Best 1203 quotes in «tragedy quotes» category

It may be that The Great Gatsby is as perfect, word for word, just in terms of English; but Ulysses is deeper, richer, wider – and is comic, whereas The Great Gatsby is a tragic novel. And I think all great art is comic art. (video)

It occurred to Midhat that a tragic story told quickly might contract easily into a comedy, and without the measure of its depths make the audience laugh.

It's a lonely place. Sometimes it's the loneliest place in the world.

It’s alright,” they say, “Of course, there’s beauty there,” but they hold back; you know they have seen or heard of the ugliness and the insularity there. They have experienced the farawayness of it. I have learned to keep silent, not to berate them for their disregard of the Brits’ role in the colonial tragedy of my country.

It's fictitious to believe that we can intuitively navigate misfortune with the inherent skills we've come into the world with.

It shouldn't make any difference, but Friday and Saturday nights are the worst. They're the worst because the loneliness is magnified. The best you can do is hope that there is someone else like you out there, but if there is, you will never meet this person because she doesn't get out either. So, you're left with your thoughts, and your thoughts are living people in your brain who call and hang up and lounge around like armed security guards who happen to be beautiful. In between these thoughts, you think about what's going on out there. The girl of your dreams is being ravaged by a man who doesn't have a care in the world. Just to hear her voice would make you happy for a week, but he gets to spend the day and night with her and thinks nothing of it. (…), there are boyfriends and girlfriends, people in love, wide awake. They hang out. They hang out. They hang out. They do nothing worthwhile except each other. Friends, friends, friends. Fiends. Inside jokes. There are so many stupid conversations going on right now. You could be having a meaningful conversation with a taxi driver. You could talk to him about how Travis Bickle's taxi was a metaphor for loneliness. (…) You have a gray tint on your contact lenses. But you have your work. They don't have that. They are cowards. Everyone seems so afraid to be alone. It takes strength to lie there alone and take it. They just want to copulate, and that's their biggest concern of the night. You want a tragedy. An assassination. A massacre. An earthquake. A city falling to the ground. Something to get the people on TV to be on the same page as you.

It’s just that I coulda swore you had sung me a love song back there and that you meant it but I guess sometimes people just chew with their mouth open

It’s not over if you’re still here,” Chronicler said. “It’s not a tragedy if you’re still alive.

It's not the season that changes so sudden here, it's the person's heart. It does not promise you days.

It's still ok to dream with a broken heart.

...it struck her, this was tragedy-- not palls, dust, and the shroud; but children coerced, their spirits subdued.

It was a tragic end to a heroic life.

It was more than a show of support for the new president, it was a show of immense compassion, for two months before his inauguration, Franklin Pierce and his wife, Jane, suffered an unthinkable tragedy…

It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style. They affect us just as vulgarity affects us. They give us an impression of sheer brute force, and we revolt against that. Sometimes, however, a tragedy that possesses artistic elements of beauty crosses our lives. If these elements of beauty are real, the whole thing simply appeals to our sense of dramatic effect. Suddenly we find that we are no longer the actors, but the spectators of the play. Or rather we are both. We watch ourselves, and the mere wonder of the spectacle enthralls us.

It's a tragic that we recognized our self worth from external validation.

It's certainly true that Chernobyl, while an accident in the sense that no one intentionally set it off, was also the deliberate product of a culture of cronyism, laziness, and a deep-seated indifference toward the general population. The literature on the subject is pretty unanimous in its opinion that the Soviet system had taken a poorly designed reactor and then staffed it with a group of incompetents. It then proceeded, as the interviews in this book attest, to lie about the disaster in the most criminal way. In the crucial first ten days, when the reactor core was burning and releasing a steady stream of highly radioactive material into the surrounding areas, the authorities repeatedly claimed that the situation was under control. . . In the week after the accident, while refusing to admit to the world that anything really serious had gone wrong, the Soviets poured thousands of men into the breach. . . The machines they brought broke down because of the radiation. The humans wouldn't break down until weeks or months later, at which point they'd die horribly.

It's easier, somehow, if there's a reason for tragedy - lust or jealousy or hatred or revenge. We can find in these explanations an emotional tenor commensurate with the gravity of the act. There's something we recognize as human, a motive toward which we can direct our rage but can also understand, at some primal level, as an extension of ourselves.

It seemed to him that life's true tragedy was to lift up one's voice among the living and be met with indifference.

It seemed to us that all people to a greater or lesser degree belong to one of these two types, that almost every one of us resembles either Don Quixote or Hamlet.

It was the tragedy of women to be lusted after and stolen in the night.

It was like Romeo and Juliet with those two.” “Romeo and Juliet was a tragedy.

It will be your deepest tragedy that will give you the courage to fly.

It was strange to see the keenness with which men had tried to order, constrain, and systematize human passions, jealousy, rage, violent death, accusations. That was the justice system (...): the absurd pretension that human nature could be dominated by the power of the law. Reducing it all to a summary of a few pages, organizing the facts, judging it, archiving it, and forgetting it. That simple. And yet in the silence of that place you could hear the murmur of the written words, of the key players, the screams of the victims, the hatred never forgotten by either party, the pain that never went away.

It was only in the middle—between the immense and the minute—that sadness seemed to exist.

I’ve read so many stories online about how tragedy brings people together, how hard times encourage bravery and sacrifice, how a crisis can turn ordinary folks into heroes. But what about the opposite, when something horrible happens and it strips us bare, exposing weaknesses we didn’t even know we had. What about when tragedy makes people worse?

It would cost you a groaning to take off my edge.

I want to fix an image of him in my head, but all I can see when I close my eyes is his body, still and lifeless in my arms. I let him go, and I will never forgive myself for that.

I've been fed to the wolves, my soul experiencing near death so many times. Having a little hardship is a far easier path than being completely fucked by life. But these words, these goddamm words save me everytime. A little slice of poetic notion, a little reminder in pain there is life.

I was girly and friendly and my family life was happy but many days I felt like I was on the inside what Chase was on the outside. I always believed I was a happy person with a sad soul. I felt like I had had tragedy in my life when I hadn’t. Somehow, without having experienced what he had, his scars resonated with me.

I will never forget what you did to me. I will never forgive it. I will never stop mourning what you stole from me. But I realize now I can't steal it back and I'm done spending every day trying to.

I watched 60 Minutes...and they showed this woman, she's in every kind of..thing like that. 'This woman', they say, 'she lost her first four children--died from malnutrition--and, now, she's afraid that her new six-month-old newborn twins will suffer the same fate'. ... Who's going to step in and say...'kick her in the cunt 'til it doesn't work', 'that woman is a sociopath! that is a sick human being!'. ... How much of a sociopath do you need to be? That is the slow ritual torture-murder of children, one after another! At what point does cause-and-effect not kick in? How many bulb-headed skeletons have to go stiff in your arms?! ... 'what? this one's not working... oh, well let's try again', one after another. At what point do you not go 'I think this is bad'? ... How many kids are you going to fuckin' kill, lady? ... If you impregnate someone under those conditions, they should abort the parents! that's sick!

I was an utterance in absentia. I was a forgotten word, uttered and mislaid long ago. I was the word that existed because there was another word that was my opposite, and without it I was nothing. I gained meaning only by acknowledging that possible other. Nida

I will not stop singing the Muses who set me dancing.

I wish I could read a couple of thousand words a day. Words written by someone else for a change!

Listening, it occurred to Randall that the love people feel for animals is the purest form of love. Loving an animal, a horse, cat, or dog, was always a romantic tragedy. It meant loving something that would die before you. Like that movie with Ali McGraw. There was no future, just the affection of the present moment. You didn't expect a big payoff, someday.

Live a life abundant in love and rich in spirit, these are the seeds of a fulfilling existence. Be the safe harbor you seek in the world. Follow your dreams, not your fear. Go into the New Year with an open mind and hopeful heart. Don't let the chains of unforgiveness weigh you down. Life is too short to live in a prison of past hurts. The futures is yours for the taking and creating. Life is bittersweet, when we can let darkness and light co-exist as illumination, we can live in true happiness. When we live life at its best, it is a symphony of feelings, of high and low notes, of tragedy and comedy, love and loss, magic and the sublime. It can be quite a spectacular journey when we fully embrace and accept it.

Love is fate that ends in tragedy.

Living people are a dying breed.

Make your pain productive and you can transform tragedy into triumph.

Marshall wished he knew what to call her, wished he could memorialize her somehow. There was dignity in eulogies, in little ribbons tied to trees, in a name.

Mary the Canary lives in a cloud of perfume and colours. She's an auxiliary nurse by day and a country and western singer by night: bed pans and power ballass. She's so glamorous she makes Mrs Hart look plain. She is the other woman and I'm bring trained to hate her even though I've never met her.

Love can be a very frightening thing.” “That is why most great love stories are tragedies.

Maybe in time most wounds will heal; but this, this tragedy - it will last with me an entire lifetime. I can either make it my greatest story or fall short of who i am supposed to be, thats the only real choice i have left in all of this and from there my path will begin.

Maybe that was why the French called orgasms “las petites morts”: because the things that bring us passion tend to slip past our defenses, to creep insidiously into every facet of our consciousnesses and kill us as ruthlessly, and efficiently, as any drug.

Maybe when we face a tragedy, someone, somewhere is preventing a bigger tragedy from happening.

Maybe it takes tragedy to create paradise.

May you suffer enough tragedy to gain a vast knowledge and understanding of life.

Misunderstanding and distrust—the predominant elements of a novel. Without them, everyone lives happily from beginning.

Monsters are tragic beings; they are born too tall, too strong, too heavy, they are not evil by choice. That is their tragedy.

Mistrust of good success hath done this deed. O hateful error, Melancholy's child, Why dost thou show to the apt thoughts of men The things that are not? O Error, soon concieved, Thou never com'st unto a happy birth, But kill'st the mother that engendered thee.