Best 13 quotes of Lisel Mueller on MyQuotes

Everything is autobiography, even if one writes something that is totally objective. The fact that it's a subject that seizes you makes it autobiographical.

How swiftly the strained honey of afternoon light flows into darkness and the closed bud shrugs off its special mystery in order to break into blossom: as if what exists, exists so that it can be lost and become precious

I am imprinted with the whole sense of European history, especially German history, going back to World War I, which really destroyed all the old values and culture. My grandparents had been reasonably well-off but they became quite poor, living in an attic apartment.

I want to celebrate these elms which have been spared by the plague, these survivors of a once flourishing tribe commemorated by all the Elm Streets in America. But to celebrate them is to be silent about the people who sit and sleep underneath them, the homeless poor who are hauled away by the city like trash, except it has no place to dump them. To speak of one thing is to suppress another.

What luxury, to be so happy that we can grieve over imaginary lives.

When I am asked how I began writing poems, I talk about the indifference of nature.

at home the bookshelves connected heaven and earth.

. . .because we had survived sisters and brothers, daughters and sons, we discovered bones that rose from the dark earth and sang as white birds in the trees Because the story of our life becomes our life Because each of us tells the same story but tells it differently and none of us tells it the same way twice . . (from, Why We Tell Stories)

Heartland Now that we’ve given our hearts away With the bric-a-brac, we want them back. Now we look for them secondhand, Someone else’s, in the old songs, The slowly unfolding novels We never had time for. Hearts That taught themselves to fly; …overstuffed hearts, still leaking Downy secrets like feathers. We want someone to say, ‘I give you my heart’, meaning, ‘Summer and winter’, meaning ‘All my time in the this world’…

Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back.

Tears The first woman who ever wept was appalled at what stung her eyes and ran down her cheeks. Saltwater. Seawater. How was it possible? Hadn't she and the man spent many days moving upland to where the grass flourished, where the stream quenched their thirst with sweet water? How could she have carried these sea drops as if they were precious seeds; where could she have stowed them? She looked at the watchful gazelles and the heavy-lidded frogs; she looked at glass-eyed birds and nervous, black-eyed mice. None of them wept, not even the fish that dripped in her hands when she caught them. Not even the man. Only she carried the sea inside her body.

Why We Tell Stories I Because we used to have leaves and on damp days our muscles feel a tug, painful now, from when roots pulled us into the ground and because our children believe they can fly, an instinct retained from when the bones in our arms were shaped like zithers and broke neatly under their feathers and because before we had lungs we knew how far it was to the bottom as we floated open-eyed like painted scarves through the scenery of dreams, and because we awakened and learned to speak

Now in the thriving season of love when the bud relents into flower, your love turned absence has turned once more, and if my comforts fall soft as rain on her flutters, it is because love grows by what it remembers of love