Best 776 quotes in «chinese quotes» category

I pass the bakery on the corner, the smells hitting me before I reach the shop itself. They are thick and sweet. Cars are double-parked down our street, locals dashing from the passenger doors to pick up their breakfast. A long queue snakes from the entrance. Inside there are piles of pork buns, slices of dark honey cake, rolls topped with pork floss, bread with ham laid on top and stuck fast with melted cheese. It is a different smell from bakeries back home. I tried a loaf of bread once, but the slices are thin and sugary.

It is fundamental to both Taoist and Confucian thought that the natural man is to be trusted, and from their standpoint it appears that the Western mistrust of human nature-whether theological or technological-is a kind of schizophrenia. It would be impossible, in their view, to believe oneself innately evil without discrediting the very belief, since all the notions of a perverted mind would be perverted notions.

I was always crazy about any Chinese takeout since everything on those long menus is so tempting, but when the craving really hit, the folks at Panda Delight over on Richmond almost knew without asking to pack me up an order of wings, a couple of egg rolls, shrimp dumplings, pork fried rice, and the best General Tso's chicken this side of Hong Kong. When my friend at the shelter, Eileen Silvers, got married at Temple Beth Yeshurum, I had a field day over the roast turkey and lamb and rice and baked salmon and jelly cakes on the reception buffet, and when me and Lyman would go out to Pancho's Cantina for Mexican, nothing would do but to follow up margaritas and a bowl of chunky guacamole and a platter of beef fajitas with a full order of pork carnitas and a few green chile sausages. And don't even ask about the barbecue and links and jalapeño cheese bread and pecan pie at Tinhorn BBQ. Just the thought still makes me drool.

Isaiah and Beth sit on the bed and munch on a shared container of pepper steak. “Stop bogarting the rice.” Isaiah moves some of the pile from Beth’s side of the container, and she darts her fork as if to stab him, but he quickly snatches his hand back. “You got the egg roll,” exclaims Beth. “I get the rice. That’s how stuff works between us, so stop messing with the system.

Look at the truth from how it stands, not where it comes from. The truth is still the truth no matter whether it is spoken by an Indian, an American, a Chinese, an European, an African or an Australian!

LONG YEARNING Long yearning, To be in Chang'an. The grasshoppers weave their autumn song by the golden railing of the well; Frost coalesces on my bamboo mat, changing its colour with cold. My lonely lamp is not bright, I’d like to end these thoughts; I roll back the hanging, gaze at the moon, and long sigh in vain. The beautiful person's like a flower beyond the edge of the clouds. Above is the black night of heaven's height; Below is the green water billowing on. The sky is long, the road is far, bitter flies my spirit; The spirit I dream can't get through, the mountain pass is hard. Long yearning, Breaks my heart.

MARBLE STEPS COMPLAINT White dew grows on the marble steps, And in the long night, soaks into my stockings. But now I let the crystal curtain down, And gaze through it at the autumn moon.

Merrick and I had both had tattoos, my magpie and his elephant and castle, imposed on us as…it’s a long story. A reward, or apology, or both, from the Dragon Head, or grand master, of one of the larger criminal organisations in China after we accidentally saved his son’s life.” “Accidentally?” “It’s a VERY long story.

MIDNIGHT SONG OF WU In Chang'an city is the disk of the moon, The sound of pounding clothes in ten thousand households. The autumn wind is blowing without cease, All the time I think of Yuguan pass. When will we pacify the pillaging Hu, So my husband can end his long journey?

Love is simple, if you allow it to be simple." Julian to Hannah, Take A Chance

My little donkey, if I hadn't shown up, your fate would have been sealed. Love has saved you. Is there anything else that could erase the innate fears of a donkey and send him to rescue you from certain death? No. That is the only one. With a call to arms, I, Ximen Donkey, charged down the ridge and headed straight for the wolf that was tailing my beloved. My hooves kicked up sand and dust as I raced down from my commanding position; no wolf, not even a tiger, could have avoided the spearhead aimed at it. It saw me too late to move out of the way, and I thudded into it, sending it head over heels. Then I turned around and said to my donkey, "Do not fear my dear, I am here!

NIGHT SNOW I was surprised my quilt and pillow were cold, I see that now the window's bright again. Deep in the night, I know the snow is thick, I sometimes hear the sound as bamboo snaps.

NOSTALGIA When I was a child, Nostalgia was a tiny postage stamp, I, on this side, My mother, on the other. When I was older, Nostalgia became a ship ticket, I, on this side, My bride, on the other. Later, Nostalgia was a squat tomb, I, outside. My mother, inside. And now, Nostalgia is a coastline, a shallow strait. I, on this side, The mainland, on the other.

Ode to Love Lin Huiyin I think you are the April of this world, Sure, you are the April of this world. Your laughter has lit up all the wind, So gently mingling with the spring. You are the clouds in early spring, The dusk wind blows up and down. And the stars blink now and then, Fine rain drops down amid the flowers. So gentle and graceful, You are crowned with garlands. So sublime and innocent, You are a full moon over each evening. The snow melts, with that light yellow, You look like the first budding green. You are the soft joy of white lotus Rising up in your fancy dreamland. You’re the blooming flowers over the trees, You’re a swallow twittering between the beams; Full of love, full of warm hope, You are the spring of this world!

Okay. I’m not a white male. At least, not predominantly so. And as I mentioned before, I’m in an environment right now where race is really important. See, Chinese men are not that physically intimidating. We’re not that tall. We’re not that built. We have exactly one thing going for us in a fight — that our opponent recognizes that there’s a possibility, no matter how remote, that we might know kung-fu.

Once when I was young-maybe more than once-when I was extremely disrespectful to my mother, my father angrily called me "garbage" in our native Hokkien dialect. It worked really well. I felt terrible and deeply ashamed of what I had done. But it didn't damage my self esteem or anything like that. I knew exactly how highly he thought of me. I didn't actually think I was worthless or feel like a piece of garbage. As an adult, I once did the same thing to Sophie, calling her garbage in English when she acted extremely disrespectful toward me. When I mentioned I had done this at a dinner party, I was immediately ostracized. One guest named Marcy got so upset she broke down in tears and had to leave early. My friend Susan, the host, tried to rehabilitate me with the remaining guests. "Oh dear, it's just a misunderstanding. Amy was speaking metaphorically-right, Amy? you didn't actually call Sophie 'garbage.'" "Um, yes I did. But it's all in the context," I tried to explain. "It's a Chinese immigrant thing.

No matter what else people may steal from you, they will never be able to take away your knowledge.

PEACH BLOSSOM AT DALIN TEMPLE Across the world this June, the petals all have fallen, But the mountain temple's peach blossom has just begun to bloom. I regretted so much that spring had gone without a trace, I didn't know that it had only moved up here.

Perhaps the god who had made the Cat People intended them as a joke. They had schools, but no education; politicians but no government; people, but no personal integrity; faces, but no concept of face. One had to admit that their god had gone a little too far with his little joke.

QUESTION AND ANSWER ON THE MOUNTAIN You ask for what reason I stay on the green mountain, I smile, but do not answer, my heart is at leisure. Peach blossom is carried far off by flowing water, Apart, I have heaven and earth in the human world.

READING LAOZI Those who speak do not know, those who know are silent, I heard this saying from the old gentleman. If the old gentleman was one who knew the way, Why did he feel able to write five thousand words?

SENT TO DU FU BELOW SHAQUI CITY What is it that I've come to now? High before me: Shaqiu city. Beside the city, ancient trees; The sunset joins the autumn sounds. The Lu wine cannot make me drunk, Qi's songs cannot restore my feelings. My thoughts of you are like the Wen's waters, Mightily sent on their southern journey.

LOOKING OUT TO SEA, WARMED BY THE SPRING AIR Starting tomorrow, I’ll be carefree and happy Feeding my horse, chopping firewood, roaming the world Starting tomorrow, I’ll need nothing but rice and a few vegetables In my house by the sea, warmed by the spring air.

Only on a few occasions had I ever been comfortable showing my body off, and now here I was, taking a job where Asian boobs and ass ran free.

Only those who have tasted the bitterest of the bitter can become people who stand out among others. -Guanchang Xianxing Ji

QUIET NIGHT THOUGHT Before my bed the moonlight glitters, Like frost upon the ground. I look up to the mountain moon, Look down and think of home.

REGRET FOR PEONY FLOWERS I'm saddened by the peonies before the steps, so red, As evening came I found that only two remained. Once morning's winds have blown, they surely won't survive, At night I gaze by lamplight, to cherish the fading red.

REMEMBERING SOUTH OF THE RIVER South of the river is good, Long ago, I knew the landscape well. At sunrise, the river's flowers are red like fire, In spring, the river's water's green as lilies. How could I not remember south of the river?

RETURNING LATE ON THE ROAD FROM PINGQUAN ON WINTER’S DAY The mountain road is hard to travel, the sun now slanting down, In a misty village, a crow lands on a frosted tree. I'll not arrive before night falls, but that should not concern me, Once I've drunk three warm cups, I'll feel as if at home.

SEEING OFF A FRIEND Green hills above the northern wall, White water winding east of the city. On this spot our single act of parting, The lonely tumbleweed journeys ten thousand li. Drifting clouds echo the traveller's thoughts, The setting sun reflects my old friend's feelings. You wave your hand and set off from this place, Your horse whinnies as it leaves.

SEEING OFF MENF HAORAN FOR GUANLING AT YELLOW CRANE TOWER My old friend's said goodbye to the west, here at Yellow Crane Tower, In the third month's cloud of willow blossoms, he's going down to Yangzhou. The lonely sail is a distant shadow, on the edge of a blue emptiness, All I see is the Yangtze River flow to the far horizon.

SITTING ALONE ON JINGTING SHAN HILL A flock of birds is flying high in the distance, A lonely cloud drifts idly on its own. We gaze at each other, neither growing tired, There is only Jingting Shan.

SONG OF THE PALACE Her handkerchief all soaked in tears, she cannot dream, In deepest night before the palace voices sing. Her rosy cheeks aren't old, but first love has been cut, Leaning, wreathed in smoke, she sits until the dawn.

SLEEPING ON A NIGHT OF AUTUMN RAIN It's cold this night in autumn's third month, Peacefully within, a lone old man. He lies down late, the lamp already gone out, And beautifully sleeps amid the sound of rain. The ash inside the vessel still warm from the fire, Its fragrance increases the warmth of quilt and covers. When dawn comes, clear and cold, he does not rise, The red frosted leaves cover the steps.

Shelves full of books are all around me. Opening the different volumes I take a look, and find the pages covered with writings in unknown scripts — tadpole traces, bird feet markings, twisted branches. And in my dream I am able to read them all, to make sense of everything despite its difficulty.

SONG OF SUNSET ON THE RIVER A strip of water's spread in the setting sun, Half the river's emerald, half is red. I love the third night of the ninth month, The dew is like pearl; the moon like a bow.

Suicide. This is the exact opposite of last time, for this time I'm experiencing a kind of pleasure in life, in being alive, a pleasure in living that I've never experienced before, and I'm hopeful and confident that I can become someone with dignity. I know now why I couldn't change certain characteristics and certain things about myself, but it's not a problem anymore. Certain pathways I failed to open in the past have now opened. My whole self is radiating light. I see with clarity. I understand the cause and effect of the last year. What I had imagined I've now attained. It's as if I can see my life right in front of my eyes, and all I have to do is reach out and draw it in... Now I don't feel the acute pain I felt before; I feel enlightened, at peace. It's as if I've instantly found the secret of "Suffering", how to bear it and how to endure it... Yes, this time I've decided to kill myself not because I can't live with suffering and not because I don't enjoy being alive. I love life passionately, and my wish to die is a wish to live... Yes, I've chosen suicide. The endpoint of this process of "Forgiveness". Not to punish anyone or to protest a wrong. I've chosen suicide with a clarity I've never possessed before, with a rational resolve and sense of calm, in order to pursue the ultimate meaning of my life, act on my belief about the beauty between two people... I take complete responsibility for my life, and even if my physical body disappears upon death, I don't believe my spirit will disappear. As long as I have loved people fully, then I can be content fading into "Nothingness". If I'm using death to express my passion for life, then I still don't love her enough, don't love life enough. and I will reincarnate in a different form to love her and to be part of her life... So the death of my flesh really doesn't mean anything. Doesn't solve anything. Is this a tragedy? Will there be tragedy?

STAYING THE NIGHT AT A MOUNTAIN TEMPLE The high tower is a hundred feet tall, From here one's hand could pluck the stars. I do not dare to speak in a loud voice, I fear to disturb the people in heaven.

The Chinese did not admire a bent back; goddesses and warriors stood straight. Still there must have been a marvelous freeing of beauty when a worker laid down her burden and stretched and arched.

SPRING DAWN Spring dawn arrives unnoticed in my slumber, Till I hear birds twittering everywhere. It springs to mind a storm raged through overnight, Off it blew how many flowers I wonder?

SPRING SLEEP The pillow's low, the quilt is warm, the body smooth and peaceful, Sun shines on the door of the room, the curtain not yet open. Still the youthful taste of spring remains in the air, Often it will come to you even in your sleep.

T'ao Tsung-yi, a writer during the Yuan Dynasty (1271-1368), wrote that "children's meat was the best food of all in taste" followed by women and then men.

THE BLOOM IS NOT A BLOOM The bloom is not a bloom, The mist not mist. At midnight she comes, And goes again at dawn. She comes like a spring dream - how long will she stay? She goes like morning cloud, without a trace.

The Chinese considered the moon to be yin, feminine and full of negative energy, as opposed to the sun that was yang and exemplified masculinity. I liked the moon, with its soft silver beams. It was at once elusive and filled with trickery, so that lost objects that had rolled into the crevices of a room were rarely found, and books read in its light seemed to contain all sorts of fanciful stories that were never there the next morning.

The first Chinese star, they call her, and it's the qualifications that are crucial. First. Chinese. A star may play only him- or herself, but she is supposed to play a race. How can she be herself and represent millions, both at once? And who does she represent them to? To themselves or others? "Who does she thinks she is?" an outraged Nationalist critic has demanded. She wishes she could say. Not a star, then. A star gives off its own light. Another celestial body, a moon, reflecting others' light.

The Jews are a peculiar people: Things permitted to other nations are forbidden to the Jews. Other nations drive out thousands, even millions of people, and there is no refugee problem. Russia did it. Poland and Czechoslovakia did it. Turkey threw out a million Greeks and Algeria a million Frenchmen. Indonesia threw out heaven knows how many Chinese--and no one says a word about refugees. But in the case of Israel, the displaced Arabs have become eternal refugees. Everyone insists that Israel must take back every single Arab. Arnold Toynbee calls the displacement of the Arabs an atrocity greater than any committed by the Nazis. Other nations when victorious on the battlefield dictate peace terms. But when Israel is victorious it must sue for peace. Everyone expects the Jews to be the only real Christians in this world.

The Han language resembles no other on this earth. While I had no trouble learning to speak Mongol, and to write with its alphabet, I never learned more than a rudimentary comprehension of Han. The Mongol speech is gruff and harsh, like its speakers, but it at least employs sounds not too different from those heard in our Western languages. The Han, by contrast, is a speech of staccato syllables, and they are sung rather than spoken. Evidently the Han throat is incapable of forming more than a very few of the sounds that other people make. The sound of r, for one, is quite beyond them. My name in their speech was always Mah-ko. And, having so very few noises to work with, the Han must sound them on different tones—high, mid, low, rising, falling—to make a sufficient variety for compiling a vocabulary. It is like this: suppose our Ambrosian plainsong Gloria in excelsis had that meaning of “glory in the highest” only when sung to its traditional up and down neumes, and, if the syllables were sung in different ups and downs, were to change its meaning utterly—to “darkness in the lowest” or “dishonor to the basest” or even “fish for the frying.

[...] The monks sped up the process up for us laowai who have less time, less patience for basics, and a greater need for external markers of our accomplishments.

Then he asked my age, and I asked his. That's the tradition in China. If we know each other's ages we can understand each other's past. We chinese have been collective for so long, personal histories are not worth mentioning. Therefore as soon as Xiaolin and I knew how old the other was, we knew exactly what big shit happened in our lives. The introduction of the One Child Policy shortly before our births, for instance, and the fact that, in 1985, two pandas were sent to the USA as a national gift and we had to sing a tearful panda song at school. 1989 was the Tiananment Square student demonstration.

The old tales of China tell us that all things may grow and change. A stone may become a plant. A plant may become an animal. An animal may become a human. A human may become a god. Just so, a snake may become a woman. And we are told of one who did.