Best 16 quotes of Deborah Lawrenson on MyQuotes

I marveled at how they were all closed up, asleep with their secrets unseen until you reached up and took the book down from the shelf.

It is what it is. Either walk on, or accept.

We are so many different people in one lifetime.

After her sister's visit, Marthe's head was brimming with new pictures: the fields of lavender at Valensole, all the subtle grades of blue and purple; the way twilight melted them all into one; the precise hues of the liquid distilled from each plant, the shape and color of the bottles, and a new understanding of the surroundings where she was learning her craft. Just as plant variations were bred together to crete new hybrids- like the lavandin from the delicate wild lavender- this was what she did with the descriptions her sister had supplied; she grafted them on to the sights she remembered from childhood and reinvigorated them.

And you can still see the sea!" She wanted to swim there, immediately- she had a childlike urge of excitement at the sight of water so clear the rocks at the foot of the cliffs looked like clumps of turquoise flowers growing on the seabed.

At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender. The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop. "This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn." Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.

Blonde hair and blue eyes," she repeated. "The lavender fairy." "Now, hang on a minute!" "Just like the lavender fairy has. There's an old story about the beautiful fairy called Lavandula who was born in the wild lavender of the Lure mountain. She grew up and began to wander further from the mountain, looking for somewhere special to make her home. One day she came across the stony, uncultivated landscapes of Haute Provence, and the pitiful sight made her so sad she cried hot tears- hot mauve tears that fell into the ground and stained it. And that is where, ever afterwards, the lavender of her birthplace began to grow.

Dark rocks stood waiting to be sculpted by the wind. Tiny seeds rode the air, waiting to fall and take root. Under the sea, corals formed and pearls hardened. Sap rose and juices fed along the vines. White trumpets flowered, and mandarins and lemons shone like drops in fragrant groves.

Eau-de-vie- flavored with myrtle," said the old woman. "Try it!" She watched intently as Ellie raised the glass to her lips. "Myrtle from the garden. I steep the berries with honey in the local firewater, but the secret ingredient is the flower, added for the final day. Such a pretty white flower it is, drowned in purple for just one day." The liqueur tasted of stewed plums. Not unpleasant, but very strong.

I have heard it said that a happy childhood is a curse, because what follows can never measure up. All I can say is, those people must want too much; they can't accept that life is a series of struggles and that happiness can be found in overcoming them, drawing strength from the reserves laid down in the good years.

I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older. "But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling." The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.

Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.

The flat area immediately below was broken up into a formal pattern of beds containing oleander and more clipped clouds of box, a southern imitation of the grand parterres of aristocratic chateaux. A rose garden beyond was the first in a series of gardens created on descending levels, apparently linked by a magnificently overgrown wisteria. Dense lines of cypress hid any farther areas from view, including the memorial garden that was her special brief. As a whole, the garden was charming, luxuriant, but- from a professional point of view- dilapidated.

The pictures she drew on were vibrant as ever, though. The crumbling stone farmstead overlooking the great Luberon valley where she was born. The blending room of the distillery in Manosque where she had experienced a kind of rebirth, beginning the transformation into the woman she was now. Scent was memory, and memory a complex blend of scent and emotion: the perfect flowers of the lavender hills, like millions of mauve butterflies fluttering on stalks; the violet; the heliotrope of home, with its heart of sweet almond and cherry vanilla. She mixed them all into her signature fragrance Lavande de Nuit, along with a breath of civet musk and a haunting trace of smoke.

The sunlight could not quite dispel the difference in atmosphere now that she had seen the interior of the garden. It was as if a dark underside had been revealed that changed the cast of the whole property. But the whimsy of it, the way the eye was drawn down through every vista, the inventiveness, the fairy-tale quality, the melancholy of the lost gardens- it all excited her.

Through the rose garden, the path ran straight ahead to the mass of mauve wisteria, now past its best. At ground level, Ellie could see now that it formed a tunnel leading deeper into the garden, gnarled trunks growing over a long wooden frame that was rotten in places. At the end was a green space the size of a large room, walled by a hedge of clipped myrtle. From all sides white trumpets of datura hung down, smelling faintly of coffee. "I've never seen such a display," said Ellie. "My mother planted them many years ago. Moonflowers." "Also known as devil's trumpet." "Angel's trumpet, too. Or so she told me.