Best 27 quotes of Paul Harding on MyQuotes

And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it.

Contrary to all those times you've heard a writer confess at a reading that he writes fiction because he is a pathological liar, fiction writing is all about telling the truth.

Don't confine truth to fact. Imaginative truth is as powerful, and often enough, more so than fact.

He smelled cold water and cold intrepid green. Those early flowers smelled like cold water. Their fragrance was not the still perfume of high summer; it was the smell of cold, raw green.

I was just delighted to be a legitimate, for-real published author.

I was ravenous for my child and took to gorging myself in the boneyard, hoping that she might possibly meet me halfway, or just beyond, one night, if only for an instant—step back into her own bare feet, onto the wet grass or fallen leaves or snowy ground of the living Enon, so that we could share just one last human word.

I worry that if whatever pops into your head at any instant immediately goes online, you lose the crucial time for your thoughts to simmer and evolve and build up nuance, depth and empathy.

Light changes, our eyes blink and see the world from the slightest difference of perspective and our place in it has changed.

There is my father whispering in my ear, Be still still still. And yet you change everything. What was the marsh like, waiting for the storm before you came and kneeled in the water? It was nothing. Watch after you leave the water, now cold and regretful, miles from home, certain of the belt on your backside, the cold shoulder, the extra chores; watch. Watch the water heal itself of your presence--not to repair injury but to offer itself again should you care to risk another strapping [...].

What an awful thing then, being there in our house together with our daughter gone, trying to be equal to so many sudden orders of sorrow, any one of which alone would have wrenched us from our fragile orbits around each other.

What of miniature boats constructed of birch bark and fallen leaves, launched onto cold water clear as air? How many fleets were pushed out toward the middles of ponds or sent down autumn brooks, holding treasures of acorns, or black feathers, or a puzzled mantis? Let those grassy crafts be listed alongside the iron hulls that cleave the sea, for they are all improvisations built from the daydreams of men, and all will perish, whether from the ocean siege or October breeze.

When his grandchildren had been little, they had asked if they could hide inside the clock. Now he wanted to gather them and open himself up and hide them among his ribs and faintly ticking heart.

Who was the greatest business man ever. . . The greatest salesman? Advertiser? Who? . . . It was Jesus. . . Jesus was the founder of modern business. . . he picked up twelve men from the bottom ranks of business and forged them into an organization that conquered the world!

And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your souls means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it.

[B]e comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.

But a huge part of being a writer is discovering your own intellectual and aesthetic autonomy, and how you best get the best words onto the page.

But it's a curse, a condemnation, like an act of provocation, to have been aroused from not being, to have been conjured up from a clot of dirt and hay and lit on fire and sent stumbling among the rocks and bones of this ruthless earth to weep and worry and wreak havoc and ponder little more than the impending return to oblivion, to invent hopes that are as elaborate as they are fraudulent and poorly constructed, and that burn off the moment they are dedicated, if not before, and are at best only true as we invent them for ourselves or tell them to others, around a fire, in a hovel, while we all freeze or starve or plot or contemplate treachery or betrayal or murder or despair of love, or make daughters and elaborately rejoice in them so that when they are cut down even more despair can be wrung from our hearts, which prove only to have been made for the purpose of being broken. And worse still, because broken hearts continue beating.

Everything is made to perish; the wonder of anything at all is that it has not already done so. No, he thought. The wonder of anything is that it was made in the first place. What persists beyond this cataclysm of making and unmaking?

He smelled cold water and cold intrepid green. Those early flowers smelled like cold water. Their fragrence was not the still perfume of high summer; it was the smell of cold, raw green.

Perhaps, Howard thought, the curtains and murals and pastel angels are a mercy, a dim reflection of things fit for the fragility of human beings.

That she made a point to eat only the gristliest chicken bits, the burned biscuits, the mealiest potatoes, while she complained that his children were, variously, weak-minded, hysterical or sickly, and seemed to imply that such afflictions were the result of the lack of a good piece of steak or a new bonnet, was only circumstance; were she installed on a throne at a twelve-course banquet table teaming with all of God's creatures brought from both air and field, trussed and roasted and swimming in their own succulent juices, she would heap her plate with the most exquisite victuals and lament that his feeble offspring were the way they were because they had it too well and what they really needed was a vat of cold porridge and a tureen full of dirt.

The flowers must have been the latest generation of perennials, whose ancestors were first planted by a woman who lived in the ruins when the ruins were a raw, unpainted house inhabited by herself and a smoky, serious husband and perhaps a pair or silent, serious daughters, and the flowers were an act of resistance against the raw, bare lot with its raw house sticking up from the raw earth like an act of sheer, inevitable, necessary madness because human beings have to live somewhere and in something and here is just as outrageous as there because in either place (in any place) it seems like an interruption, an intrusion on something that, no matter how many times she read in her Bible, Let them have dominion, seemed marred, dispelled, vanquished once people arrived with their catastrophic voices and saws and plows and began to sing and hammer and carve and erect. So the flowers were maybe a balm or, if not a balm, some sort of gesture signifying the balm she would apply were it in her power to offer redress.

The interlocking network of stalks and branches and creepers was skeletal, the fossil yard of an extinct species of fineboned insectoid creatures. all of these bones, then, seemed to have been stained by sun and earth from an original living white to brown, and not the tough fibrous flower and seed-spilling green they actually once had been. Howard wondered about a man who had never seen summer, a winter man, examining the weeds and making this inference -- that he was looking at an ossuary. the man would take that as true and base his ideas of the world on that mistake.

The person contained hundreds of years, but they overlapped, as if the person experienced any number of times at once. I was just thinking, the person said in a silvery voice, I was just thinking that I am not very many years old, but that I am a century wide. I think that I have my literal age but am surrounded in a radius of years. I think that these years of days, this near century of years, is a gift from you. Thank you.

This is a book. It is a book I found in a box. I found the box in the attic. The box was in the attic, under the eaves. The attic was hot and still. The air was stale with dust. The dust was from old pictures and books. The dust in the air was made up of the book I found. I breathed the book before I saw it; tasted the book before I read it.

...why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simply even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this.

Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn't it? And as you split the frost-laced wood with numb hands, rejoice that your uncertainty is God's will and His grace toward you that that is beautiful, and a part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.