was able to survive shows that tragedy was not exclusively concerned to get dramatic effect and so was intended to serve other ends than mere entertainment.

The old Televisions had an off switch.

There is nothing wrong with entertainment. As some psychiatrist once put it, we all build castles in the air. The problems come when we try to live in them. The communications media of the late nineteenth and early twentieth centuries, with telegraphy and photography at their center, called the peek-a-boo world into existence, but we did not come to live there until television. Television gave the epistemological biases of the telegraph and the photograph their most potent expression, raising the interplay of image and instancy to an exquisite and dangerous perfection. And it brought them into the home. We are by now well into a second generation of children for whom television has been their first and most accessible teacher and, for many, their most reliable companion and friend. To put it plainly, television is the command center of the new epistemology. There is no audience so young that it is barred from television. There is no poverty so abject that it must forgo television. There is no education so exalted that it is not modified by television. And most important of all, there is no subject of public interest—politics, news, education, religion, science, sports—that does not find its way to television. Which means that all public understanding of these subjects is shaped by the biases of television.

These days people call entertainment capturing someone at their lowest moment and then posting it for the world to see.

The US traded its manufacturing sector’s health for its entertainment industry, hoping that Police Academy sequels could take the place of the rustbelt. The US bet wrong. But like a losing gambler who keeps on doubling down, the US doesn’t know when to quit. It keeps meeting with its entertainment giants, asking how US foreign and domestic policy can preserve its business-model. Criminalize 70 million American file-sharers? Check. Turn the world’s copyright laws upside down? Check. Cream the IT industry by criminalizing attempted infringement? Check. It’ll never work. It can never work. There will always be an entertainment industry, but not one based on excluding access to published digital works. Once it’s in the world, it’ll be copied. This is why I give away digital copies of my books and make money on the printed editions: I’m not going to stop people from copying the electronic editions, so I might as well treat them as an enticement to buy the printed objects. But there is an information economy. You don’t even need a computer to participate. My barber, an avowed technophobe who rebuilds antique motorcycles and doesn’t own a PC, benefited from the information economy when I found him by googling for barbershops in my neighborhood. Teachers benefit from the information economy when they share lesson plans with their colleagues around the world by email. Doctors benefit from the information economy when they move their patient files to efficient digital formats. Insurance companies benefit from the information economy through better access to fresh data used in the preparation of actuarial tables. Marinas benefit from the information economy when office-slaves look up the weekend’s weather online and decide to skip out on Friday for a weekend’s sailing. Families of migrant workers benefit from the information economy when their sons and daughters wire cash home from a convenience store Western Union terminal. This stuff generates wealth for those who practice it. It enriches the country and improves our lives. And it can peacefully co-exist with movies, music and microcode, but not if Hollywood gets to call the shots. Where IT managers are expected to police their networks and systems for unauthorized copying – no matter what that does to productivity – they cannot co-exist. Where our operating systems are rendered inoperable by “copy protection,” they cannot co-exist. Where our educational institutions are turned into conscript enforcers for the record industry, they cannot co-exist. The information economy is all around us. The countries that embrace it will emerge as global economic superpowers. The countries that stubbornly hold to the simplistic idea that the information economy is about selling information will end up at the bottom of the pile. What country do you want to live in?

The world is on fire, young man. As writers, it is only proper that we do what we can to warn people. But in telling the truth to the world, don't lie to yourself. Write whatever you want. Tell the truth. Just don't imagine that you are changing anything. Like I said, people just want to have a good time. -Snagglepuss

They want to see their expectation... Entertainment has nothing to do reality. Entertainment is antithetical to reality.

Thinking minds doesn't get bored.

The last generations's worst fears become the next one's B-grade entertainment.

The only really useful thing about zoos is that most of them pay most of their workers most of the time.

The phrase "consumer society" complements the description of the present social order as an "industrial society." Needs are tailored by the mass media to create a public demand for utterly useless commodities, each carefully engineered to deteriorate after a predetermined period of time. The plundering of the human spirit by the marketplace is paralleled by the plundering of the earth by capital.

The problem is politics is made a sport, almost as much a sport as football or baseball. When it comes to politics, adults and politicians do more finger-pointing and play more games than children ever do. Too often are we rooting for the pride of a team rather than the good of the nation.

...the real junk food is what Frank Lloyd Wright called light entertainment - bubblegum for the eye ...

There are no distinctions at all any more, as far as entertainments are concerned, it's big and beautiful everywhere where we are. It would be a great help to us, if we could be everywhere at the same time. And here it is already, your entertainment!

There is a jarring disconnect between what I want my real-life intelligence officers to be doing versus what I want my fake TV intelligence officers to be doing.

There is a Pirate in each of us"!

There is no such thing as a boring person when you are lonely or extremely bored.

There should be more to writing than entertaining an already-brain-dead society and making money. If not,then you miss the point of writing.

The research proves what gamers already know: within the limits of our own endurance, we would rather work hard than be entertained. Perhaps that’s why gamers spend less time watching television than anyone else on the planet.

The restoration of man’s inner eyes can hardly be expected in this day and age — unless, first of all, one were willing and determined simply to exclude from one’s realm of life all those inane and contrived but titillating illusions incessantly generated by the entertainment industry.

There was something vital and energetic when the house lights dimmed and the all-knowing projector began to sing to the naked screen with images.

The Romans were a strong power before Virgil, but the Greeks had captured their imaginations. While Rome conquered physical Greece, Greek mythology had enveloped Rome. The Empire coul be confident in itself until a Roman poet matched Homer and harmonized Greek civilization with Roman ideals

The sleds accelerated quickly as they glided effortlessly over the smooth ice. We had never before experienced such a quick, easy slide. usually we wished we could push ourselves to make our sleds go faster. But not this time. The crystals of ice started flying past at an incredible rate of speed. No longer aware of where my sister and her sled were, all I could see was raw ice whizzing by ten inches under my chin at a rate of speed I never imagined I would experience on a sled. I felt like I was flying!

This is a perfect example of how entirely out of hand the women in this country have gotten. You act like men aren't anything more than extraneous amusements, little toys to keep you entertained.

This is not for your entertainment. This is for your evolution.

Time crawls when you are bored; walks when you are occupied; runs when you are busy; but flies when you are having fun.

Though you can get smart from reading everything that a smart person writes, you cannot get famous from reading about everything that a famous person does or is said to have done.

To buy women things, some men entertain. To entertain women, some men buy things.

Ticketmaster saying that their fee is a "convenience" is like a rapist calling his raping a "favor

Truth is for life; lies are for entertainment.

We live in a very entertaining world, but the sad fact is that so much of that entertainment is fruitless and empty. Only building nothing but failure and sadness.

Vergnügen ist Mangelware, aber an Schmerz ist heute überall ranzukommen.

War is a lethal distraction." - On War