Best 11 quotes of Catherine Brady on MyQuotes

Chekhov used to correspond with aspiring writers, and once he gave this advice to Maxim Gorky when he was encouraging him to pare his wordy sentences: "When someone expends the least amount of motion on a given action, that's grace." The short story, by definition, embodies this notion of grace, because it requires such forceful compression to achieve its effects.

For me, what's compelling about sexuality is the way that desire transforms what we take in through our senses, the ways in which our bodies betray us or rescue us by insisting on their own non-negotiable truths. Anything but frank or pragmatic.

If you cross-section anyone's life from one angle and then another, what constitutes goodness looks different each time. It's not an absolute.

I have to trick myself into writing a story - impose some arbitrary constraint to distract me from the constraints of my past habits or my fear that I don't have much to say.

I love the way a story's ending can force you to read backwards. It's as if you are slowly adjusting a kaleidoscope until a random scattering of colored crystals suddenly falls into a beautiful symmetrical pattern.

I think it's very hard to be sexually explicit and erotic - though there are writers, like K. M. Soehnlein, who are just brilliant at this.

I wanted to let form lead my thinking, and repetition always confronts you with the interesting problem of how to break out of a cycle that seems so deterministic, which was germane to the story's concerns.

My Irish Catholic mother loved romantic movies, provided they ended with a kiss before the screen went dark. If things went any further than that, she'd complain, Why can't they leave something to the imagination? I sort of subscribe to her philosophy when it comes to writing sex.

What I've found as I have kept writing stories is that more and more your way is barred. I feel really choked by what I already know how to do, by the fact that my obsessions nearly always mount a sneak attack, so that I find myself writing another version of the same thing.

When you write, you're supposed to go stand somewhere else for a while, see things from a perspective that's not in line with your own reflexive truths.

You have to be able to play: this is spontaneous interaction, and it flexes all the creative muscles you need as a writer. And empathy is one of those muscles.