Best 1750 quotes in «directors quotes» category

Television can become a bit of a treadmill for directors. You come in, nobody knows you, the actors are already doing what they're doing, and you're just one of a number of directors who comes in.

Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it.

That and when you're doing live action you don't normally get to see the thing before it's in production. In this case we'd go in every couple weeks and look at animatic and sketches. The way they do it - is they'll put it up on a screen and the storyboard artist who worked on that sequence will talk you through it. Kind of like a pitch session. Then they would leave and we would sit there with the directors and say 'Alright - what if we change that? What if we do that?' It's very different from live action.

That business aspect of the media, that Charlotte Street world, the advertising and programme executives, it leaves me absolutely cold. I'm supposed to be the director of a television company, but I've only ever seen that company as a vehicle for making the kind of programmes we wanted to make, getting our ideas on the screen.

That excites me, working with really excellent people, be it wonderful directors or actors or cinematographers and especially writers. My work life is going to a set and having these great experiences and coming home shifted by them.

That is a big turn-on for me, a director who knows what he's doing and what he wants, and knows when he's gotten what he wants.

That's a frustration sometimes, that certain directors that I'd like to work with, they just aren't doing stories that I'm sort of castable in. Not always, but sometimes I have that frustration.

That's how I am as a director - if somebody does a really good take, I can't help it, I'm not even aware of it. Actors really, really need positive reinforcement.

That's the main thing, looking for interesting characters, good directors, and experiences where you're growing and learning.

That's why I never became a director. I never had patience with people.

That was the good thing about having different directors [on series]. You had to stay on your toes.

Theater is a lot more interactive, more of a cohesive unit. With television, it can be a different director every episode.

That was okay [ working with George Clooney]. One of these days I'll work with a good director.

That was me under the bath and the water being held down. The director wanted it to look as real as possible so he told Keanu, in front of me, don't go easy on her. So it was scary.

The action star's life is very short. Back in Asia, I can do whatever I want to do. I'm the producer, I'm the director, I can do so many things, but in Hollywood any time I present a script they say: "No, no, no, Rush Hour 3, Rush Hour 4.

The actor is concerned with his own bit of it, but the director's somehow trying to work the whole thing into a much bigger picture. It's like conducting an orchestra.

The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, "No here, don't do that, go there.

The architect is not only the director, but he is the composer. And, as a composer, the architect brings a sense of creativity to each building.

Theatre director: a person engaged by the management to conceal the fact that the players cannot act.

The attitude of the director is really important, in terms of setting tone.

The best director is the one you don't see.

The best films are because of nobody but the director.

The best directors I've worked with, they all have the same thing in common. They're the first to say, 'I don't know.' If you ask them, 'How are we actually pulling off this movie?', they'll just shrug and go, 'I have absolutely no idea.'

The attitude of the English towards English history reminds one a good deal of the attitude of a Hollywood director towards love.

The best camera, is the one that you have with you!

The best thing about switching from being an actor to being a director is that you dont have to shave or hold your stomach in anymore.

The best thing an actor can be is flexible, because all directors are different and all actors are different.

The casting directors that were aware of 'The Real World' looked at me as a joke. It was so hard to get away from that.

The best times I had on film sets were the times the director let me express myself, but those were rare.

The capitalist workplace is one of the most profoundly undemocratic institutions on the face of the Earth. Workers have no say over decisions affecting them. If workers sat on the board of directors of democratically operated self-managed enterprises, they wouldn't vote for the wildly unequal distribution of profits to benefit a few and for cutbacks for the many.

The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.

The choice that you really have is that you can go and work for TV which is so badly paid that you have to really churn them out which I think probably helps you develop certain muscles. I'm not sure though that you really want to have those muscles as a director.

The difference between being an actor and a director is simple. The director has to hide his panic; the actor doesn't.

The computer programmer is a creator of universes for which he alone is the lawgiver. No playwright, no stage director, no emperor, however powerful, has ever exercised such absolute authority to arrange a stage or field of battle and to command such unswervingly dutiful actors or troops.

The director is a bit analogous to the conductor of a symphony orchestra. It's a collaborative adventure.

The director, of course, was Bob Fosse. But again, I worked with my father to prepare for the role.

The director respects what they've hired you for and chosen you for: to do the part and respect what you're doing.

The director has to win, because you should never force a director to shoot something they don't believe in.

The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.

The director of the FBI...said we can't know for certain who these people are coming from Syria.

The directors [who know every detail] make films that are complete, basically.

The director, Antoine Fuqua, relies on small details, which anchor the vigilante-as-saint myth in at least a minimal degree of reality.

The director is simply the audience. His job is to preside over accidents.

The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.

The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.

The directors I consider really great have the ability to recognize when something's going in an unexpected direction and see it as a bonus and be able to go with it, as opposed to locking down what they thought was going to happen.

The directors of such companies, however, being the managers rather of other people's money than of their own, it cannot well be expected, that they should watch over it with the same anxious vigilance with which the partners in a private copartnery frequently watch over their own.... Negligence and profusion, therefore, must always prevail, more or less, in the management of the affairs of such a company.

The directors that I end up having a really good time with are the ones that understand the fluidity of the medium and are interested in catching lightning in a bottle.

The director was only invented in the nineteenth century. So directors have only been around for 200 year,s and playwrights have been around since Sophocles and Euripides.

The duty of a film director is to focus more on the soul of the spectator.