Best 2475 quotes in «photography quotes» category

Realism without naturalism... is a leading motif in Modern Art. There is a move away from the struggle to perfect the reflection of Nature in Art's mirror, which I attribute to the all-pervading effects of photography...You must serve the tradition without being its slave. Remember you are an artist, not a draughtsman.

Referred to euphemistically to children as 'privates', the vagina is no longer permitted to be private. Instead, it is photographed independently of the face, stripped of identity, of emotional and historical and economic context, and in the service of men: public.

remember... the picture should tell a story in itself, and should have a spontaneous approach

Robert Louis Stevenson wa Uskochi aliponukuu nahau ya ‘kamera haiwezi kudanganya’ katika kitabu chake cha ‘South Seas’ mwaka 1896, miaka 57 baada ya sanaa ya upigaji wa picha kugunduliwa, hakumaanisha tuwe asili. Hakumaanisha tusizirekebishe picha zetu baada ya kuzipiga na kuzisafisha! Alimaanisha tuwe nadhifu tuonekanapo mbele za watu au mbele ya vyombo vya habari; ambapo picha itapigwa, itasafishwa, itachapishwa na itauzwa kama ilivyo bila kurekebishwa.

Seeing old photographs, we get enamored by the memories we made which will keep tugging at our heart-strings forever and ever...

She believed photography to be the greatest of all art forms because it was simultaneously junk food and gourmet cuisine, because you could snap dozens of pictures in a couple of hours, then spend dozens of hours perfecting just a couple of them.

She had the most beautiful awkwardness

She noticed the lemony yellow light in her dream and heard nothing of her alarm clock so continued to dream and dreamt of Jamestown and the sound of the foghorns over the water and the gulls and every night that was the breath of the day before.

Slow down, take time, allow yourself to be wildly diverted from your plan. People are the soul of the place; don't forget to meet them and enjoy their company as you explore a place.

Some days you just get lucky… Other days you wait patiently for luck to happen

Somehow her getting naked breaks the tension. Her transformation is palpable: She seems easier, more confident; her body is how she asserts control.

Someone: Have you seen the sunset? Me: It's already locked in my phone!

Seeing God is all about getting in touch with reality. If you want to photograph God, focus your lens on Hamakom, The Place, anyplace where you see divine light illuminating reality. Let your camera collect the light reflecting from the reality shaping your everyday life and you will find yourself photographing God in action." (From the Introduction to the book Photograph God)

Shared emotions experienced by two souls,empathy on unequivocal level which Davey believed would change entire species of mankind if only secret of empathy could be telepathically shared with humanity,one soul after another, until every soul understood true meaning of love.

She capture the hidden mystery that gives a special flavor to the photograph ...

She loves filming and taking photographs. I can imagine her making beautiful films in France or India or somewhere with a gorgeously colourful culture. She somehow reminds me of my favourite place in the world, she and Paris I can romanticize and immortalize in ceaseless poetry for the rest of my life.

She told me to pay attention to my attention.

Smile for the camera, pretty little Sydney Tar Ponds.

Some individuals came right out and accused me of being a Neo-Orientalist (in a pejorative Edward Said sense of the term). So of course eventually I bristled at the questions themselves. They seemed to stem from an obsessive political correctness that wished to brand every Western photographer working in Asia as a neo-colonialist, an ethnographer, or a culprit secretly advancing a hegemonic agenda. The idea that people of one culture cannot create valid art in another I found ludicrous and restrictive to say the least.

Some photographers could vomit on a piece of paper and call it art, you know... Hang it in the Guggenheim, or whatever. Sell a print for two hundred pounds? But I can't do that. I just-- Maybe I have too much respect for walls... or something.

Sometimes knowing what to shoot is a big relief. Other times, being extemporaneous is the way to go. I love to go out and see what the universe is presenting to me on any given day. Learning to be sensitive to what is out there with no preconceived idea is a wonderful way to discover new subject matter. But only looking for the shot that presents itself in the moment seldom creates new technical skills. In order to master the camera, I give myself special assignments. Giving yourself an assignment helps you to learn about photography and your equipment. By knowing what you want to achieve, you can plan things out. This way you can slow things down. Shoot and confirm. Take notes. Concentrate on getting the shot just right! You will learn to master Aperture Priority, shutter speed, ISO, manual settings, and more. Digital Camera, 2018

Sometimes, without effort, you live in the moment. You don't regret the past or worry about the future, and in that moment everything flashes before your eyes , a clear snapshot of what has to be done, and everything pauses.

So, what do you photograph?” I swallow my wine. “What?” “You know – city scapes, nature, portraits, candid shots...” Boobs. I photograph boobs. “Uhh... people?

Stirton's work, he says, is now all about investigation. 'You literally are trying to find out what's happening and, finally, manoeuvre yourself to the point where you can take a picture, and then you're presented with a 20-minute window where it's: Okay, now get your picture!' His voice is charged with emotion. 'Fucking angst and worry and, you know, FEAR of failure – every aspect of that comes into those 20 minutes, so it's a very intense experience. So when I make those pictures, I'm worried; I’m nervous.

Strike all the adjectives from your bio. If you take photos, you're not an 'aspiring' photographer, you're not an 'amazing' photographer either. You're a photographer. Don't get cute. Don't brag. Just state the facts.

Super 8 film is the language of silence.

Sugar understood the permanence of being Sugar or Lotty or Lucy or whoever you might be, trapped on a square of card to be shown at will to strangers. Whatever violations she routinely submits to in the privacy of bedroom, they vanish the moment they're over, half-forgotten with the drying of sweat. But to be chemically fixed in time and passed hand to hand forever: that is a nakedness which can never be clothed again

Taco Hidde Bakker: (quoting a sentence from Schles' book "Oculus") Further on you write, decidedly, “Seeing is not knowing. Recognition is not knowledge”. […] Muses are the origin of knowledge. Almost everything one knows and is able to know nowadays, comes from hearsay, isn’t based on one’s own experiences or witnessing of events. Most of us don’t even directly witness historically decisive events (or what have come to be portrayed as such by the media) during our lifetimes. By means of the mechanisms of complex (visual) representation networks, we are second-order or even third-order witnesses. If we were to consider photography sui generis, then it is a Muse. It is virtually omnipresent, it sees everything, transmits visual evidence to people all over the globe, and enlargers their body of knowledge.

szczęśliwie jednak czytanie fotografii to sztuka wahania, a podjęte decyzje są na zawsze nieostateczne

Taking a picture is like giving a piece of your soul away. You allow other people to see the world through your eyes.

Taking a photograph is a lot like falling in love. You see a light and it intrigues you; and you want to see or be in that light forever.

Technology also made some of the established principles of image-making meaningless, such as the idea that symmetrical images are more static and perhaps less interesting than asymmetrical images. Symmetry is easier to achieve with mechanical means, so I used my collection of digital tools to break the rules, explore perfect symmetry and create repeatable patterns. Digital Camera, 2017

Thanks to photography, some memories overstay their welcome.

That we are not totally transformed, that we can turn away, turn the page, switch the channel, does not impugn the ethical value of an assault by images. It is not a defect that we are not seared, that we do not suffer enough, when we see these images. Neither is the photograph supposed to repair our ignorance about the history and causes of the suffering it picks out and frames. Such images cannot be more than an invitation to pay attention, to reflect, to learn, to examine the rationalizations for mass suffering offered by established powers. Who caused what the picture shows? Who is responsible? Is it excusable? Was it inevitable? Is there some state of affairs which we have accepted up to now that ought to be challenged? All this, with the understanding that moral indignation, like compassion, cannot dictate a course of action.

That was why, later on, he began to lose interest in photography: first when colour took over, then when it became plain that the old magic of light-sensitive emulsions was waning, that to the rising generation the enchantment lay in a techne of images without substance, images that could flash through the ether without residing anywhere, that could be sucked into a machine and emerge from it doctored, untrue. He gave up recording the world in photographs then, and transferred his energies to saving the past.

The beauty of Photography is not in what you see, its art lies in your dreams.

The best photo of the day is photo of a kind heart.

The best photographers do not need 50000 dollars worth of gear. Look what Ansel Adams did with a Kodak brownie camera. A good photographer has a way of seeing (perspective) that is different from the mundane.

The best thing about photography: it changes your point of view.

The Blessing Heads are covered by the Tallit, or prayer shawl; hands are extended out with the fingers splayed to form the shape of the letter Shin, the first letter in the word Shaddai, a name for the Almighty. The chant, in Hebrew, is loud and ecstatic: "May the Lord bless and keep you." The Shekhina is summoned; the feminine essence of God. She enters the sanctuary to bless the congregation. The very sight of her, the awesome light emanating from the Shekhina, is dangerous to behold.

The captain was amusing. He said that he himself couldn't draw and proved his words by drawing his own house for his prisoner to see. It was just such a house as the babies drew in the kindergarten: a square box with four square windows, a door and two chimneys, each with a neat curl of smoke. "That's best I can do," said the Captain, laughing. Max laughed with him for politeness' sake, though inwardly he was shocked that an important man like the Captain made a fool of himself. "Vater does not draw," he said kindly, "nor does Mutti; but they are both very keen on photography. Perhaps you are good at that?" "Not brilliant," said the Captain.

The camera was a hand-held auxiliary of wanting-to-know. It had more than information and accuracy to teach me. I learned in the doing how ready I had to be. Life doesn't hold still. A good snapshot stopped a moment from running away. Photography taught me that to be able to capture transience, by being ready to click the shutter at the crucial moment, was the greatest need I had. Making pictures of people in all sorts of situations, I learned that every feeling waits upon its gesture, and I had to be prepared to recognize this moment when I saw it. These were things a writer needed to know. And I felt the need to hold transient life in words - there's so much more of life that only words can convey - strongly enough to last me as long as I lived. The direction my mind took was a writer's direction from the start, not a photographer's or a recorder's.

The cliché comes not in what you shoot but in how you shoot it.

The desire to catch, as Bonnard hoped, the PASSING MOMENT is antithetical to being in the moment. The photographer is an observer to others’ moments. The Picture People have dedicated themselves to this paradox, and consign themselves on either side of the equation.

...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning — a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks.

The Gathering According to the Kabbalah, in the beginning everything was God. When God contracted to make room for creation, spiritual energy filled the void. The energy poured into vessels which strained to hold the great power. The vessels shattered, sending countless shards, bits of the glowing matter, into the vastness of the universe. These scattered bits of divine light must be collected. When the task is done the forces of the dark will be vanquished and the world will be healed.

The gestalt of living in the desert, surrounded by the desert, was a big influence in my life and in the lives of other artists in this community. There are many artists and musicians who grew up as lonely kids in the desert with nothing to do, and who chose to channel their focus inward. In the Mojave Desert, numinous, mystical experiences are not as rare as one might think. The numinous is a part of the whole artistic experience for the desert artist.

The greatest moments are right in front of you.

The greatest moments in life are the ones right in front of you.

The horizon is the fine line between golden hour and blue hour.