Best 71 quotes in «pagan quotes» category

Pagans exalt sacred things, the Prophets extol sacred deeds.

Often pagans, with their eyes wide open, do not see very clearly.

Neither Pagan nor Mahamedan nor Jew ought to be excluded from the civil rights of the Commonwealth because of his religion. -quoting John Locke's argument.

VOCATUS ATQUE NON VOCATUS DEUS ADERIT.

Self-righteousness is unavoidable. You can either be a self-righteous Pharisee where you think you are better than everyone else or you can be a self-righteous pagan who thinks you are better than the Pharisee. If you are a self-righteous person, I could become very self-righteous thinking that you're self-righteous and you think you're so good but I know you're bad. I know I'm bad so that makes me better than you.

The authentic pagan has no need of religion because, whatever religion can provide, he already has it.

Again burst out that chant McKay had heard as he had floated through the mists upon the lake. Now, as then, despite his opened ears, he could distinguish no words, but clearly he understood its mingled themes - the joy of Spring's awakening, rebirth, with the green life streaming singing up through every bough, swelling the buds, burgeoning with tender leaves the branches; the dance of the trees in the scented winds of Spring; the drums of the jubilant rain on leafy hoods; passion of Summer sun pouring its golden flood down upon the trees; the moon passing with stately step and slow and green hands stretching up to her and drawing from her breast milk of silver fire; riot of wild gay winds with their mad pipings and strummings; - soft interlacing of boughs, the kiss of amorous leaves - all these and more, much more that McKay could not understand for it dealt with hidden, secret things for which man has no images. ("The Women Of The Woods")

Above me, sister moon and her union of stars.

All that remains is for me to make a sad observation. Like so many other creatures that once embellished life and brought hope, house spirits have vanished and with them the souls of our houses have fled, never to return. Homes have sunk into anonymity; building rituals have almost entirely disappeared; prefabricated industrial materials have replaced the quest for attentive selection of materials that were wrought with love; the meaning of ornaments are no longer known and the moon, sun, stars and crosses have disappeared from our facades; radiators have replaced the hearth and stove; our corners have become little more than dust collectors; and there is no longer anything concealed beneath our thresholds. We have transformed into rootless wanderers with no fire or place to call our own. The individual no longer has any attachment to a house that has been passed down for generations. In loosing all of this, we have lost a piece of ourselves, one of our most solid anchors, and like dead leaves carried by the wind, we settle one day here, another day there, driven by the whims of our professions, but we no longer bring the embers from our hearths with us, and the surviving spirits weep in abandoned houses.

Atheism is a lack of belief...what about the powers of darkness, and that of light, will you trace both to nothing? Then you must have created yourself.

Another example of the same attitude, this time on a less cosmic and more humble scale, comes from the life of the warrior-poet Egil Skallagrimsson. According to his saga, toward the end of his life, one of his sons died, after the others had died before him. Such was the depth of Egil's grief that he planned to kill himself, but his surviving daughter convinced him instead to use his poetic talent to compose a memorial poem for his lost children. Egil's poem is called The Wreck Of Sons (Sonatorrek). In it, Egil bemoans his lot in life and curses Odin, his patron god, for having made him suffer so much. But Egil finds that this suffering has also carried a gift within it, for his anguish inspires him to compose better poetry than ever before. He lets loose an eloquent cry of both despair and joy, or at least contented acceptance. The final three stanzas read: I offer nothing With an eager heart To the greatest of gods, The willful Odin. But I must concede That the friend of the wise Has paid me well For all my wounds. The battle-tested Foe of the wolf Has given me A towering art, And wits to discern In those around me Who wishes well, Who wishes ill. Times are dire, Yet glad is my heart, Full of courage, Without complaint. I wait for the goddess Of dirt and of death Who stands on the headland To bear me away.

Ballads of the Black eyes (english - español) The place where more “I was never born”? Summer evenings!“ Destroying shadows of cypresses and almost always with closed eyes And a tomb of fireflies in each hand…. So transparent that God looks. The place where more "I was never born”? A human being. DW

A long time ago I lived in Lisbon,' she said, in softly slurred Portuguese that made the name of the city Leesh-boa. 'But before that, meus neto, my tribe was in the mountains where there are only old things, like the trees and the rocks and the streams. There are truths to be learned from the old things -' She hesitated, and her brown, shrunken claw closed over Pete's hand. 'Do you know the truth, Pedrinho?' ("Before I Wake...")

But the attitude that Viking society held up as the ideal one was a heroic stoicism. In the words of archaeologist Neil Price, "The outcome of our actions, our fate, is already decided and therefore does not matter. What is important is the manner of our conduct as we go to meet it." You couldn't change what was going to happen to you, but you could at least face it with honor and dignity. The best death was to go down fighting, preferably with a smile on your lips. Life is precarious by nature, but this was especially true in the Viking Age, which made this fatalism, and stoicism in the face of it, especially poignant. The model of this ideal was Odin's amassing an army in Valhalla in preparation for Ragnarok. He knew that Fenrir, "the wolf", was going to murder him one way or another. Perhaps on some level he hoped that by gathering all of the best warriors to fight alongside him, he could prevent the inevitable. But deep down he knew that his struggle was hopeless - yet he determined to struggle just the same, and to die in the most radiant blaze of glory he could muster.

But hippies always forget that old Gaea can be one heartless bitch. Spend a little time wandering lost in the woods as she attacks you and tries to reduce you to fertilizer.” She snorted. “You won’t be singing kumbayas very long.” She paused to make sure Janus would get the point. “In this world, Gaea’s the predator and we’re the prey.

Black magic, the magic of the primeval chaos, blots out or transmogrifies the true form of things. At the stroke of twelve the princess must flee the banquet or risk discovery in the rags of a kitchen wench; coach reverts to pumpkin. Instability lies at the heart of the world. With uncanny foresight folklore has long toyed symbolically with what the nineteenth century was to proclaim a reality - namely, that form is an illusion of the time dimension, that the magic flight of the pursued hero or heroine through frogskin and wolf coat has been, and will continue to be, the flight of all men.

Fear and superstition were not the tools of witches but rather the tools of those who persecuted them.

Christian missions to India imply that India is a land of heathens, and, therefore, stands on the same level with the Andaman or the Fiji Islands. That a country which has been recognised in all ages the world over as the mother of all religions and the cradle of civilisation should be considered as pagan, shows how much ignorance prevails in Christendom. Since the Parliament of Religions, I have been studying Christian institutions, and I have also studied the way in which the Christian ministers and the missionaries are manufactured in this country, and have learned to pity them. We must not blame them too severely, because their education is too narrow to make them broad-minded. I grant that they are good-hearted, that they are good husbands and often fathers of large families, but generally they are very ignorant, especially of the history of civilisation and of the philosophy of religion of India. Most of them do not even know the history of ancient India. We know that in this age of competition, centralisation, and monopoly, very many people are forced out of business. The English say, 'The fool of the family goes into the Church'; so that when a youth is unable to make a living, he takes to missionary work, goes to India, and helps to introduce among the Hindus the doctrines of his church, which have long since been exploded by science.

Fillingham first saw the women by the dwile flonkers. He had spent the day walking around Dover's Hill, the shallow amphitheatre where the Cotswold Olimpick Games took place and had taken, he thought, some good photographs so far. The place was heaving and he had captured some of that, he hoped; the shifting bustle as people flocked from event to event and laughed and shouted and ate and drank. The sound of cymbals and mandolins and violins and guitars filled the air about the crowd, leaping around the brightly costumed figures and the smells of roasting meat and open fires. ("The Cotswold Olimpicks")

Conversion was not a widely known phenomenon in antiquity. Pagan religions had almost nothing like it. They were polytheistic, and anyone who decided, as a pagan, to worship a new or different god was never required to relinquish any former gods or their previous patterns of worship. Pagan religions were additive, not restrictive.

He closed the pages and stuffed them back into his jacket. Keeping his eyes cast downwards as he sipped his wine, he pulled out and lit a cigarette – almost a post-coital gesture. from The Willow Lake Group by Kelly Proudfoot

Having ascended to some spiritual strength by focusing on the power of the feminine, it is no doubt tempting to wield this strength against that which triggers memories of having once been weaker.

Hillingham first saw the women by the dwile flonkers. He had spent the day walking around Dover's Hill, the shallow amphitheatre where the Cotswold Olimpick Games took place and had taken, he thought, some good photographs so far. The place was heaving and he had captured some of that, he hoped; the shifting bustle as people flocked from event to event and laughed and shouted and ate and drank. The sound of cymbals and mandolins and violins and guitars filled the air about the crowd, leaping around the brightly costumed figures and the smells of roasting meat and open fires. ("The Cotswold Olimpicks")

Having spent all of my decision-making years as a Pagan of one stripe or another, I have long found it condescending at best to assume one cannot worship the old gods or believe in magick without breaking out the leather bracers, wings, or Ye Broken Olde English.

I feel the nights stretching away thousands long behind the days till they reach the darkness where all of me is ancestor.

I have heard that Paganism is for broken people, but life cracks everyone in some way. We are a religion of healing people.

I am that which unloves me and loves; I am stricken, and I am the blow.

I looked at the pilgrims kissing the Black Stone. I was disturbed by the paganistic and ritualistic qualities of the scene. But I knew this was an ancient rite utterly distinct from the stone worshippers of centuries earlier. Muslims are very clear that only God is worthy of worship. The stone is only honored because Muhammad (PBUH) demonstrated his reverence for it by kissing it, but never worshipped it, worshipping only his Maker,,, so I found, as I would time and again in the days ahead, that in this of holiest of Islamic rites, deeply pagan rituals had survived the passage of time, persisting even after the dawn of Islam.

I cook this food with love and affection, for those I serve, I ask protection.

In the secret island the Druid shall dwell once more, and the Bard, the slave of the harp, utter the speech of the Gods.

I stared up at the black chiffon and tried to imagine my eternity. It looked very bleak. Hopefully, insanity would claim me quickly.

I have learned a great deal from other Witches, Wiccans, Odinists, Voodoo and Hoodou practitioners, Druids and many others who consider themselves Pagan. The one common thread is that every single person has been nonjudgmental. Isn't this what it's all about, acceptance? Are we not here to design our own spiritual path? --Icinia

It was highly fatalistic, but its fatalism was not one of complacency. It saw life as being ultimately doomed to tragedy, but with the opportunity for grand and noble heroism along the way. The Vikings sought to seize that opportunity, to accomplish as much as they could - and be remembered for it - despite the certainty of the grave and "the wolf." How one met one's fate, whatever that fate happened to be, was what separated honorable and worthy people from the dishonorable and the unworthy. Norse religion and mythology were thoroughly infused with this view. The gods, the "pillars" who held the cosmos together, fought for themselves and their world tirelessly and unflinchingly, even though they knew that in the end the struggle was hopeless, and that the forces Of chaos and entropy would prevail. They went out not with a whimper, but with a bang. This attitude is what made the Vikings the Vikings.

In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")

Most Christian holidays were Pagan holidays first. Christmas trees and Easter eggs have absolutely nothing to do with Jesus. They are Pagan symbols. Christianity is thinly disguised Paganism.

Maybe the moon just lost herself gazing too long at the brilliance of the sun and that’s how she got her glow. And maybe we’re made of the same mysterious sort of magic that makes us magnify and mirror whatever we look at the most.

{Stockton, a playwright who performed plays about Robert Ingersoll, gives the four moments in Ingersoll's life that shaped him, first being the death of his father, who was a reverend} Despite their opposing religious views, the old revivalist on his deathbed asked Bob to read to him from the black book clutched to his chest. Bob relented, took the book, and was surprised to discover that it wasn't the Bible. It was Plato describing the noble death of the pagan Socrates: a moving gesture of reconciliation between father and son in parting. The second event was Bob’s painful realization that his outspoken agnosticism not only invalidated his own political career but ended his brother Ebon’s career in Congress, as well. Third was the exquisite anguish of seeing his supportive wife Eva and his young daughters made to suffer for his right to speak his own mind. And fourth was the dramatic tension of having to walk out alone on public stages, in a glaring spotlight, time after time with death threats jammed in his tuxedo pocket informing him that some armed bigot in that night’s audience would see to it that he didn't leave the stage alive.

Most priests wish they were as righteous as they seem to most members of their congregations.

Mythology didn't cease to exist and be useful to Pagans when we gained digital watch technology.

Nine is the mythical number of the Germanic tribes. Documentation for the significance of the number nine is found in both myth and cult. In Odin's self-sacrifice he hung for nine nights on the windy tree (Hávamál), there are nine worlds to Nifhel (Vafprudnismal 43), Heimdallr was born to nine mothers, Freyr had to wait for nine nights for his marriage to Gerd (Skírnismál 41), and eight nights (= nine days?) was the time of betrothal given also in the Þrymskviða. Literary embellishments in the Eddas similarly used the number nine: Skaði and Njörðr lived alternately for nine days in Nóatún and in Þrymheimr; every ninth night eight equally heavy rings drip from the ring Draupnir; Menglöð has nine maidens serve her (Fjölsvinnsmál 35ff), and Ægir had as many daughters. Thor can take nine steps at Ragnarök after his battle with the Midgard serpent before he falls down dead. Sacrificial feasts lasting nine days are mentioned for both Uppsala and Lejre and at these supposedly nine victims were sacrificed each day.

So yes, I worship nature. I worship a blind Goddess. For me, she is the only worthy object of worship. She will never care that I worship her. She will never answer a single prayer. But she is always with me… shaping me as I shape her. I will struggle with her to the last gasp of my life. And in the end, in my final act of devotion, I will yield to her. - John Halstead, "I Worship the Blind Goddess

... that eternally restless, eternally unquenched desire for naked paganism, that love that is the supreme joy, that is divine serenity itself- those things are useless for you moderns, you children of reflection. That sort of love wreaks havoc on you. As soon as you wish to be natural you become normal. To you Nature seems hostile, you have turned us laughing Greek deities into demons and me into a devil. All you can do is exorcise me and curse me or else sacrifice yourselves, slaughter yourselves in bacchanalian madness at my alter. And if you ever has the courage to kiss my red lips, he then goes on a pilgrimage to Rome, barefoot and in a penitent's shirt, and expects flowers to blossom from his withered staff, while roses, violets, and myrtles sprout constantly under my feet- but their fragrance doesn't agree with you, So just stay in your northern fog and Christian incense. Let us pagans rest under the rubble, under lava. Do not dig us up. Pompeii, our villas, our baths, our temples were not built for you people! You need no gods! We freeze in your world!

The celebrations go on for many hours,' said the woman. Above her, in the sky, a firework exploded, showering multi-coloured flames across the stars. 'You can pay fealty at any time.' Another firework tore open the sky, streams of colour painting the woman's shift blue and green, throwing their shadows downwards. For a moment, the woman's shadow self moved against the shadow Fillingham, pressing to him, and then another explosion above them sent them dancing apart, wavering, their edges rimed with yellow and reds, and then the woman was moving again. ("The Cotswold Olimpicks")

The evolutionists, piercing beneath the show of momentary stability, discovered, hidden in rudimentary organs, the discarded rubbish of the past. They detected the reptile under the lifted feathers of the bird, the lost terrestrial limbs dwindling beneath the blubber of the giant cetaceans. They saw life rushing outward from an unknown center, just as today the astronomer senses the galaxies fleeing into the infinity of darkness. As the spinning galactic clouds hurl stars and worlds across the night, so life, equally impelled by the centrifugal powers lurking in the germ cell, scatters the splintered radiance of consciousness and sends it prowling and contending through the thickets of the world.

…stand at the foot of a mountain and you may be impressed by how much greater it is than you in degree, how alien it is from you in kind. Climb that mountain and confront limits of endurance beyond which you thought yourself incapable, feel the relation between yourself and the mountain’s flora and fauna as part of one interdependent ecosystem, and discover how the experience of the mountain becomes part of you and changes who you are—then you may draw close to something like transcendence.” - B. T. Newberg

The pagan gods are not dead, but can return to topple science with superstition and modern man with bestial pleasures that pre-date civilisation.

That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?

The trees were tinted exquisitely to an uncertain glory as the great red sinking sun flashed its rays on their crystal mantle. The vale of Aylesbury was drowsing beneath a slowly deepening shroud of mist. Above it the hills, their crests rounded and shaded by silver and rose coppices, seemed to have set in them great smoky eyes of flame where the last rays burned in them. 'It is like some dream world,' thought Mr. Cort. 'It is curious how, wherever the sun strikes, it seems to make an eye, and each one fixed on me; those hills, even those windows. But, judging from that mist, I shall have a slow journey home... ("Blind Man's Bluff")

The other sources, even when they mention Hel, rarely describe it. But when they do, it's cast in neutral or even positive terms. For example, the mention that the land of the dead is "green and beautiful" in Ibn Fadlan's account is mirrored in a passage from Saxo (The medieval Danish historian, as you likely recall). In Saxo's telling of the story of Hadding, the hero travels to the "Underworld" and finds a "fair land where green herbs grow when it is winter on earth." His companion even beheads a rooster just outside of that land and flings its carcass over the wall, at which point the bird cries out and comes back to life - a feat which is highly reminiscent of another detail from Ibn Fadlan, namely the beheading of a rooster and a hen whose bodies are then tossed into the dead man's boat shortly before it's set aflame. In both cases, the emphasis is on abundant life in the world of the dead, even when death and absence prevail on earth.

The Goddess has a fourth face. It is secret, and you should prey, as I do, as I do Igraine, that Morgause will never wear that face.