Best 11 quotes in «don quixote quotes» category

La Sagrada Familia is the best thing to come out of Spain since ‘Don Quixote.

Little did they suspect that the years would end by wearing away the disharmony. Little did they suspect that La Mancha and Montiel and the knight's frail figure would be, for the future, no less poetic than Sinbad's haunts or Ariosto's vast geographies. For myth is at the beginning of literature, and also at its end.

She left my world spinning like windmills on the plains of la Mancha.

Life is not interested in good and evil. Don Quixote was constantly choosing between good and evil, but then he was choosing in his dream state. He was mad. He entered reality only when he was so busy trying to cope with people that he had no time to distinguish between good and evil. Since people exist only in life, they must devote their time simply to being alive. Life is motion, and motion is concerned with what makes man move—which is ambition, power, pleasure. What time a man can devote to morality, he must take by force from the motion of which he is a part. He is compelled to make choices between good and evil sooner or later, because moral conscience demands that from him in order that he can live with himself tomorrow. His moral conscience is the curse he had to accept from the gods in order to gain from them the right to dream.

Ah gospodine! - reći će sinovica; - naredite vi mirne duše da se i te knjige spale kao i druge, jer dok moj gospodar stric ozdravi od viteške bolesti, ne bi bilo čudo da njega, ako on uščita te knjige, spopadne želja da se prometne u pastira i krene po šumama i livadama svirajući i pjevajući; ili, što je još gore, da postane pjesnik, a to je, kako vele, neizlječiva i prijelazna bolest.

Those in Argentina, Mexico and Peru, Colombia and the Caribbean Bear La Mancha and Quixote in their hearts For he is an ultimate and overlooked Don Juan.

Don Quixote is not an imaginary person; he is as real as Alexander the Great.

A thought expressed is a falsehood." In poetry what is not said and yet gleams through the beauty of the symbol, works more powerfully on the heart than that which is expressed in words. Symbolism makes the very style, the very artistic substance of poetry inspired, transparent, illuminated throughout like the delicate walls of an alabaster amphora in which a flame is ignited. Characters can also serve as symbols. Sancho Panza and Faust, Don Quixote and Hamlet, Don Juan and Falstaff, according to the words of Goethe, are "schwankende Gestalten." Apparitions which haunt mankind, sometimes repeatedly from age to age, accompany mankind from generation to generation. It is impossible to communicate in any words whatsoever the idea of such symbolic characters, for words only define and restrict thought, but symbols express the unrestricted aspect of truth. Moreover we cannot be satisfied with a vulgar, photographic exactness of experimental photoqraphv. We demand and have premonition of, according to the allusions of Flaubert, Maupassant, Turgenev, Ibsen, new and as yet undisclosed worlds of impressionability. This thirst for the unexperienced, in pursuit of elusive nuances, of the dark and unconscious in our sensibility, is the characteristic feature of the coming ideal poetry. Earlier Baudelaire and Edgar Allan Poe said that the beautiful must somewhat amaze, must seem unexpected and extraordinary. French critics more or less successfully named this feature - impressionism. Such are the three major elements of the new art: a mystical content, symbols, and the expansion of artistic impressionability. No positivistic conclusions, no utilitarian computation, but only a creative faith in something infinite and immortal can ignite the soul of man, create heroes, martyrs and prophets... People have need of faith, they need inspiration, they crave a holy madness in their heroes and martyrs. ("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature")

Don Quixote is not just Don Quixote; La Mancha is not just geography; It is our personal territory— Terra Nostra.

Hasta la muerte, todo es vida.

I'm a peaceful man, sir, meek and mild, and I can overlook any insult, because I've got a wife to support and children to bring up . . . In no way am I going to draw my sword against anyone, peasant or knight, and I hereby, before God my Maker, forgive all affronts that anybody ever has offered me or will offer me, whether the person who has offered them, offers them, or will offer them is of high or low birth, rich or poor, a gentleman or a commoner, not excepting any estate or condition whatsoever.