Best 19 quotes of Eowyn Ivey on MyQuotes

A boy trying out a man's language.

...and she would wonder if one can truly stop the inevitable. Was it as Ada had suggested, that we can choose our own endings, joy over sorrow? Or does the cruel world just give and take, give and take, while we flounder through the wilderness?

And then there is this: Does not love depend on some belief in the future, some expectation beyond the delight of the moment? We fall in love because we imagine a certain life together. We will marry. WE will laugh and dance together. We will have children. When expectation falls to ruins, what is there left for love?

He stood there a moment, listened to the creek, and let the mountain air blow against his face. Even with all this heartache, it was beautiful here.

I am left to wonder, will anyone else see it? That day in the forest when I looked upon the marble bear, alive with the setting sun, what did I witness? Was it only sunlight on stone, or Father's spirit, or a reflection of my own? It seems to me now that such a moment requires a kind of trinity: you and I and the thing itself.

I have been thinking of light, the way it collected in the rain drops that morning I was so full of joy, and the way it shifts and moves in unexpected ways, so that at times this cabin is dark and cool and the next filled with golden warmth. Father spoke of a light that is older than the stars, a divine light that is fleeting yet always present if only one could recognize it. It pours in and out of the souls of the living and dead, gathers in the quiet places in the forest, and on occasion, might reveal itself in the rarest of true art. The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet be believed he had failed in his own. I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades. He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seems poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself. I had no doubt of what I was witnessing -- this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were resonating in sympathy to that pure sound. So it was within me. Shall I allow myself to believe in an immortal soul? If so, then I am certain it was Father's spirit that gathered with the divine light of the world and radiated from that finely carved marble. He always looked to his angels and gods and his Pietà. He never thought to look so near.

It was as if she had reached into her own pocket and discovered a small pebble, as hard as a diamond, that she had forgotten belonged to her.

It was the kind of snow that brought children running out their doors, made them turn their faces skyward, and spin in circles with their arms outstretched.

Now that I have been brought home by carriage and climbed into my bed, my fury has burned out, and I am left cold and tired. Why do we insist on inflicting more suffering on a world that is already fraught with it? It is here that I must part ways with Father's romantic spirit, for I suspect that it is a curse of nature, some original instinct that we have failed to shed. And I am no better than others, for in the face of it, I would keep quiet and retreat.

She told no one of the otter. Garrett would want to trap it; Faina would ask her to draw it. She refused to confine it by any means because, in some strange way, she knew it was her heart. Living, twisting muscle beneath bristly damp fur. Breaking through thin ice, splashing in cold creek water, sliding belly-down across snow. Joyful, though it should have known better.

The days diminished. Light lasted just six hours, and it was a feeble light. Mabel organized her hours into patterns - wash, mend, cook, wash, mend, cook - and tried not to imagine floating beneath the ice like a yellow leaf.

The exact science of one molecule transformed into another -- that Mabel could not explain, but then again she couldn't explain how a fetus formed in the womb, cells becoming beating heart and hoping soul. She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable?

Then he returned to Mabel and put his mouth to her ear. I'd never let anything happen to you. You know that, don't you?

There's been a lot to get used to here." Esther laughed. "Isn't that the truth. I don't know if you ever get used to it really. It just gets in your blood so that you can't stand to be anywhere else.

What is it that causes us to fall in love? We are met with those first, initial glimpses-- a kind of curiosity, a longing for that which is both familiar and unknown in the other. And then comes the surprise of discovery; we share certain aspirations, certain appreciations, and that which is different excites us. Before each other, we are moved to bravery and we come to reveal more and more of ourselves, and when we do, those very traits that caused us some embarrassment or shame become beautiful in ways we did not understand before, and the entire world becomes more beautiful for it. There are, too, those intimate and nearly primitive stirrings, the scent of the neck, the delicious tremble of skin and breath. Yet for all their pleasures, they are as tenuous as light and air, and demand no fidelity. And then there is this: Does not love depend on some belief in the future, some expectation beyond the delight of the moment? We fall in love because we imagine a certain life together. We will marry. We will laugh and dance together. We will have children. When expectation falls to ruins, what is there left for love?

Who am I to claim such boundless sorrow? This heartache, acute and true as it may be, is slight compared to all of this world. Five miscarriages, two stillborn, three live births, and Mrs. Connor is one of our fortunate. She is not disemboweled in the snow. Her hands have committed no atrocities. She believes in God. It is remarkable how we go on. All that we come to know and witness and endure, yet our hearts keep beating, our faith persists.

Why was it always the woman's fate to pace and fret and wait?

With each prying question, the child took another step back. We're going to lose her, he wanted to tell Mabel. Jack wasn't one to believe in fairy-tale maidens made of snow. Yet Faina was extraordinary. Vast mountain ranges and unending wilderness, sky and ice. You couldn't hold her too close or know her mind. Perhaps it was so with all children. Certainly he and Mabel hadn't formed into the molds their parents had set for them.

You did not have to understand miracles to believe in them, and in fact Mabel had begun to suspect the opposite. To believe, perhaps you had to cease looking for explanations and instead hold the little thing in your hands as long as you were able before it slipped like water between your fingers.