Best 15 quotes of Kate Lattey on MyQuotes

Kate Lattey

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    Kate Lattey

    Alec is sitting deep in the saddle, holding the mare firmly between hand and leg, not letting her get away from him. After a couple of quick circles, she steadies her stride and gets into a proper rhythm, moving with ease and grace across the turf, turning easily and responding to Alec’s light aids. There’s not much muscle on her light frame, her neck is thin and held high, giving a slightly giraffe-like impression, and her unease shows in the slight roll of her eye. But I can see now, so easily, the pony she could be. I can imagine myself cantering her into the ring, her copper coat glistening in the sun and neatly pulled mane ruffling in the light breeze, her slender legs dancing across the grassy turf. I can feel my own legs against her sides, the thickness of rubber reins taut between my fingers. I hear the sound of the jostling crowd and know that all eyes are on us as we canter around the ring. We hold their attention and admiration as they watch us jump easily over the highest obstacles. In my mind, the chestnut pony’s neck is arched, tail proudly aloft, her dark eyes bright and full of life and enthusiasm.

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    Kate Lattey

    Because that saying about sticks and stones is a pack of lies. Unkind words hurt more than anything else. You end up carrying them around in your head, wondering if they’re true. Bruises fade, but self-doubt follows you forever.

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    Kate Lattey

    Dawn is breaking, sending pale fingers of cold light across the hills that surround the Harrisons’ farmyard. Jess is being difficult, rearing and trying to bolt away from the truck, and we’ve been at it for some time when Liam comes out of the house and sees our predicament. He marches across the yard, picks up a piece of cut-off hosepipe and walks up behind the pony. I see the look on Alec’s face as his dad approaches, and he’s not happy. Liam tells his son to “walk her up” and then cracks the mare around the rump with the piece of pipe when she plants her feet. The sound of the pipe hitting the pony echoes across the hills and rings in my ears. Jess starts to rear but earns another whack around the backside, so scrambles up the ramp and stands trembling in the truck. Alec quickly ties her up, his expression unreadable.

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    Kate Lattey

    Everyone's pain is relative. We've learned how to deal with grief, because we've had to. But Bree hasn't. And our grief was shared, because we all felt it at the same time. She had to deal with hers alone.

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    Kate Lattey

    Goodbye," she told him, running her hand across his broad back one last time. "I love you. And I'll never, ever stop missing you.

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    Kate Lattey

    I clung to the dream like a lifeline, the only thing worth keeping going for. That was why I had agreed to come here. I'd always said I would sell my soul for a pony of my own.

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    Kate Lattey

    I think you're wrong." "Well I think you're naive," Hayley snapped. "Maybe," Marley conceded, starting to walk away. "But I'd rather be that than a bully like you.

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    Kate Lattey

    It’s a beautiful morning that’s promising to be stinking hot by the afternoon. We ride the ponies down to the warm-up ring, surrounded by horses and ponies of all shapes and sizes, Alec calling out greetings to people he knows. I love everything about the atmosphere of a horse show. The smell of crushed grass, the drum of hoofbeats across the ground, the clatter of the poles coming down, the scattered applause from spectators.

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    Kate Lattey

    Never tell her that something is impossible, because she'll kill herself proving you wrong.

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    Kate Lattey

    Real is...just being you. It's not letting yourself be defined by other people's opinions of you, of who they think you are, or what they expect you to be. It's refusing to let them squash you into the box they've built for you, and just being yourself, no matter what anyone else thinks. Because you're never going to matter to everyone, just like everyone's never going to matter to you. So you choose the people whose opinions you care about, and you be real for them.

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    Kate Lattey

    She'd missed the way he walked, the way he shoved his hands into his pockets when he was nervous, the way his dark hair fell into his mismatched eyes. The way a smile would flicker across his face before he committed to it, the way he looked at her like she was the only person in the world.

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    Kate Lattey

    The fleabitten grey mare's short legs are slightly over at the knee, she has a Roman nose and a neck of solid muscle well-practiced at pulling her rider out of the saddle. Her head is up and a layer of sweat darkens her pale shoulders, but Alec’s holding his reins tight and he’s maintaining control. All the riders who have gone before on beautifully turned out, well-schooled ponies were merely passengers as their ponies jumped. Alec has harnessed the raw talent of his mare, her power barely held in check as the bell rings and he canters her around towards the first jump. Jess strains against the martingale as she charges towards the first fence and with one strong push off her hocks, flies over the jump with her knees tucked into her chest.

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    Kate Lattey

    The future hovered in front of her, and she rode Cruise towards it, her hands steady on the reins and her head among the clouds.

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    Kate Lattey

    The pony is mad. She can go from a relaxed walk to a flat out gallop in seconds if something spooks her, and she won’t stop until she practically crashes into something. I’ve seen her buck, rear and spin around in circles. She’s completely unpredictable and I don’t even trust her on the ground. As far as I’m concerned, Alec’s welcome to her, and he relishes the challenge. For some reason, he loves that pony most of all. Perhaps it’s because no-one else would give her a chance, that they’d written her off as crazy, mean, dangerous. Alec admires her independent spirit, I think, and maybe he likes that she still has that strength of spirit, that she still challenges him every time he rides her. He can’t completely dominate her, and he doesn’t try. He wants a partnership with her. And slowly, slowly, his father is taking that away from him, bullying the mare and his son at the same time, seeking to fit them into the same mould, the only one he knows. The strong succeed while the weak fall behind.

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    Kate Lattey

    You push people away, Marley. You don't realise it, but you do. You close yourself off to anyone and anything that doesn't fit in your perfect little hamster ball of life. But you can't experience love only on your own terms. It doesn't work that way.