Best 233 quotes in «seduction quotes» category

Seduction is not like a veiling cloth but rather like water as it has the power to flow in the direction you want it to. Not where you put your direct focus, rather the point of focus must be somewhere else. Because all water go to the ocean, the ocean does not come to it.

Se débarrasser de tout ça ? Le faire ? Mais de quoi parlait-il ? — J’ai envie de toi, précisa-t-il devant son incompréhension. Je te désire comme un homme désire une femme. — Tu me… quoi ? répéta-t-elle, incapable d’articuler une phrase cohérente. — Je sais que toi aussi. Alors si tu veux coucher avec moi, je serai plus que ravi de te rendre service.

Seduction begins with insinuation, what may happen, not what is, what you may become to the person, not today what you are.

Seduction is an art known only to the best of the artistes.

Seduce yourself first.

Selon lui, tel était son plan : séduire, conquérir puis anéantir l’empire Kane.

Sensuality is a moving target. You chase it daily by going deep within yourself.

Ses bras se nouèrent autour de sa taille et il huma la fragrance qu’elle portait au creux de son cou. Il frissonna de la tête aux pieds comme s’il était aux prises avec une tempête d’émotions qu’il avait du mal à canaliser. Elianor sentit l’empreinte d’un baiser sur son épaule. De ses lèvres entrouvertes, il remonta sur sa peau, la marquant au fer de la pointe brûlante de sa langue. Quand il mordilla son lobe, elle soupira longuement.

Sex was a practiced art to him. Each move calculated. His brain always worked while he performed, his body seducing his prey with ease, noting each response of his target. But in one moment, everything had changed. She swept him into a tidal wave of pure sensation, and he willingly let go and let her take him with her.

Sexual thrills are not all physical, and although Parlabane was an unlikely seducer, even on the intellectual plane, it was clear that his desire was, by this prolonged tickling, to bring me to an orgasm of the mind.

She didn’t dare expose her heart the way she’d exposed her body.

She leaned forward and whispered sensuously in his ear, 'I am Lilith and you are mine now - forever.

She stared stupidly into his eyes, thinking about how very much she’d like to make that noise again…with him.

She thinks, I'm telling him who I am. He's interested in who I am. That is true, but I am curious about who she is because I want to fuck her.

She was giving him a look. It took Eustace a second to figure out what it was. Her off-kilter gaze traveled the length of his body, then lingered pointedly. The gesture was supposed to be seductive but was more like livestock trying to sell itself.

Si le sexe était une arme de négociation, Tristan serait certainement un diplomate hors pair.

Slowly, but very deliberately, the brooding edifice of seduction, creaking and incongruous, came into being, a vast Heath Robinson mechanism, dually controlled by them and lumbering gloomily down vistas of triteness. With a sort of heavy-fisted dexterity the mutually adapted emotions of each of them became synchronised, until the unavoidable anti-climax was at hand. Later they dined at a restaurant quite near the flat.

Simon laughed heartily. “I’m afraid the rest of us have to find talents to get our women into bed. Of course once they’re there, I have other talents that keep them right where they are.” “Handcuffs hardly count,” Christian said offhandedly. “If you mean the ladies cuffing me to the bed so they can explore Hunt Island,” he said, rubbing his chest, “…then point taken. These hands are capable of making any female climax by the mere brush of a pinky across her bare breast.” “I must have gone to the wrong island,” I said with a private laugh.

Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.

So I’m guessing,” he went on, pointing with his fork, “that you’re in a pretty good position to answer the question of where to draw the line between seduction and sexual harassment. Is it how you say things, or what you say?” She pondered with a quiet hum for a few seconds before explaining: “Some think it has to do with the artistry of delivery, but in fact you can have an eloquent harasser and a clumsy flirt. The difference is the message. Both begin with the same basic premise: ‘I desire you.’ Where they diverge is in what follows that premise. The harasser says: ‘I desire you, and I’m going to keep at you until you give in.’ But the seducer’s message puts the power into the hands of the person being desired, with the message being: ‘I desire you, and if the feeling is mutual, come and get it.’ The harasser demands, the seducer invites. That’s the difference.

So by slow degrees the Britons were seduced by pleasant pastimes... until finally the gullible natives came to call their slavery "culture".

So our chess game begins tonight, Duchess. At eleven o’clock. I will give you one hour to try to win, blindfolded or no.” His teeth showed very white when he smiled. “And then I shall win.” Jemma sniffed and turned up her nose. “Pride goeth before a fall, Duke.” “You will fall before me,” he said, his smile a blatant challenge. “Backwards.

So where were we?” “I was stepping back,” he says, “and you were chastising me for it.” I chuckle. “Ah yes. So, shall I take matters into my own hands, or do you have the proper tool for the job?” I kiss his palm and then glance down at the lump in his towel. “Well, miss.” His voice has a slight southern twang. “A skilled lawman knows how to choose the right tool for the job, and that—” He motions with his head, “—is not the one I plan to use right now. Sorry to disappoint.” “I hate it when you get cocky.

So many hilarious scenes and seductions!

Stay the night, said the officer, patting a confiscated couch. I'll keep my hands off you. I promise. You have more than hands, said Elie. My feet are safe, too, said the officer. He pointed to a hole in his boots, and they laughed.

Suffer" he commanded seductively. "With me...or because of me.

Spirituality will take you like love; it seduces you from contemplation to completeness.

Tengo's lectures took on uncommon warmth, and the students found themselves swept up in his eloquence. He taught them how to practically and effectively solve mathematical problems while simultaneously presenting a spectacular display of the romance concealed in the questions it posed. Tengo saw admiration in the eyes of several of his female students, and he realized that he was seducing these seventeen- or eighteen-year-olds through mathematics. His eloquence was a kind of intellectual foreplay. Mathematical functions stroked their backs; theorems sent warm breath into their ears.

The body, I started to learn, was not a secondary entity. The mind contained very few truths that the body withheld. There was little of import in an encounter between two bodies that would fail to be revealed rather quickly. The epistolary run up to the date only rarely revealed the truth of a man's good humor or introversion, his anxiety or social grace. Until the bodies were introduced, seduction was only provisional.

Sometimes the only way to hunt somebody is to pretend to be a prey.

That boorish man stole colour from a maiden's cheek to redden his ardour. She, with her prancing panther's gait and proud, undulating beauty, revelled in her existence and left him foolishly in her wake.

That was the lure of wealth, he'd discovered: a throaty whisper in your ear that you were special, that it was all - this wine, this woman, this world - for you. That it in some way existed only so that you might partake of it.

The amount of perfume she had on was like a human sacrifice on Incense Night.

The angel destroyed me! He seduced me with a pure voice, spoke kind words, and stroked my hair to lower my guard, to make me trust him, to trick me! He sullied my body, my voice, my heart; remade me as a terrifying monster; turned me into his companion! The angel was a disfigured phantom wearing a mask!

The feminine seduces because it is never where it thinks it is, or where it thinks itself.

The hearth in his room had been replenished, the blaze shedding warmth and light. Cam’s eyes narrowed in curiosity as he saw a small shape beneath the covers. Amelia’s head lifted from the pillow. “I’m cold,” she said, as if that were a perfectly reasonable explanation for her presence. “My bed is no warmer than yours.” Cam approached her slowly, trying not to feel like a predator, trying to ignore the heat that had ignited in his blood. His body had gone hard beneath the black silk, all his muscles tightening in anticipation. He knew what she wanted from him … and he would be more than happy to provide it. “It would be warmer if you were in it,” she said.

The grip of her eyes is so hard that he can barely breathe. She entices him to crash into her and explore her depths. But he is already soaked in different waters.

The brush of your lips will last my lifetime.

The kiss was yours, Dalinar,' she said idly, pulling open the door and entering his antechamber. 'You seduced me to it.' 'What? Seduced?' She glanced back at him. 'Dalinar, I've never been more open and honest in my life.' 'I know,' Dalinar said, smiling. 'That was the seductive part.

The Leadership Seduction of storytelling invites self-pity, exaggerates one's importance, and encourages inaction.

The Old Woman asked, "Here you are, dear Youth, you are looking at the Garden and do not know that it is an evil Garden. Here you are waiting for the Beautiful Woman and do not know that her beauty is destructive. You have been living in my room for two years and never before have you become so engrossed as you have today. Apparently your turn has come too. Go away from the window before it is too late, do not breathe the evil fragrance of these deceitful flowers and do not wait for the Beautiful Woman to appear below your window and enchant you. She will come, she will enchant you, and you will follow her against your will. Speaking thus, the Old Woman lit two candles on the table where some books were lying, banged the window shut and drew the curtain tightly across the window. The curtain rings scraped lightly along the bronze curtain rod, and the yellow linen of the curtain fluttered and once again lay motionless — and the room became cheerful, comfortable and peaceful. And it seemed that there was no longer any garden beyond the window, nor was there any sorcery in the world, and everything was simple, ordinary, and would remain so once and for all. ("The Poison Garden")

The mystery of a woman lies in her sensuality.

The place cast a spell on me, a lovely spell that seduced me one one breath at a time.

The mask of art is the means through which corruption is spread. The mask makes vice seem beautiful, turns squalor and nastiness into glamorous thrill, seduces the onlooker into the game – and leaves him or her with the corpse on his hands.

There is no longer any happiness for me, no longer any peace but in the possession of this woman whom I love and hate with equal fury. I cannot tolerate my life until hers is again mine to dispose of. Then, contented and calm, I shall see her in turn buffeted by the storms that assail me now, and I shall stir up a thousand others too. I want hope and fear, faith and suspicion, all the evils devised by hate and all the blessings conferred by love, to fill her heart and to succeed one another there at my will.

... the poor always live on debt. At this point, time is the only thing I still have the credibility to borrow.

The second hugely seductive move is to signal that we view the other person with a mixture of tenderness and realism. It’s often imagined that it’ll be seductive to convey an air of adoration, to hint that the other strikes us as exceptionally attractive or accomplished. But surprisingly, it is deeply worrying to be obviously adored, because everyone, from the inside, knows very well that they don’t deserve intense acclaim, are often disappointing and sometimes quite simply pitiful. So seduction involves suggesting both that one likes the other person a lot – and yet can see their frailty quite clearly, that one cope with it and forgive it with gentle indulgence. One might, towards the end of the evening drop in a small warm tease that alludes to our understanding of some less than perfect side of them: ‘I suppose you stayed under the duvet feeling a bit sorry for yourself after that?’ we might ask, with a benign smile. Such a gesture implies that we like another person not under a mistaken notion that they are flawless but with a full and unfrightened appreciation of their frailties. That ends up being powerfully seductive because it is, first and foremost, reassuring. It suggests the ideal way that we would like someone to view us within the testing conditions of a real relationship. We crave not admiration, but to be properly known and yet still liked and forgiven.

The scene taking place illustrates an immemorial error of men: having appropriated the role of seducers, they never even consider any women but the ones they might desire; the idea doesn't occur to them that a woman who is ugly or old, or who simply stands outside their own erotic imaginings, might want to possess them.

There are different forms of seduction, and the kind I have witnessed in Persian dancers is so unique, such a mixture of subtlety and brazenness, I cannot find a Western equivalent to compare it to. I have seen women of vastly different backgrounds take on that same expression: a hazy, lazy, flirtatious look in their eyes. . . . This sort of seduction is elusive; it is sinewy and tactile. It twists, twirls, winds and unwinds. Hands curl and uncurl while the waist seems to coil and recoil. . . . It is openly seductive but not surrendering.

The sweet traditional art of Seduction has been replaced with the current digital weird spirit of hit and run'.